The Devil’s Bath

Agnes in semi shade, suffering

Powerful to the point of punishment, The Devil’s Bath (Des Teufels Bad) is Austria’s contender for the Best International Feature Oscar in 2025. It won’t win. It probably won’t even make the shortlist. Too bleak. Too uncompromising. Seen one way, it’s a group portrait of the extremely grim existence hacked out by peasants in a remote part of 18th-century Austria. Seen another, it’s the progress of one female from fragile, dreamy single girl to married woman in psychological extremis. Anja Plaschg plays Agnes, a sweet, unworldly creature who in early scenes is married off to Wolf (David Scheid), a bear of a man who seems delighted to be married to her. Or maybe … Read more

Fallen Angel

Eric and Stella

Watching a conman grift himself into a corner is always fun. In 1945’s Fallen Angel Otto Preminger gives us just that while Dana Andrews delivers another of the flat-faced, almost featureless performances he was so good at. He plays the shyster arriving in a small town with barely a cent in his pocket, who sets about trying to work his charms on a town full of hayseeds. Stop number one, another pair of grifters who run a clairvoyant act. But even before he gets stuck into Professor Madley (John Carradine, cadaverous features well deployed) and his assistant Joe (Olin Howard), Eric (Andrews) has had the misfortune of running into Stella (Linda Darnell), the … Read more

Semmelweis

Ignác and Emma

If you know the name, you’ll know the film. Semmelweis tells the story of the 19th-century doctor who introduced hand-washing to labour wards in Vienna and at a stroke reduced the incidence of puerperal (aka childbed) fever, a killer of new mothers. Opening shot: a pregnant woman going into labour on the Austrian capital’s streets screaming blue murder when the police try to hustle her into the “death factory”, as she calls the maternity hospital. We’ve been plunged straight into the meat of the movie. Why is she so reluctant to go? What is regularly killing new mothers in this venerable institution, and why, we soon learn, does the midwife clinic across the … Read more

Fury

Katherine consoles Joe

In 1936’s Fury, Fritz Lang revisits one of the key themes of M, his 1931 paranoid classic about a child murderer on the run. The focus on mob rule had seemed prophetic in a country about to install the Nazis as its rulers, but how well would it translate to democratic America? Very well is the answer, and it would stand up even better now, in the world of social media, where a rumour is enough to convict in the court of public opinion and the best option for anyone caught up in a pile-on is to disappear entirely. Joe (Spencer Tracy) and Katherine (Sylvia Sidney) are very much in love and plan … Read more

Oktober November

Sonja dressed in a little black dress

After sublime revenge thriller Revanche, Austrian writer/director Götz Spielmann falls back to earth with Oktober November, a soap, a melodrama, call it what you will, but whether you like it or not, it’s a film with a chrome-like finish. It hangs off the spectacular cheekbones of its star, Nora Waldstätten, an ice-maiden specialist giving us blasts of wintry chill in her portrayal of Sonja, a successful actor who’s headed back home where her dad is sick and her sister is conducting an illicit affair with the handsome local doctor who tends to the old man. Here, in the bosom of her family, as dad shuffles towards his final days, old tensions re-emerge, secrets … Read more

The Killing

Johnny lays out the plan to the gang

Stanley Kubrick really gets going with 1956’s The Killing, the first of his grand march through the genres. Paths of Glory, Lolita, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, The Shining, Full Metal Jacket and Eyes Wide Shut would follow but here Kubrick’s attempt to do genre movies in a distinctively different way focuses on film noir, and in particular the noirish heist. Yes, there had been earlier movies, Killer’s Kiss and Fear and Desire, but Kubrick considered those the training warm-ups of the ambitious amateur rather than considered finished products. Here, thanks to a partnership with producer James Harris, he had enough money and enough technical talent behind and in … Read more

The Vourdalak

An indistinct vourdalak bites into the neck of the marquis

Dracula before Dracula, the original of The Vourdalak, Aleksei Tolstoy’s The Family of the Vourdalak, was written in 1839, nearly 60 years before Bram Stoker sat down to write his tale of the Undead. It’s a refreshingly different take on the story we’re all used to, with a focus, unsurprisingly given the title, on how the average everyday vampire might get along with his relations, blood and otherwise. This retelling of the story makes for a very drole movie, in the very French sense of the word. Not exactly comedic but prancing about in that territory somewhere and incarnated in the central character – the Jonathan Harker, if you like – an innocent … Read more

OK Connery

Sean Connery's younger brother Neil

A moving target is harder to hit. That must be why OK Connery goes by so many different titles. The perfectly reasonable Operation Kid Brother is one alternative, the frankly bizarre Divided Evil another. Probably the most informative of all the variants, apart from the original, is Operation Double 007. If I tell you that it stars Sean Connery’s younger brother, Neil, you’ll twig what’s going on here. A mockbuster Bond movie, complete with actors from the franchise. Like Bernard Lee, who played M; Lois Maxwell, of Miss Moneypenny fame; a Bond Girl in the shape of Daniela Bianchi (she was in From Russia with Love); Adolfo Celi (a villain in Thunderball); and … Read more

May December

Gracie and Joe snuggle together

Todd Haynes loves Douglas Sirk but with May December he takes on a love-across-the-divide tale even Sirk might struggle with. The story is loosely based on the Mary Kay Letourneau scandal, the case of a 34-year-old teacher and her inappropriate sexual relationship with a 12-year-old boy. In this retelling, the teacher was the 36-year-old Gracie and the boy the 13-year-old Joe, a couple who met in a pet store where she helped out and he did odd jobs, and where the two of them were one day discovered in flagrante in the store room. But that was all 20 years in the past. As Haynes picks up the story the scandal is all … Read more

Hangover Square

George and Netta

The film that killed its star, Hangover Square is an adaptation of Patrick Wilson’s most popular novel, a moody noir set in gaslit, foggy London and with a psychoanalytical element that marks it out as a beast lumbering out of the 1940s. There’s a lot to like here but the first thing to grab the attention is the score by Bernard Herrmann, which sets the mood with its jangling tangle of unresolved chords, followed by a giddy, swooping camera swinging us straight into the action – a man being killed done from the killer’s point of view. The killer is George Harvey Bone (Laird Cregar), a classical composer with dissociative identity disorder (multiple … Read more