Review

Juliet & Romeo

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Romeo and Juliet in silhouette

Juliet & Romeo is the sort of film that schoolteachers wary about introducing Shakespeare to 16 year olds show to the kids. Sexy young things have key roles, the original language survives only as a vestige and there are songs that use autotune quite a bit. Purists will hate hate hate it, but it has a perky energy and its middle-finger approach means it actually fares a lot better than many a reworking. It sticks close enough to the original plot – star crossed lovers from rival families in Verona. The Montagues and Capulets, headed on one side by Jason Isaacs and Lidia Vitale as Lord and Lady M, on the other by … Read more

The Outfit

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Joe Don Baker, Robert Duvall and Karen Black

1970s neo-noir doesn’t begin and end with Chinatown and The Long Goodbye. Here, for instance, is The Outfit, director John Flynn’s lean adaptation of one of the 24 novels Donald Westlake wrote under his Richard Stark pseudonym. Many Stark stories feature the no-nonsense career criminal Parker and in a mini-festival of Parker adaptations, The Outfit would sit snugly alongside Point Blank (where he’s renamed Walker), the Jean-Luc Godard movie Made in USA (he becomes a she named Paula), Play Dirty (Mark Wahlberg as Parker) and Parker, in which Jason Statham plays Jason Statham. Here it’s Robert Duvall as Parker – renamed Earl Macklin – fresh out of stir and setting off on a … Read more

Elio

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Elio on his own

In a developed world of plunging birth rates, here’s Elio, a Pixar animation for sad only children. An ET-flavoured tale flipped on its head and with Douglas Adams’s Hitchhiker’s Guide to the Galaxy in the mix, it also doffs its hat to the era of Big Science, when the likes of Professor Carl Sagan were still being listened to rather than shouted out of the room. “Are we alone,” the disembodied voice of Sagan intones several times throughout the film, meaning is Earth the only planet in the universe harbouring sentient life? “Alone,” taken literally in the case of Elio, an orphaned kid being brought up by his aunt, Olga, who has given … Read more

Barry Lyndon

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Barry aims a pistol

Barry Lyndon tends to get summed up in one of two ways. It’s either Stanley Kubrick’s visually sensational magnum opus and a triumph of film-making at every level, or it’s a bit of a bore, a “one thing after another” drama with not much actual drama in it. Both are true. Adapting William Makepeace Thackeray’s story about a young Irish chancer’s escapades, it follows young Barry, original name Raymond Barry, from his first shy encounter with his sexy, cock-teasting cousin Nora (Gay Hamilton), through a series of adventures criss-crossing wartorn 18th-century Europe. To survive in the world Barry signs up for whichever army will have him – no scruples – and plugs away … Read more

Misericordia

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Jérémie

So here’s France’s best film of 2024, in the esteemed Cahiers du Cinéma’s estimation at any rate. Which may come as a surprise to many in the anglosphere, where Misericordia came and went without making much of a stir, as Alain Guiraudie’s films so often do. It’s a slight return to Guiraudie’s most well received film (a finger in the air poll only), 2013’s Stranger by the Lake, which set a “cosy” murder mystery at a secluded countryside spot where gay men convene to have sex with each other. Guiraudie opened that film with shots of penises in mid frame and continued in much the same vein, the Poirot-esque murder investigation regularly taking … Read more

Darkest Miriam

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Head shot of Britt Lower as Miriam

An enigmatic title for an enigmatic film, Darkest Miriam is a puzzling almost 1990s-style drama. It’s a showcase for Britt Lower, star of Severance on TV, who carries the entire movie with a cryptic and compelling performance. And it grew out of a short, Miriam’s World, conceived as an art installation, so there’s a touch of arthouse aridity. That said, director Naomi Jaye isn’t rolling around in it. There is the sense that she’s keeping the weird in check. Lower plays a competent but withdrawn librarian whose daily life of almost eccentric normality is disrupted when she spots a guy, who turns out to be a Slovenian called Janko (Tom Mercier), on a … Read more

Exorcist II: The Heretic

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Regan has her brain scanned for demons

Exorcist II: The Heretic aka The Heretic aka The Worst Film Ever Made gets people excited for all the wrong reasons. The sequel to a film that didn’t need one, it was a fool’s errand by John Boorman, who directed it, then cut it about a fair bit after audiences started laughing at it in previews. Today there are three versions. The original amusing version, the shorter theatrical cut Boorman delivered (and which still didn’t work) and then a re-edited version for European markets, which didn’t work all over again. Poor Boorman never quite recovered from the drubbing it got. William Friedkin, who directed the original, said it was “as bad as seeing … Read more

Beating Hearts

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Adèle Exarchopoulos as the grown-up Jackie

Beating Hearts is a French gangster-origin story, a noirish Goodfellas with more preamble. Let’s just cut through the flim-flam and say that it’s got some serious problems, yet the actors are so good. The concept isn’t bad either – Scorsese with some West Side Story ambitions, plus a bit of Tarantino stirred in, or that’s what director Gilles Lellouche says. It splits pretty neatly down the middle into two halves, with the first half meant to set us up for the second, which it doesn’t. In part one, 1980s bad boy Clotaire meets swotty, smart and attractive Jackie, and is instantly smitten. Doubly smitten when he tries to flirt with her with a lippy … Read more

In Harm’s Way

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Eddington and Annalee at the beach

Did the world need Otto Preminger’s In Harm’s Way in 1965? Does it need it now? After all if you’re in the market for a big, formless war movie shot in expensive-looking black and white and starring John Wayne, there is and was 1962’s The Longest Day. But Day was Europe and Way is the Pacific, the thinking obviously went. And so here we are. The action kicks off in Pearl Harbor on the evening before it’s bombed by the Japanese. By the end of the attack the film’s two main characters, heroic Captain Rock Torrey (John Wayne) and his no-less-courageous first officer Commander Paul Eddington (Kirk Douglas), have both been busted down … Read more

Mission: Impossible – The Final Reckoning

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Tom Cruise hanging of a biplane

Almost three hours of Tom Cruise running around and hanging off things, doing stunts a man in his mid-60s probably shouldn’t do. Mission: Impossible – The Final Reckoning is madly over-indulgent and yet, after playing a blinder in seven straight movies, can’t we allow Cruise and co a victory lap? It is a greatest-hits package in many respects, a Dad Rock arena tour of the highlights. As Cruise’s Ethan Hunt (though aren’t they really the same person?) and his M:I team embark on a mission to stop AI taking over the whole world, we are fed reminders of past glories in little “previously on M:I” flashbacks. Philip Seymour Hoffman, Jon Voight and Léa Seydoux … Read more