Popular Reviews
You Ain’t Seen Nothin’ Yet
A movie for every day of the year – a good one 9 April Oldest recording of a voice, 1860 On this day in 1860, Edouard-Léon Scott de Martinville made what is the oldest recording of a human voice still in existence. The recording was made on a machine called a phonautograph which Scott had invented and patented in 1857. It worked by emulating the human ear – sound travelled down a funnel, hit a membrane and was transferred to a stylus (pig bristle) which transmitted the vibrations onto smoke blackened paper or glass, the two-dimensional results being used to study amplitude and waveforms. No one at the time the recording was made … Read more
The Delinquents
A heist movie done as slow cinema, The Delinquents (aka Los Delincuentes) sets up genre expectations then delivers them with a twist. But mostly doesn’t deliver them at all. What a strange, big beast of a film Rodrigo Moreno has given us. Moreno gets straight into the meat of his story – Morán (Daniel Elías), a bank employee, realises that in one swift heist he can bag as much money as he’d make if he stayed in his job until retirement, 20-odd years in the future. Enough money, in fact, that he could split it with a fellow worker, Román (Esteban Bigliardi) and still be ahead. The plan: Morán will steal the money, … Read more
The Price of Wisdom
Often billed as a drama but obviously a farce, The Price of Wisdom is a British “quota quickie”, one of many films churned out in the 1930s to shore up domestic production. “Quota quickie” is usually a useful synonym for “pile of crap” but this is an exception and if you’re on the lookout for a delightfully eccentric, highly tweedy, very British old-school light comedy, your train has just pulled in. There’s enough plot to power a two-hour movie and the only real argument you could mount against this 66-minute film is that it has to move too fast to get everything in. The actors are literally gabbling their lines to keep up … Read more
S-a Furat o Bombă aka A Bomb Was Stolen
The Romanian animator Ion Popescu-Gopo’s live-action film S-a Furat o Bombă (translated as A Bomb Was Stolen or They Stole the Bomb) was selected to compete for the Palme d’Or at Cannes in 1962. It had very little chance of winning, since it was up against Bresson’s The Trial of Joan of Arc, Varda’s Cléo de 5 à 7, Buñuel’s The Exterminating Angel, Antonioni’s L’Eclisse and Satyajit Ray’s Devi. But it was there, an achievement in itself for someone who’d never made a live-action film before. Popescu-Gopo’s animated short, Scurtă Historie (A Brief History) had won the Short Film Palme d’Or in 1957. It’s also a film without dialogue, another potential handicap, though … Read more
May
May is a disturbing film full of weirdos but almost none of them is the real deal, apart from the central character of May herself. In a world where people play-act at being strange to make themselves seem interesting, May is properly odd. Lucky McKee’s solo debut came out in 2002, to a little acclaim, but has become a cult over the years, loved by people who admire its aslant world view, its focus on its lead character and its position on pseuds who make false claims on weirdness. May was born with a lazy eye and has been brought up cosseted by her mother. She grew up – or rather didn’t grow … Read more
Eliminators
It’s easy to get sniffy about films like Eliminators, spam-fisted actioners featuring one lunk or another kicking the life out of some meathead, delivering the coup de grace with a quip that’s meant to be James Bond but is more often than not Steven Seagal. Even Seagal has been known to make good films, so let’s park the prejudices and get down to action. Scott Adkins, a British actor, plays a federal agent hiding out in London on some witness protection program, whose life is upended when three local desparadoes looking for a stash of cocaine break in to his house waving guns about. They threaten his daughter, bad mistake, and are soon … Read more
The Last Photograph
For a good third of The Last Photograph, Danny Huston’s first directorial effort for nearly 20 years, there’s a distinct impression that something’s not right. The acting is wonky, some of the artistic choices are confusing (why has he put a soft filter on the camera at just this moment?), the narrative is playing out to a staccato rhythm which seems designed to confuse rather than enlighten. It’s all a bit chaotic. Huston also plays the lead character, a grouchy guy who owns a bookshop concession inside Chelsea Farmers Market, London, whose dealings with his fellow humans all seem to end the same way: the middle finger, either at him or from him. … Read more
I’m Your Woman
I’m Your Woman starts with a series of wham-bam events that prompt the question: “what is that all about?” A man arrives home and gives his wife a baby she’s clearly never seen before in a “there you are, get on with it” kind of way. In the next scene, a gang of men all arrive at the house that Eddie (Bill Heck) shares with Jean (Rachel Brosnahan) + new unexplained baby. Who are they? Eddie suddenly goes missing. Why? A guy called Cal (Arinzé Kene) turns up, gives Jean a big bag of money and spirits her (+ new unexplained baby) off to a hideout. We have no idea what’s going on … Read more
Beats
There are two films from 2019 called Beats, both heavily into music. This is the other one – British (Scottish, more specifically) and set in the 1990s world of rave culture. I haven’t seen the American Beats, hip-hop to the core, so can’t say which one comes out on top but Brian Welsh’s Beats sets a high bar. A bit of background. In the 1980 and 90s, ideologically committed to staying out of the economic sphere, the UK government turned its attention instead to policing the population’s behaviour, with new controls on what people could watch (the Video Nasties panic), who they could have sex with (the notorious Section 28 of the innocuous … Read more
The Matrix Resurrections
Dull rather than dim,The Matrix Resurrections reanimates the corpse of the original and best of the previous three Matrix movies and sets off in the right direction before bogging down in the sort of world-building, lore-laden plotting that hobbled numbers two and three. Some years have passed and Thomas Anderson (aka Neo aka The One but really Keanu Reeves) is now the world-famous designer of The Matrix, a trio of games that once took the world by storm. The games are still out there, though these days more in a legacy rock band kind of way. Resting on his laurels, Mr Anderson lives the gilded life of the successful and feted game designer. … Read more
Erotikon
What else did the director Mauritz Stiller do, apart from discover Greta Garbo and take her to America? Erotikon is one answer, a cult silent movie remarkably triumphing in a genre that usually needs dialogue to succeed. It’s a farce and Stiller gets it up and running in two opening scenes sketching his two main characters. In one corner Leo Charpentier, a professor of entomology who can wax lyrical about the sexual proclivities of the male beetle – how it likes to put it about a bit, in short – without ever realising that the same might apply to a) the female beetle, b) a human subject and c) most pertinently, his wife. We … Read more
Night at the Crossroads aka La Nuit du Carrefour
There are three competing theses for what went wrong with Jean Renoir’s Night at the Crossroads (aka La Nuit du Carrefour), a 1932 whodunit of the old school but with some very strange jumps, bumps, gaps, leaps of logic and filmic equivalents of handbrake turns. Number one is that Renoir was depressed while making it and so was often drunk. He simply made a mess of it. Another is that he ran out of money and so never really finished it. The third is that somewhere in the process a reel of film got lost, the one that would have gone a long way towards tying everything together. Whatever the reason, the film … Read more
