January 2026 | MovieSteve

Drunken Angel

2026-01-31 by Steve

Matsunaga and Sanada almost come to blows

Apparently Martin Scorsese and Leonardo DiCaprio were discussing a remake of Akira Kurosawa’s Drunken Angel. It never happened, but we do at least have the 1948 original, a study of two flawed men in the Japanese equivalent of a film noir setting. On the one side a gangster played by Toshirô Mifune. On the other an alcoholic doctor played by Takashi Shimura. Kurosawa wastes no time throwing them together. In the film’s opening scene Mifune’s Matsunaga is already at the drunken doctor’s surgery with a bullet in his hand. The doctor gives him short shrift while tending to the wound – he doesn’t like gangsters and isn’t shy about saying so. Matsunaga takes … Read more

Hi-Five

2026-01-30 by Steve

Religious leader Yeong-chun before the de-ageing

Marvel you probably know, Misfits possibly not. Hi-Five is a bit of both – the superhero powers go to a bunch of high school kids in this soaraway South Korean actioner that’s obviously good from its opening moments. And it pretty much stays that way to the end. Pacy, witty, with likeable characters and a story arc you can see from space – it’s all going to end up in a fisty showdown. The magical blah at the beginning sets up the story neatly. Opening scene of an ambulance rushing through the streets. At the hospital it’s bad news for whoever was in the back of that vehicle. They’re dead. But their organs … Read more

100 Years of… Flesh and the Devil

2026-01-29 by Steve

Flesh and the Devil was Greta Garbo’s third Hollywood movie after arriving from Europe aged 20 in 1925, and it’s the one where everything suddenly clicks. She has the right director (Clarence Brown), the right director of photography (William H Daniels) and the right co-star (top-billed John Gilbert aka The Great Lover). Originally it was meant to be Lillian Gish in the lead, but Garbo got the job because she was cheaper. The massive success of Flesh and the Devil made Garbo bigger than Gish, Swanson and all of the rest of them, bigger even than any studio. From this moment on she could write her own ticket. With total total control she … Read more

The Ugly Stepsister

2026-01-28 by Steve

The Ugly Stepsister (Den stygge stesøsteren) started life as a film about a woman with a talking vulva. Then writer/director Emilie Blichfeldt decided to come at the same idea – the onerous demands put on young women – by taking a second run at the Cinderella fairy tale. The resulting debut feature introduces a really gifted director to a wider audience, though the film itself could learn a lesson from Cinderella herself – it’s the dainty foot that gets into the glass slipper, not the galumphing one. It’s the same story, just slanted so we see it from the point of view of the loser – in this case Elvira (Lea Myren), the … Read more

All the Colors of the Dark

2026-01-27 by Steve

The plot’s terrible but the mood is tasty in All the Colors of the Dark (Tutti I colori del buio), an Italian/Spanish giallo from 1972 that does its best – and breast – work early on. The opening sequence is formidably unsettling. A lurid montage of nudity, distortion, doubled imagery, a hideous pregnant woman in a fright wig on a gurney, a man dressed as Bo Peep, the camera pulsing in and out as if on psychedelics while children sing tunelessly on the unnerving soundtrack. After that, waking from the horrendous nightmare reliving the night her child died, Jane Harrison (Edwige Fenech) hops out of bed and into the shower in her skimpy nightdress, for … Read more

Wicked: For Good

2026-01-262026-01-26 by Steve

We’re off to see the wizard – again – in Wicked: For Good, part two of the origin story of the bad and good witch, Elphaba and Glinda, from The Wizard of Oz. It remains fascinating politically – Glinda the Good is actually Glinda the Horribly Compromised. And the Wicked Witch turns out to be a creature of some backbone. Together Ariana Grande and Cynthia Erivo remain magnificent, the massiveness of Grande’s voice (out of such a wee body) matched by Erivo’s ability to project at the highest level. But, all in all, it’s just good, OK, fine, all the way through. If you’ve seen part one then you probably have to see … Read more

Oh, Hi!

2026-01-26 by Steve

When is a good time to tell your girlfriend that you’re just not that into her? Oh, Hi! suggests it probably isn’t when you’re in the middle of a light bondage session and you’re handcuffed to a bed. Yup. Stoopid. That’s the scenario that director Sophie Brooks and star Molly Gordon dreamt up while they were also in something of a handcuff situation – locked down during Covid – and they work it for all its worth in this larky, darkish dramedy at its best when it takes risks. Gordon you may know from being the on/off girlfriend of main man Carmy (Jeremy Allen White) in TV show The Bear. She’s playing a … Read more

The House on 92nd Street

2026-01-25 by Steve

The House on 92nd Street is the sort of earnest propaganda movie Hollywood liked to pump out once in a while in the 1940s. It was made during wartime, so the justification is there, and it deals with a real case – the fifth column of Nazi-sympathising Americans working to overthrow their own government and install Hitler. And it’s based on a real case, the Duquesne spy ring. Director Henry Hathaway and his writers give us about ten minutes of sonorous scene-setting in a “ripped from the headlines” newsreel-voiceover style before introducing the hero – William Eythe’s Bill Dietrich, a second-generation German American who is recruited as a double agent by the FBI … Read more

100 Years of… 3 Bad Men

2026-01-23 by Steve

The three bad men point their guns at the camera

3 Bad Men was John Ford’s last silent western, though it was obviously never billed as such (who knew, when it opened, that the silent era would end within a couple of years?). The unannounced end of an era was released in 1926 and Ford wouldn’t return to the genre until Stagecoach in 1939. It’s a Ford classic, though you can see all the key elements in this earlier film – admirably straightforward storytelling through powerful characters against stunning backdrops. For those who consider silent movies to be a lesser art form, the unsophisticated predecessor to the real deal, this could be an eye opener. It’s ironic, for a start, and that starts with … Read more