Steve

Merry-Go-Round

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Marinka and Maté on the merry-go-round

“The pinnacle of Hungarian cinema,” is how István Szabó described Merry-Go-Round (Körhinta), and since he directed Mephisto and Colonel Redl, he’s worth listening to. But what of Zoltán Fábri, director of Merry-Go-Round, two of whose later films were Oscar nominated, which is quite a feat considering the deterrent effect of the Iron Curtain when he was at his creative peak. Not having seen any of his other films, I can only speak for this outing from 1956, which tells a familiar love story, adds just enough politics to keep the commissars happy (and allows for all manner of readings) and overlays everything with a heady wash of poetic realism, just like the French … Read more

Challengers

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Art and Patrick kissing Tashi

Structured like a game of tennis, pinging back and forth over a chronological net, Challengers tells the story of three people locked together in an unsavoury menage. A big, panting melodrama of the sort Douglas Sirk would recognise, it’s thrillingly conceived, ingeniously constructed and plays out impressively but overstays its welcome like a tie break that will not deliver a victor. And that’s your lot for tennis metaphors. It starts at the end, where once-friends and now-rivals Art Donaldson (the solid plugger) and Patrick Zweig (the naturally talented bad boy) are at a tournament playing the game of their lives, though how important that game is won’t become apparent until the film reaches … Read more

Lumumba

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Eriq Ebouaney as Patrice Lumumba

Lumumba tells in grimly appropriate bullet points the story of the rise and fall of Patrice Lumumba, the prime minister of Congo-Léopoldville from its moment of independence in 1960 to Lumumba’s ousting and killing in a coup less than three months later. If you don’t know anything about Lumumba, Raoul Peck’s film will tell you just enough of what you need to know. How a charismatic and politically engaged young man went from being a successful beer salesman to the country’s first prime minister by espousing national and pan-African ideals. How this stirred resentment from rivals more wedded to a tribal and regional politics. And how they caballed with the ousted rulers of … Read more

Food, Inc. 2

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Author and activist Michael Pollan

Food, Inc. 2, it won’t surprise anyone to hear, is the follow-up to Food, Inc., the 2008 documentary which usefully summarised what you might call the anti-Big Food position. Bad, in a word. Food, Inc. 2 doesn’t have much that’s positive to say in this update, not at first anyway. It also starts with an opening premise that seems to be contradicted by facts – that the production of food is in so few hands that the supply chain isn’t secure. It then points to the Covid pandemic when… er… I don’t remember hearing stories of food running out. Panic buying, yes. Kinks in the supply chain, yes. More than that – not so … Read more

Klute

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Donald Sutherland in Klute

Donald Sutherland died the day before yesterday, so I thought I’d rummage around and see what I had of his. Turns out I have Klute in Criterion’s 4K restoration. And, having now watched it, I can report that it delivers on many levels, not least Sutherland’s performance, which is a thing of minimalist wonder. It was made in 1971 so we’re at Peak Donald – Mash, his breakthrough, and Kelly’s Heroes had both come the year before. Don’t Look Now would come two years later. Then came 1900 and Fellini’s Casanova, probably the best of the bunch of around 18 movies Sutherland made in that hot streak from 1970-77. Klute is actually Jane … Read more

The Fall Guy

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Ryan Gosling in shades

For a while you couldn’t escape Ryan Gosling and Emily Blunt banging the drum for The Fall Guy. They were everywhere, doing Herculean amounts of publicity, usually a sign that a big-bucks movie isn’t quite as good as everyone expected. Which turns out to be true. But The Fall Guy is not bad. It is entertaining enough, with diverting performances, cool action, stunts and so on. But it’s not a Tom Cruise movie, pleasing though Gosling is as the stunt guy who comes back from serious injury to save the day, get the girl and defeat the bad guy. We all know, don’t we, that it’s based on the successful TV show starring … Read more

Basic Instinct

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Sharon Stone as Catherine Tramell

Everyone involved was having a bit of a moment when Basic Instinct was being made in 1991. Sharon Stone had just had her breakthrough in Total Recall. Michael Douglas was peaking as the go-to guy for reptilian charm – Fatal Attraction, Wall Street and The War of the Roses were in his recent past, Falling Down would follow shortly. Director Paul Verhoeven’s two most recent films were RoboCop and Total Recall, Showgirls was in the works. And Joe Eszterhas at this point was known as the man who’d written Flashdance and Jagged Edge. Basic Instinct‘s reputation precedes it, thanks to the bit where Sharon Stone in an interrogation room full of male cops … Read more

Turtles All the Way Down

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Aza leans her head on Daisy's shoulder

Can you have a boyfriend if even the thought of kissing someone distresses you? Turtles All the Way Down is the film equivalent of a Billie Eilish song, a tale of teenage angst written by John Green, who also did The Fault in Our Stars. And, as the Amazon algorithm puts it, if you liked that you’ll probably like this. Aza (Isabella Merced) has OCD, which manifests as an extreme aversion to germs. Microbes, bacteria and c.diff in particular are what Aza thinks about all day long. Which means dating boys – all that saliva and oral glop – is right out. But that’s fine. Aza has her bestie by her. A chatty … Read more

Dead Heat on a Merry-Go-Round

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A smiling James Coburn

James Coburn’s time as an A list star lasted only… how long? A year? Three? 1966’s Dead Heat on a Merry-Go-Round is emblematic of the series of films that took Coburn to the top rung and then pulled him off it again. Key exhibit here is Our Man Flint, also from 1966 – a bona-fide hit giving him a star vehicle after having been eye-catching in other people’s films – The Magnificent Seven, The Great Escape and Charade to name but three. Dead Heat was not a hit but it didn’t stop Coburn returning to the comedy caper teat again and again, milking it dry with successive films – In Like Flint, Waterhole Three, … Read more

Deep Sea

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Shenxiu all at sea

Deep Sea came as a genuine surprise, not that I know much about the state of Chinese animation in 2024, or any other year. But what a magical, remarkable, imaginative, technically inventive film this is. The story is pretty much Studio Ghibli – Shenxiu, a young girl whose mother has walked out and whose father has remarried and lost interest in her, falls over the rail of the ship her family are on and is instantly transported to a phantasmagorical undersea world. Here she ends up in a busy restaurant kitchen on board a cranky submarine powered by pedalling walruses and is taken under the wing of Nan He, an avant-garde chef (his estimation … Read more