Fritz Lang

Clash by Night

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Marilyn Monroe and Barbara Stanwyck face to face

Marilyn Monroe as a fishwife?! 1952’s Clash by Night has some fun incidentals like Monroe, making much of a small role. But the real action is with Barbara Stanwyck, as a goodtime girl who’s worn out her welcome after ten years in the big city and is now back in the coastal town where she grew up to wreak havoc among the menfolk. It’s another tough-nut role for Stanwyck, who plays a woman who decisively knows what she doesn’t want but isn’t quite sure what she does want. Should Mae, for instance, go with her head and marry dull and dependable Jerry (Paul Douglas)? Or have a fling with bad boy Earl (Robert … Read more

The Testament of Dr. Mabuse

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Close-up of Dr Mabuse

Technically remarkable, fitfully brilliant, not entirely successful, The Testament of Dr. Mabuse (Das Testament des Dr. Mabuse) was Fritz Lang’s second time out with a character who fascinated him. His creation is the archetypal Bond villain, a criminal mastermind whose tentacular reach extends right through the city of 1930s Berlin and from the here and now into the afterlife, or so it appears. The story kicks off where 1922’s Dr Mabuse the Gambler ended, with Mabuse in an insane asylum after being apprehended by the police. Whether he is actually or just feigning it is moot, but one man on the case, Inspector Hofmeister, believes Mabuse is still somehow running his rackets. As … Read more

The Blue Gardenia

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Norah on the phone

A young woman whose soldier boyfriend has just dumped her goes out for a drink with a known “wolf”. Drunk and vulnerable, she then heads back to his place, where, he tells her, there’s a party going down, only to discover that the party consists of just her and him. The next morning the very handsy Harry Prebble (Raymond Burr) is dead, beaten to death with a poker. Did sweet Norah (Anne Baxter) do it? Of course she didn’t – we know how these things go. But for the rest of this underwhelming thriller’s 85-minute running time we watch and wait for energetic journalist Casey Mayo and lacklustre cop Sam Haynes to arrive … Read more

Liliom

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Liliom at the carnival

“I almost like Liliom best of all,” Fritz Lang said in 1974 about the film he’d directed 40 years earlier. This from a director who invented whole genres (like the spy thriller), directed massive epics (Metropolis) and went on to dominate the crime drama with films like The Big Heat. Lang’s entirely atypical film about the poetic side of wife-beating is quite a surprise. It is a film full of surprises though. The story for one – sweet young Julie falls for rapscallion carnival barker Liliom, a man who loves her but is violent, lazy, feckless and eventually meets an ugly end after taking part in a heist. He then ascends to purgatory, … Read more

The Big Heat

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Debby and Sgt Bannion

The Big Heat is one of the big movies of film noir – see The Big Sleep, The Big Clock, The Big Combo from the classic era, or The Big Easy, The Big Blue and The Big Lebowski from later on. Weak joke aside, it’s big in the other sense too, being important, pivotal, epochal even. Here you get director Fritz Lang at the top of his game and a screenplay that works like a ratchet, almost every scene advancing the story a notch while flinty characters are pushed hither and yon by a cruel and ironic fate. It’s the film that famously starts with the image of a gun on a desk. … Read more

100 Years of… Dr. Mabuse the Gambler

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Dr Mabuse in one of his many disguises

An important film rather than a good one, at four and a half hours Dr. Mabuse the Gambler (Dr. Mabuse, der Spieler) is simply too unwieldy to qualify as a quality movie and yet it regularly ranks up there with the best of them, bolstered by the reputation of its director, Fritz Lang, who, whisper it, could turn out some real rubbish when his mind wasn’t on his work. Dr. Mabuse the Gambler is not rubbish though. And in spite of the reservations about its length, this silent behemoth from 1922 is a remarkable document in many ways, though a heavy one, in which Lang lays down the template for all the bad … Read more

Confirm or Deny

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Mitch types while a locked up Jennifer tries to persuade him not to file his story

War is hell but also kind of fun in Confirm or Deny, one of a series of movies made by Hollywood when America was still a neutral power using emotional blackmail to counter isolationism and persuade the country to join the fray. Eventually Pearl Harbor and Hitler’s insane decision to declare war on the USA would render films like this redundant, but in 1941 they were turning up regularly, all of them positioning the UK, Britain, England, call it what you like, as the home of a doughty breed, people just like its intended American audiences, who needed all the help they could get in their hour of need. This is a remarkably … Read more

Moontide

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Anna and Bobo hold each other

One of the little joys of Moontide is trying to work out which bits of it were directed by Fritz Lang. His name isn’t on the screen credits but he was the original director, until he was fired after falling out with its star, Jean Gabin. Ironically, it was Gabin who had campaigned to get Lang attached to the film in the first place, which shows he had quite a lot of pull in Hollywood for someone who might have been France’s biggest star but was unknown in America when he arrived there to escape the Nazis. Archie Mayo gets the director credit but it’s surely Lang behind the camera for the opening … Read more

Hangmen Also Die!

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Dr Franticek Svoboda

The screamer hanging off the end of Hangmen Also Die! kind of says it all. As if “hangmen” and “die” in the same sentence weren’t enough, the title of Fritz Lang’s 1943 film adds extra emphasis, just in case we hadn’t got it. The scrolling opening prologue continues in much the same vein, informing us that the “thousand year flaming tradition” burning in the hearts of the people of Czechoslovakia was in danger of being extinguished by the Nazis. Czechoslovakia was in fact about 25 years old at the time, having been cobbled together at the end of the First World War (it is now two separate countries again). This insistence is all … Read more

Western Union

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Randolph Scott in hat

A nice 95-minute advertisement for a company still with us, 1941’s Western Union is appropriately both a western and about the Union, being an adaptation of a Zane Grey story about how the west was won, or at least connected up to the rest of the United States, by telegraph wire. In linking coast to coast, telegraph company Western Union helped forge the country into a more solid political entity. Three men dominate the action – Randolph Scott as Vance Shaw, a loner former outlaw and fixer persuaded to join the drive to lay cable across terrain good and bad. Robert Young plays rich man’s son Richard Blake, an engineer who is also … Read more