Review

Julie Keeps Quiet

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Julie shouts at herself on the tennis court

Silence is a power, and in Julie Keeps Quiet (Julie zwijgt) a story about abuse – never entirely defined – also gains force because of a determination not to sensationalise. Leonardo Van Dijl’s impressive film builds on his 2015 short, Umpire, to tell the story of a young female tennis player – Julie – who refuses to play along when her trainer, Jeremy, is suddenly suspended after the death of fellow player Aline. What Jeremy did to Aline, if anything, is teased away at but really the film is more interested in Julie and her silence, which she wields in much the same way as a young anorexic woman refuses food – it … Read more

Hell

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Paul holds Nelly close

Strangely enough there are two films called Hell starring Emmanuelle Béart. This one is from 1994 and is directed by Claude Chabrol. The other (which also goes by L’enfer in the original French) is directed by Danis Tanovic. None too shabby, either of them. More strangely, both films are other directors’ movies. Tanovic took on the second of Krzysztof Kieslowski’s Heaven, Hell and Purgatory trilogy after the director died. As for Chabrol, he was completing the film that Henri-Georges Clouzot started in 1964 with Serge Reggiani and Romy Schneider in the leads, which Clouzot abandoned when he got ill (he got better but never went back to it. You can see his footage … Read more

Bird

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Bailey and Bug on an eclectric scooter

What would happen if you crashed the most grounded, miserablist movie genre into the most flyaway and fantastical? Grim into Grimm. Bird is the answer, Andrea Arnold’s sixth film in 18 years. Again the great performances, again the ability to secure a name who you’d expect would be doing bigger things. Again Arnold makes us work for a redemptive moment, a shred of hope and humanity. Look at those closing credits though, Arnold’s cast dancing to Fontaines DC’s Too Real. Pure joy. Arnold is like a cat playing with a mouse. The big name is Barry Keoghan, Oscar-nominated for Saltburn, who dropped out of Gladiator II to do this. Playing skanky drug-dealing Bug, … Read more

When Strangers Marry

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Millie with new husband Paul

A peculiar, interesting and not entirely coherent crime thriller about a woman who marries a man she barely knows and then starts wondering if he’s a killer. When Strangers Marry makes more sense as a title than Betrayed, which is the flag it flew under when it was re-released in 1949, five years after its debut. The re-release also allowed a bit of rejigging of the pecking order. Third-billed Robert Mitchum – who’d become a star in the interim – is top-billed second time round. To be fair to everyone, Mitchum is in it more than Dean Jagger, who plays the mysterious salesman Kim Hunter’s wide-eyed Millie Baxter has married more or less … Read more

Lurker

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Matthew close up

A knuckle-chewing debut by Alex Russell, Lurker updates All About Eve for the Instagram era, looking on with a raised eyebrow as a nobody gets whisked up into the entourage of a big music star, finds he likes it and then hangs on for grim life when the beast tries to spit him out. It’s a brilliant portrait both of needy, paranoid fan worship and of needy, paranoid stardom – both parties require constant reinforcement, though only one of them can be open about it. Théodore Pellerin plays the nobody, a guy working in a clothes shop in LA when big star Oliver (Archie Madekwe) and crew bowl in one day to browse. … Read more

Westward the Women

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Fifi and Buck in a clinch

No “bundling” – that’s the law as laid down by Buck Wyatt (Robert Taylor). Female-centric western Westward the Women is not only a clear influence on Kelly Reichardt’s Meek’s Cutoff but a great demonstration of the talents of director William Wellman, who’d been doing westerns for 30 years by the time he got round to shooting this 1951 movie, so knew exactly what it was all about. The story is about a convoy of women making the arduous journey out West, where there’s a chronic shortage of men. Sign up and choose your husband is the big idea – it’s the women who do the choosing, picking out the man they fancy from … Read more

Motel Destino

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Elias and Heraldo confront each other

Sexy, sweaty, panting film noir goes splashily, vividly neon-hued in Motel Destino, a vague updating of The Postman Always Rings Twice done with all the Insta-filters selected. Very nice. As in Postman, it’s a threeway affair. Heraldo the minor criminal hiding out in the Motel Destino, a sex motel run by the slightly older Dayana and her older-again husband Elias, who have no illusions about what their hotel is for – orgasmic moans echo down the corridor, it sells cock rings and dildos as a sideline. To earn his keep while laying low, Heraldo starts doing odd jobs for Elias and Dayana. Dark-skinned, sexy young buck Heraldo often has his shirt off as … Read more

The Mask of Dimitrios

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Pter Lorre grabs Sydney Greenstreet's lapel

Writer Eric Ambler was the British spy guy in the mid 20th century and The Mask of Dimitrios is a good example of what he was about – sinister people in exotic locations doing dastardly things. Ambler followed John Buchan’s lead in that respect – don’t trust a foreigner. It took until John LeCarré – who’d actually been a spy – for portrayals of fictional foreign spies to come in human shape, though Graham Greene was a useful warm-up act. The oddballs and gooks are out in their droves in this not entirely gripping but highly flavoured meta-fiction about crime writer Cornelius Leyden, played by Peter Lorre, chasing across Europe in search of … Read more

Relay

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A watchful Ash on the streets

Relay is the sort of slick, well crafted thriller George Clooney used to turn up in. A grungier, slightly less glossy Steven Soderbergh-style thing, ish ish ish, with Riz Ahmed taking the Clooney gig as a rather old-school detective of sorts – the conflicted, damaged dude doing what he does because it helps keep him on the rails. His character, Ash, is a recovering alcoholic. We get scenes set at Alcoholics Anonymous, usually a hoary old bit of character shorthand, though in this case writer Justin Piasecki has found a way of integrating Ash’s AA sessions and his demons into the plot. Ish ish ish. The audience’s familiarity with material like this means … Read more

The Ghost Ship

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Tom Merriam on the bridge with Captain Stone

The Ghost Ship isn’t a Jacques Tourneur film but it feels like one. Perhaps that’s because Tourneur’s editor, Mark Robson, is directing. And as well as misty gothic looks and a sense of foreboding, Robson has also borrowed from Tourneur his sense of psychological overload. The Ghost Ship isn’t a horror movie, or a supernatural tale, though it looks like one and even the title nudges us that way, much like Tourneur’s Cat People did. Instead it’s the story of a bright and capable third officer on board a ship who becomes increasingly alarmed at the behaviour of his captain, Will Stone, eventually blowing the whistle after becoming convinced that the captain’s cavalier … Read more

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