To Sleep with Anger

Harry being charming

Between Lethal Weapon 2 and Predator 2 Danny Glover starred in To Sleep with Anger, a genre film of an entirely different stripe, masquerading as a domestic drama about an extended family of black folk. Glover plays Harry, an old-school charmer with Southern manners, who after many years of absence arrives back in the lives of old friend Gideon and his wife Suzie. Gideon invites his old childhood friend to stay and Harry soon has his feet well under the table. Writer/director Charles Burnett spends time detailing the extended family Harry finds himself among. It’s a slightly soapy portrait of a large group of people who get along just fine though not entirely … Read more

Anniversary

Paul and Ellen Taylor celebrate their anniversary

Barely promoted by a studio wary of its political content, Anniversary has a Stepford Wives – reality-adjacent – quality that stops it being really incendiary. It is chilly and chilling enough, though its big message is so emollient it almost undoes all the good work director and co-writer Jan Komasa has put in to stir things up. It’s the story of a big, noisy and mostly successful family – liberal as you like – brought low by a regime change precipitated by a book the girlfriend of one of them has written. When we first meet girlfriend Elizabeth Nettles (Phoebe Dynevor) she is nervously prepping herself for the meeting with the parents of her guy … Read more

Border Incident

Ricardo Montalban as Pablo

Evidence that borders aren’t just a 21st-century hot button, 1949’s Border Incident is about the contentious human back and forth between Mexico and the USA. Every year workers cross the border to harvest the crops in California, an authoritative and majestic introductory shot of the All-American Canal tells us, all part of the Bracero Program to import a workforce to do the jobs Americans don’t want to do. Braceros – from the Spanish for arms, because they’re manual workers – are a good thing, director Anthony Mann’s picture is at pains to point out. They only become a problem when they arrive in the USA illegally. Here, the picture is at even more … Read more

One to One: John & Yoko

John and Yoko embrace on stage

Like all the Beatles anthologies attempting to squeeze new juice out of old fruit, One to One: John & Yoko digs through the archives to document two years in the lives of the famous couple, when they lived in Greenwich Village and went about their lives almost like normal people did. The seclusion of the Dakota Building years were still in the future. Starting out in 1971, Kevin Macdonald’s film catches Lennon at the intersection of two eras. Lennon the ex-Beatle is still largely of the opinion that he is a spokesman for progressive youth, but between the lines Macdonald’s film gives us a glimpse of Lennon either realising he no longer is … Read more

The Fallen Sparrow

Maureen O'Hara and John Garfield

“In a world at war many sparrows must fall.” A poignant line slightly out of keeping with the hard-boiled characters populating this atypical noir. Unusually on the money politically and psychologically, The Fallen Sparrow is a story about a volunteer fighter in the Spanish Civil War who returns to New York only to find it full of Nazi sympathisers. John Garfield’s decent American John “Kit” McKittrick has been fighting the good fight abroad and is now ready to fight it at home too, even though he’s weighed down with a hefty amount of PTSD after being tortured in Spain. Kit never saw the Nazi who directed Franco’s torturers, he explains early on, but … Read more

Ghost Trail

A watchful Hamid

Watching the struggles of Syrian refugees in Western Europe isn’t everyone’s idea of fun, so how about a spy thriller instead? That seems to be the idea behind Ghost Trail, which manages to have it both ways – the miseries of a life in exile and the thrill of the chase as its hero chases down his quarry. It’s quite John Le Carré in many respects, with the focus on a Syrian refugee who is part of a network tracking down the people who tortured and killed back in the home country. In Zoom calls with his mother, who is in the Bekaa refugee camp in Beirut, Hamid pretends that he’s in Berlin, … Read more

Ebony & Ivory

Stevie and Paul hug

If you enjoyed The Greasy Strangler and wondered whether writer/director Jim Hosking had anything else in his locker, Ebony & Ivory has your name on it. Imagining Paul McCartney and Stevie Wonder meeting on the remote Mull of Kintyre in Scotland sometime in 1981, it’s not aiming for documentary realism – the two musicians met in Montserrat in the Caribbean, for one – and is the sort of whimsy that seems aimed at stoners. And yet there is a kernel of something weird but true going on here. The British Wool Marketing Board feature in the closing credits, that’s how all over the place this film is, leading to theorising (if only on my … Read more

Clash by Night

Marilyn Monroe and Barbara Stanwyck face to face

Marilyn Monroe as a fishwife?! 1952’s Clash by Night has some fun incidentals like Monroe, making much of a small role. But the real action is with Barbara Stanwyck, as a goodtime girl who’s worn out her welcome after ten years in the big city and is now back in the coastal town where she grew up to wreak havoc among the menfolk. It’s another tough-nut role for Stanwyck, who plays a woman who decisively knows what she doesn’t want but isn’t quite sure what she does want. Should Mae, for instance, go with her head and marry dull and dependable Jerry (Paul Douglas)? Or have a fling with bad boy Earl (Robert … Read more

One Battle After Another

Bob (Leonardo DiCaprio) aims a rifle

If the characters from Dr Strangelove somehow escaped and eventually found themselves in a Tarantino movie, it might look like One Battle After Another. A 1970s-vibing, magpie-thieving, funny and relentlessly entertaining ride, director Paul Thomas Anderson’s movie is basically one gloriously extended chase with added spiritual input from Hitchcock, the Coens and Paul Greengrass (plus QT). It’s funnier than your average Anderson movie – There Will Be Blood wasn’t notably full of jokes – and happier than usual to paddle in genre waters. The story is based on Pynchon’s novel Vineland, with much diluting by Anderson, and follows a gang of direct action radicals, the French 75, whose campaign of bombing banks and migrant … Read more

The Earrings of Madame de…

The general and his wife in all their finery

Light-hearted, ironic, passionate, frivolous, lush, beautifully made and full of little jokes, The Earrings of Madame de… is the sort of self-consciously filmic film that film-makers love but audiences are less enthusiastic about. It was a favourite of Kubrick. Douglas Sirk described it as perfect. When it got its Criterion Collection release Paul Thomas Anderson did the spoken introduction. New York Observer critic Andrew Yarris referred to it as the Greatest Film of All Time. Even if you don’t rate it quite so highly, it’s undeniably exquisitely made. This was director Max Ophüls back in Europe after a sojourn in Hollywood, and he’s definitely off the leash. His final four European films – La … Read more

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