Latest Posts
The Unsuspected
Very meta, especially for 1947, The Unsuspected is a crime thriller about a murder at the home of the host of a true-crime podcast – whoops, radio show. The show is called The Unsuspected too, and is hosted by Victor Grandison, those names suggesting he’s both victorious and grandiose. It’s obviously him wot dunnit, innit? Even though he was live on air at the time? Let’s see. Victor is played by Claude Rains. And if there was just one reason for watching this fast and fun thriller he’d be it. But in fact there are plenty. Big-house murder-mystery is the big idea, with lots of suspects to point the finger at once murder – … Read more
Dracula
Persistently undead, always on point, it takes more than a stake and some garlic to keep the Carpathian count in his box. This Dracula is one of several outings for the thirsty aristocrat and pretenders to his crown in recent years. As well as a recent Nosferatu, other high-profile entries on a long list include The Last Voyage of the Demeter and Renfield, not forgetting El Conde, The Vourdalak, Day Shift and Humanist Vampire Seeking Consenting Suicidal Person. In 2025 alone there were two movies called Dracula. This one, by Luc Besson – also known as Dracula: A Love Tale – and Radu Jude’s starkly mononymic Dracula. No surname required. To be honest, … Read more
Daughters of Darkness
Going only off the title, I thought Daughters of Darkness was going to be a typical early 1970s vampire movie, featuring breasty young goths with prosthetic teeth wafting around in chiffon. My prejudices. I was partly right – it is from the early 1970s, and it is about vampires of a sort. There are breasts too. But the tone is not the cartoon gothic of many a Hammer horror film. Instead this Belgian cult item goes in for a sort of chilly giallo – Northern Europe just isn’t as warm-toned as Italy. It’s all set in an out-of-season hotel in the Belgian port of Ostend, where a rich young man and his new … Read more
Sentimental Value
Imagine a standing ovation lasting for 19 minutes – enough time to have a bath. That’s what Sentimental Value got when it was shown at Cannes. Where, admittedly, they like this sort of thing – European, dense, non-genre, self-referential, serious, full of unsympathetic characters and recalling auteurs of the past. Bergman most obviously, and Persona in particular, a high point in his career of high points. There is a story, though it’s a jumping-off point for a series of meditations rather than a plot. After their mother dies, two sisters, Nora and Agnes, are slightly surprised and perturbed when estranged father, a cinema auteur whose best days are probably behind him, re-appears. Gustav, it … Read more
Fantômas: L’échafaud magique
Fantômas: L’échafaud magique (aka Fantomas: The Magic Scaffold) is the first of four feature-length adaptations made in the 1980s for French TV. No less than Claude Chabrol directed this first one, with Juan Luis Buñuel (son of Luis) picking up numbers two and three, before Chabrol returned to round the series off. If you know Fantômas at all then it’s probably not through his TV outings. The infamous master-criminal appears in a vast number of novels and was famously turned into a rollicking silent feature by Jean Feuillade in 1913 (the first of five that appeared over the next year and a bit), returning even more famously on film in a series of … Read more
Exhibiting Forgiveness
Exhibiting Forgiveness is the sort of film I don’t naturally gravitate towards. It’s about human feelings. It’s heartfelt. It holds out the possibility of positive change in a world stuck in a rut. It’s a Sundance movie. Nothing wrong with Sundance movies but, as an entirely unfair generalisation, they do seem to exhibit a belief that putting emotion out there is interesting in itself, and that the sight of people having earnest conversations, shooting the breeze in a “naturalistic” way, is as dramatic as anything needs to be. So, my stunted emotional hinterland laid bare, to Titus Kaphar’s first feature. He’s a painter who’s now made a film about a painter reconciling with … Read more
Railroaded!
There are two decent films based on the Majczek and Marcinkiewicz case, Railroaded! and the better known Call Northside 777. The real-life case revolved around a miscarriage of justice resulting in two young men being sentenced to 99 years in jail for the murder of a cop. The Majczek and Marcinkiewicz case scandalised the mid-1940s and shook the public’s faith in the justice system. But the fact that the two men got 99 years rather than the electric chair – the normal tariff for cop killers – suggests the trial judge knew something wasn’t right about the men’s conviction. It took 11 years, a lot of digging by a Chicago Times reporter and a … Read more
No Other Choice
Park Chan-wook probably hit peak cultural clout with 2003’s Oldboy. No Other Choice reminds us yet again that he’s still here, and has been knocking out good films ever since. If The Handmaiden and Decision to Leave and a clutch of others don’t quite get the coverage that Oldboy and the other two films of the “Vengeance” trilogy did, that’s more our problem than his. In fact Sympathy for Mr Vengeance, Oldboy and Lady Vengeance would better be described as the “Sympathy” trilogy, since that’s their currency. But in the crazy-busy world of the attention economy Vengeance sells and Sympathy comes across as a bit wafty, so Vengeance it is. Which brings us … Read more
Drunken Angel
Apparently Martin Scorsese and Leonardo DiCaprio were discussing a remake of Akira Kurosawa’s Drunken Angel. It never happened, but we do at least have the 1948 original, a study of two flawed men in the Japanese equivalent of a film noir setting. On the one side a gangster played by Toshirô Mifune. On the other an alcoholic doctor played by Takashi Shimura. Kurosawa wastes no time throwing them together. In the film’s opening scene Mifune’s Matsunaga is already at the drunken doctor’s surgery with a bullet in his hand. The doctor gives him short shrift while tending to the wound – he doesn’t like gangsters and isn’t shy about saying so. Matsunaga takes … Read more
Hi-Five
Marvel you probably know, Misfits possibly not. Hi-Five is a bit of both – the superhero powers go to a bunch of high school kids in this soaraway South Korean actioner that’s obviously good from its opening moments. And it pretty much stays that way to the end. Pacy, witty, with likeable characters and a story arc you can see from space – it’s all going to end up in a fisty showdown. The magical blah at the beginning sets up the story neatly. Opening scene of an ambulance rushing through the streets. At the hospital it’s bad news for whoever was in the back of that vehicle. They’re dead. But their organs … Read more
100 Years of… Flesh and the Devil
Flesh and the Devil was Greta Garbo’s third Hollywood movie after arriving from Europe aged 20 in 1925, and it’s the one where everything suddenly clicks. She has the right director (Clarence Brown), the right director of photography (William H Daniels) and the right co-star (top-billed John Gilbert aka The Great Lover). Originally it was meant to be Lillian Gish in the lead, but Garbo got the job because she was cheaper. The massive success of Flesh and the Devil made Garbo bigger than Gish, Swanson and all of the rest of them, bigger even than any studio. From this moment on she could write her own ticket. With total total control she … Read more
The Ugly Stepsister
The Ugly Stepsister (Den stygge stesøsteren) started life as a film about a woman with a talking vulva. Then writer/director Emilie Blichfeldt decided to come at the same idea – the onerous demands put on young women – by taking a second run at the Cinderella fairy tale. The resulting debut feature introduces a really gifted director to a wider audience, though the film itself could learn a lesson from Cinderella herself – it’s the dainty foot that gets into the glass slipper, not the galumphing one. It’s the same story, just slanted so we see it from the point of view of the loser – in this case Elvira (Lea Myren), the … Read more
