Steve

Don’t Bother to Knock

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Richard Widmark and Marilyn Monroe

The casting is crucial to the success of Don’t Bother to Knock as a taut psychological drama. On one side two actors – Richard Widmark and Elisha Cook Jr – known for playing weirdos, psychos, oddballs or generally damaged individuals. And on the other is Marilyn Monroe. In her first lead role, after a series of minor cheesecake roles and light comedies, it’s actually Monroe who’s the proper whacko in this strange story centred on Nell Forbes (Monroe), a disturbed young woman who is babysitting a little girl for one night when by rights Nell should probably be in an asylum. As for Cook and Widmark, the former plays Nell’s decent uncle Eddie, … Read more

Sweet Dreams

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Hayati Azis as Siti

If Knives Out weren’t a lark it would look something like Sweet Dreams (Zoete Dromen), a thriller from the Netherlands where the usual murder mystery is sharpened by a hit of oppression mixed with anti-colonial hatred. It’s a lovely-looking, lushly colourful movie set around 1900 in the Dutch East Indies where the white colonists are running a sugar-factory concern and living the high life indoors – dressing entirely in white for dinner, dining on sucking pig – while the brown folk do all the work outdoors. Unlike the usual Agatha Christie-style whodunit, all the sublimated stuff gets given its moment in the sun. There are servants who they simmer with resentment. There are natives … Read more

Fail Safe

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Translator Buck and the US president

The dark twin of Dr Strangelove, Fail Safe came out the same year as Kubrick’s film and was sued by him over copyright infringement. There wasn’t any, but for a quiet life Kubrick’s studio, Columbia, played along and released his film first in January, then Sidney Lumet’s film later in the year. Both films are reactions to the Cuban Missile Crisis two years before, a point in history when events seemed to gain a traction all of their own and humans seemed powerless to prevent what looked like a slide towards nuclear war between the USA and USSR. Both Strangelove and Fail Safe ask the question: what if humans really hadn’t been able … Read more

Causeway

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Close up of Lynsey (Jennifer Lawrence)

Welcome back, Jennifer Lawrence, who as recently as 2015/16 was the world’s highest paid actress and in Causeway reminds us why. And perhaps needed to – so many films she’s appeared in since her high-water mark have been just a touch underwhelming. And welcome to the big time for Brian Tyree Henry. Oscar-nominated for his role here, he’s been impressive in everything he’s been in for years, but it was 2020’s The Outside Story that proved he could carry an entire movie on his own. In what’s largely a two-hander – it could almost be a play in a studio theatre – Lawrence plays a soldier suffering post-traumatic physical and mental trauma after … Read more

Suddenly

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Sidekick Bart with Frank Sinatra's John Baron

Suddenly is apparently the movie that Lee Harvey Oswald watched before setting out to kill President John F Kennedy. God knows why Oswald was looking to it for inspiration because things don’t end triumphantly at all for the guys on screen trying to assassinate their own US president. It is triumphant as a movie though, a strange, small, short drama in many ways as odd as its title. Suddenly is the name of the town where the whole thing is set, a nowheresville with a railroad station that’s essentially just a halt on the line, where a telegraph operator receives a message over the wire – prepare to receive the US president this afternoon, … Read more

The Beanie Bubble

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Robbie and Ty step out in pink

The story behind the success of a stuffed-toy phenomenon, The Beanie Bubble is in many ways a template World 2.0 tale of one man, a vision, plus a lot of help from other people, most of whom get left in the dust when it is time to bask in the glory. It could be Jobs, or Musk, or Thiel, or Bezos, but here it’s Ty Warner – in many ways he got there first, building up a company selling understuffed, very soft toys to children. The toys became a thing, a can’t-lose investment. Starting in the 1980s but accelerating to warp speed in the 1990s, Ty Inc. rose and rose on the back … Read more

Downhill Racer

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Chappellet in helmet and goggles

Roman Polanski was meant to direct Downhill Racer but producer Robert Evans diverted him on to Rosemary’s Baby instead. So here’s Michael Ritchie’s pass at the same material. The former TV director does a good job, and let’s face it Rosemary’s Baby needed Polanski. Good jobs are done all round in fact. Mostly by Robert Redford, actually acting against type for once rather than just smiling and looking handsome, playing a skier who is part of the US effort to bust apart European dominance of winter sports. The thing about Redford’s Dave Chappellet, though, is that he’s not a team player. Nor, depending on how you look at it, is downhill skiing really … Read more

Lost in the Night

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Emiliano and Mónica lying down together

A thriller done without the genre defaults, Lost in the Night (Perdidos en la Noche) is a film by Amat Escalante, a director who likes it bright and wide, slow and considered – more or less the opposite of the usual dark, claustrophobic, rapid and kneejerk. Does it work? No, but it’s a near miss rather than a catastrophic fail, an ambitious film pushing the genre in an unusual direction, and at its centre a loner’s performance by Juan Daniel García Treviño, playing a Mexican teenager trying to find out what happened to his political activist mother three years earlier. His investigation takes him to the home of the Aldama family, a strange … Read more

Boomerang!

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Father Lambert with a gun to his head

Boomerang! – what a great movie. Fully justifying that screamer, this movie from 1947 doesn’t get the love it deserves. For two reasons, of which more later. But first let’s clear away the baggage. It’s not a film noir, though it’s often described as one. Instead it’s one of those “ripped from the headlines” crime dramas that came along a bit later, relying on “you are there” levels of authenticity to bolster its dramatic credentials. In a written preamble we’re told that not only was the film shot on the same locations as the events it relates, but it uses some of the same people. The first is not true. The real-life incidents … Read more

Daaaaaalí!

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Edouard Baer as Dali

Surrealist film-maker makes film about surrealist artist shock. Daaaaaalí! is the result, and you wonder why Quentin Dupieux, who’s only a semi-serious surrealist really, didn’t do it before. Dupieux starts off with a bit of comedy. Judith, a nervous young reporter played by Anaïs Demoustier, stands in a corridor with the great painter’s assistant, awaiting his arrival. Here he comes, says the right-hand woman, and indeed it is the legend himself, barrelling towards them down the corridor, his signature moustache pointing skyward, his mouth working at a mile a minute as this ball of self-regard and practised eccentricity approaches them. Except he never seems quite to arrive. In a scene familiar from an … Read more