Drive My Car

Yûsuke and his driver Misaki

Ryûsuke Hamaguchi delivered two chunky movies in 2021. The three hour Drive My Car followed hot on the heels of Wheel of Fortune and Fantasy. Both movies are interested in identity and the way humans sometimes make use of lies in order to access truth. It’s a case of the theatre director, his driver, his wife and her lover, with the slightly hangdog Hidetoshi Nishijima playing Yûsuke, the grieving actor-turned-director trying to put on a production of Uncle Vanya with a cast using his celebrated avant-garde methods – different people talking in different languages (including one actor using Korean sign language). It’s a metaphor for the gulf between speech and meaning – language … Read more

Wheel of Fortune and Fantasy

Kiyohiko Shibukawa and Katsuki Mori in Door Wide Open

More is sometimes less. Not so with Wheel of Fortune and Fantasy, three separate love stories connected by the fact that the the people in them are a bit fucked up and which together deliver more synergistic bang for your buck than the average single-plot feature. Offbeat associations are something of a theme with the films of writer/director Ryûsuke Hamaguchi, whose feature debut was all about an astronaut’s relationship with his dead wife. Yes, reader, it was a remake of Tarkovsky’s Solaris, no less – made while Hamaguchi was at college. He went on to explore human relations in films like Passion, Intimacies and Touching the Skin of Eeriness and his current film, … Read more