Sans Lendemain
When the name Max Ophüls comes up, Sans Lendemain isn’t the first film most people think of. That would probably be Lola Montès, or La Ronde, or Letters from an Unknown Woman. But this 1939 outlier is distinctively Ophüls, a superb if small film, knotty in theme, beautiful in look and with a great performance by its female star, Edwige Feuillère. Ophüls was born Maximillian Oppenheimer and was a German Jew who fled the Nazis in 1933, made a few films in France, before fleeing the Nazis again in 1941, to America, where he never got quite the platform he deserved. Fellow directors like Preston Sturges championed him – partly because his lavish … Read more