Review

Anatomy of a Fall

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Sandra and her lawyer

Following on from the brilliant Sybil, Justine Triet double-taps it with Anatomy of a Fall, another rangy drama with rare psychological depth. Written expressly for Sandra Hüller by Triet and her partner Arthur Harari – and you only hope that it doesn’t reflect their own relationship – it’s the old “did he fall or was he pushed story” spun out at tantalising length. Did Sandra (Hüller’s character’s name too) push her husband to his death off the balcony of their swish chalet in the French Alps or was she asleep at the time, oblivious to everything with ear plugs in, as she claims? We follow Sandra from the film’s opening moments to the … Read more

The Set-Up

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Robert Ryan's Stoker on the canvas

Here’s the set-up to 1949’s The Set-Up. On one side Stoker, an ageing boxer convinced he has one more shot at glory. On the other Tiger, an upcoming young fighter in the pocket of a local gang boss. The boss, via an intermediary, asks/commands Tiny, Stoker’s manager/trainer, to get Stoker to throw the fight. Tiny is convinced Stoker will go down anyway so he doesn’t bother to pass on the message that Stoker is to take a dive in the third. Tiny is not just a coward – he avoids an awkward confrontation with Stoker – this way he also doesn’t have to share any of the sweetener with his boy. The Set-Up is … Read more

A Haunting in Venice

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Poirot in the dark with a crucifix in the background

A change of gear for Kenneth Branagh’s third Agatha Christie adaptation. A Haunting in Venice isn’t as starry as Murder on the Orient Express or Death on the Nile, doesn’t start out with a captive roster of possible murderers and murderees and, to an extent, abandons the strict rationality of previous Hercule Poirot adventures for something a bit more supernatural. All three turn out to be changes for the better. This is probably the best of the bunch so far, though, full disclosure, I’m not really a fan of these things. Whether it’s Peter Ustinov, John Malkovich, Albert Finney, Ian Holm, David Suchet, Tony Randall, Alfred Molina or even Austin Trevor (first of … Read more

The Street with No Name

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Mark Stevens, Barbara Lawrence and Richard Widmark pose for a publicity shot

Full of guys with nicknames like Mutt, Shivvy and Whitey, 1948’s The Street with No Name is your tough, streetwise crime drama making many claims to authentiticity. It was one of a run of “semi-documentary” movies made around this time, often by Twentieth Century-Fox, and shot out on the streets, in the bars and at the racetracks where ordinary Americans lived their lives in the boom that followed the Second World War. Don’t get too cosy is the message, delivered via stern voiceover and onscreen teleprinter in the film’s opening moments – gang activity is starting to re-assert itself now the peace has been won, it declares in so many words. If the … Read more

The Man from Rome

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Father Quart with a gun

A James Bond who takes his orders not from M but from Him? The Man from Rome is an action thriller with an ecclesiastical twist set in photogenic Italy and Spain. Interesting, even if, by the end things have bogged down so badly that there’s the distinct impression of presentee-ism. Things are still happening on screen but it’s as if spiritually everyone involved has pulled the old office trick of leaving their coat on the back of their chair and slipped away for a beer. Richard Armitage plays Quart, James Quart. No, we don’t learn his first name. Father Quart is a special operative working for the Vatican’s Institute of External Affairs, a … Read more

House of Bamboo

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Robert Ryan as Sandy Dawson

In many ways an atypical Sam Fuller film, House of Bamboo does conform to Fuller type in one specific way – strong performances by his two leads. They are Robert Ryan and Robert Stack, as two guys involved in different ways in crime in post-War Japan. Doing almost nothing at all, Ryan acts Stack right off the screen as crime boss Sandy Dawson, an American who has found rich pickings in the debris of post-War Japan. And yet Stack is also pretty effective as a smalltime hoodlum who arrives in the country and immediately starts throwing his weight around and extorting money in the smallest of smalltime ways. What Eddie Spanier (Stack) doesn’t … Read more

Wer

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AJ Cook as investigating lawyer Kate

In any fight for the top slot in the “humanoid monsters of the movies” competition, zombies and vampires fight it out to be number one, while werewolves lope along way behind. It could be worse – the mummies in their tatty bandages get barely any attention and even further down the field are invisible men who are hardly ever seen (geddit?). So maybe the werewolf doesn’t have it too bad, all things considered. At first glance 2013’s Wer appears to be in the business of pushing the fanged, hirsute lycanthrope even further down the pecking order. But first a pre-credits sequence in which a nice French family on a camping holiday are subjected … Read more

Le Dernier Tournant (The Last Turning)

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Cora and Frank

Le Dernier Tournant (The Last Turning) was the first screen adaptation of James M Cain’s novel The Postman Always Rings Twice. The novel, a best-seller and a critical hit, was published in 1934 and Pierre Chenal got his hot, fast and lyrical interpretation of it into cinemas in 1939. There have been many other versions since. Luchino Visconti made his directorial debut in 1943 with Ossessione, his unacknowledged adaptation of the story. And Michelangelo Antonioni made his directorial debut with Cronaca di un Amore (Story of a Love Affair), which lifted plot elements from Cain’s novel. Most famously there’s the 1946 Lana Turner and John Garfield version, which stuck with Cain’s title, and … Read more

Cassandro

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Cassandro in the ring soaking up the applause

After two documentaries in 2010 and 2018 that did the same, Cassandro tells the story of Saúl Armendaríz, a lucha libre fighter in Mexico in the 1980s, and his transition from being one of masked luchadores to being an altogether rarer creature, an exótico. As a gay man on the macho lucha libre circuit, Saúl has always felt a little “exótico” among the grapplers and grunters. But he’s a masked fighter like they are, even though he’d probably be better off if he just went along with the locker-room banter and got his full flame on. So far he has resisted the switch from being a masked fighter to being one of the … Read more

A Better Tomorrow

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Chow Yun-fat lights a cigarette with counterfeit money

John Woo’s woo-hoo moment came in 1986 with the release of A Better Tomorrow, the crime drama that revived his career, created the “heroic bloodshed” sub-genre and, ultimately, influenced the way action movies the world over would look. It’s a simple story, of two brothers on either side of the legal divide. Leslie Cheung plays younger brother, Kit, a cop, while Ti Lung plays Ho, the older sibling who works, unbeknown to Kit, for a gangster. Woo and his co-writers, Chan Hing-Kai and Leung Suk-wah, are much more interested in the morally compromised Ho than the slightly peevish and almost dangerously vanilla Kit. What energy they have left they lavish on Ho’s sidekick, … Read more