Jessie Buckley

The Bride!

by
Jessie Buckley as the Bride

Frankenstein’s unfortunate monster was put together out of offcuts and so is director Maggie Gyllenhaal’s The Bride!, a furiously eclectic assemblage of body parts. Motivating breath, alas, is there none and so the film remains on the table, lifeless, a glorious mess of gorgeous odds and sods, twitching but refusing to draw breath. To summarise the main thrust of the plot, after a century alone Frankenstein’s monster – Frank here – decides he needs a wife, and arrives at the office of Dr Euphronious, renowned for her re-animation research. After some niceties, Frank makes his pitch to Euphronious and she flat-out refuses to build him a bride, on ethical grounds. He responds with … Read more

Hamnet

by
Agnes and William running

Jessie Buckley does the acting and Paul Mescal once again plays Paul Mescal in Hamnet, a biopic of Shakespeare tilting the spotlight towards his wife, Anne Hathaway. Agnes, in fact, pronounced the French way, or that’s the way this sweet and salty adaptation of Maggie O’Farrell’s best-seller has it. Mescal, so often in a metaphorical leather jerkin, wears a real one this time around, playing the de-mythologised Shakespeare as stressed, hungover, doubtful of his own talents, a “useless… tradeless” (says his useless father) Latin teacher who meets a weirdo, “the daughter of a forest witch”, while she is out flying her hawk one day. He falls for her instantly, and she for him … Read more

Men

by
Harper in a dark passage

Impressive, the way Alex Garland shifted from being just an incredibly successful author to being an incredibly successful director as well. Men follows his previous two films, Ex Machina (what a debut) and Annihilation plus the TV show Devs, all three of which he also wrote. It’s a superbly conceived film, a folk horror movie with a great cast, fabulous atmosphere, a spooky score and some fabulous imagery. But is it actually scary? Is the sense of threat felt rather than just observed? I’m not convinced, though plenty of rave reviews seem fairly sure it is. Jessie Buckley plays an everywoman, Harper, a successful something or other with a swish apartment overlooking the … Read more

Women Talking

by
Jessie Buckley and Judith Ivey

Women Talking could have got a lot of dramatic mileage simply by telling the story of what happened rather than what happened next. But it opts for the latter, a daring ploy that eventually yields results, though there are moments on the journey when it looks like it’s not going to make it. Here’s what happened. In a devout, modernity-shunning Mennonite community in Bolivia between 2005 and 2008 a number of women and girls started waking up mornings to discover they’d been raped in their sleep. The youngest of the 151 victims was three, the oldest was 65. The community elders suggested that Satan was responsible, or one of his demons or possibly … Read more

The Lost Daughter

by
Peter Sarsgaard and Jessie Buckley

There’s a lot of misdirection in The Lost Daughter, starting with the title, but to go into exactly where the misdirection lies and what it consists of is to ruin the entire film. It’s an adaptation of an Elena Ferrante novel, which is a bit of an unusual departure in itself, because for all the massive popularity of Ferrante right now, there have been very few screen adaptations of her work – before this only two movies in 1995 and 2005, and a highly regarded Italian TV series (about to enter its fourth season, as I type). The success of The Lost Daughter – Oscar nominations for the two lead actors, plus another … Read more

The Courier

by
Wynne with Dickie Franks and Emily Donovan

A familiar and enjoyable spy movie of the old school, The Courier went by the name Ironbark on its first screenings. The new title suits it better. Why that is, and whether the film should be so familiar and enjoyable is the question. It’s the true story of a middle-class amateur, Greville Wynne, deployed on a no-need-to-know basis by MI6 and the CIA to ferry messages from a Soviet agent back to the West at the height of the Cold War. Together, so the story goes, Wynne and agent Oleg Penkovsky saved the world from destruction as the Cuban Missile Crisis threatened to unleash World War III. “I’m just a salesman,” says Wynne … Read more