Popular Reviews
Why Don’t You Just Die!
The trailer does not lie. Why Don’t You Just Die! (Papa, sdokhni in the original Russian) is a camp melodrama awash with blood, gruesomeness, novel ways of hurting people and comic-book cruelty. It’s as if all the horrible things that ever happened to Wile E Coyote were bundled together and then brought to the screen by a Quentin Tarantino or Robert Rodriguez in one of their Grindhouse jaunts. The opening shot: a young man with a fantastically broken nose (Aleksandr Kuznetsov, and that’s his real nose) is waiting outside an apartment with a hammer behind his back. The door after much knocking opens. It is a bullet-headed man (Vitaliy Khaev). Andrey, the young … Read more
The Avengers: Series 4, Episode 15 – Room Without a View
The title of EM Forster’s novel is parodied in Room Without a View, for reasons which never really became clear to me, but then on looking back over my notes to this episode I realised I could remember barely any of it. Some things I do remember, though, such as the bare bones of the plot, which are standard formula stuff – a scientist (Peter Madden) back from a mysterious disappearance attempting to kill his wife (Jeanne Roland), having been brainwashed and broken by the Chinese. Which is presumably why the overwrought man is trying to kill her, since she’s oriental (Roland was born in Burma). Is “oriental” a PC term or not? … Read more
The Burmese Harp
After a career banging out one makeweight movie after another, on the 27th go director Kon Ichikawa hit paydirt with The Burmese Harp. A box-office smash and critical hit at home in Japan and abroad, it propelled Ichikawa into the ranks of internationally celebrated Japanese directors, alongside Kurosawa, Ozu, Mizoguchi et al. It’s worth remembering the Japanese martial code before diving into this strangely meditative drama – death before dishonour, to boil it down – and that the surrender by the Japanese emperor in 1945 had been seen by many in the military as an act of treason. The film deals with that surrender and the acceptance, or lack of acceptance, of it. … Read more
Barber
When not appearing in moneyspinning TV shows like The Wire or Game of Thrones, or the Maze Runner franchise, or in smallish roles in big-money movies like Bohemian Rhapsody, actor Aidan Gillen can often be found in small-scale features, often as their anchor. Barber doesn’t quite fit into the same category as The Good Man, Mister John, Still or Rose Plays Julie (crackers all, marked out by brilliantly intense Gillen performances). But it is enjoyable, a wee Irish movie made for a small budget which has all the hallmarks of the tryout pilot for a possible TV series. By which I mean more characters than strictly necessary for the functioning of the plot, … Read more
2 March 2015-03-02
Out in the UK This Week Leviathan (Artificial Eye, cert 15) Not to be confused with the clankingly atmospheric 2012 documentary about trawler-fishing, this Leviathan is something like a retelling of the story of Job – a man who has the lot being tested in his faith as he loses it all. As we open, Kolya has a beautiful wife, a lovely beachside property, a teenage son and is respected in his community. Over the next two and half hours we watch most of it being stripped from him – in fact as Andrey Zvyagintsev opens his film there’s already trouble hemming Kolya in on most sides. The question is: which faith is it testing? … Read more
Morvern Callar
A movie for every day of the year – a good one 29 July Mama Cass dies, 1974 On this day in 1974, Mama Cass Elliot, the large-size singer with the Mamas and the Papas, died from eating a ham sandwich. Except she didn’t. Die from eating a ham sandwich, I mean. Instead she probably died from extreme dieting, in an attempt to lose weight. She’d found fame with the Mamas and the Papas, singing songs such as California Dreamin’ and Monday Monday, and when the band split she embarked on a solo career. Her debut show, in Las Vegas in October 1968, was a disaster, Elliot barely being able to sing, partly … Read more
Monster
A movie for every day of the year – a good one 9 October Aileen Wuornos executed, 2002 On this day in 2002, the serial killer Aileen Wuornos was killed by lethal injection in Florida. She had been found guilty on six counts of first degree murder. Her father, who she never met, was a schizophrenic who was convicted of sex crimes against children. Aileen’s mother abandoned her and her brother, leaving them to be brought up by her grandfather. Which sounds cosy until we learn that at 13 Aileen was pregnant after having been raped by one of her grandfather’s friends. At 15 she was homeless, and started earning a living as … Read more
The Woman on the Beach
The Woman on the Beach is a bit of a dog’s breakfast. Designed as a dreamy, psychological tear through the unconscious, where libido is locked in a fight with other bits of the psyche, it wound up looking like it had been in a fight with itself. After a negative preview screening, panicked director Jean Renoir took it away and cut out 30 minutes of it. After reshooting all the scenes between leads Joan Bennett and Robert Ryan, he recast the only other significant woman in it. Out went Virginia Huston and in came Nan Leslie, who plays the significantly named Eve. The result? “I produced a film which was, I think, neither … Read more
Baby Face
A key “pre-Code” movie, Baby Face is one of a handful of 1930s movies said to have accelerated Hollywood’s movie studios into the era of self-censorship – the government was threatening to step in if they didn’t act. It was a key movie for Barbara Stanwyck too, and helped her cement a reputation for playing tough, driven women. Here she’s a young unfortunate fighting her way up in the world by putting it about – that’s the sort of stuff the Code set out to stop – using and abusing men as she goes. Starting at the front door of a bank building in New York, she works her way literally and figuratively … Read more
100 Years of… The Adventures of Prince Achmed
You don’t, in the normal run of things, expect a rape scene in old-time animation, but that’s what you get in 1926’s The Adventures of Prince Achmed, the breakthrough for Lotte Reiniger, a pioneer in her field, artistically and technically. It tells the story of the an eastern prince who steps in to help his sister after an ugly African sorcerer makes a play for her. For his trouble the brother is whisked away on a magic flying horse, to a faraway realm where Princess Pari Banu, ruler of the spirit world of Wak Wak, beguiles him with her naked beauty. And he responds with the aforesaid rape. Unless I am very much … Read more
Trouble in Paradise
Trouble in Paradise was Ernst Lubitsch’s favourite of his own films. It’s 83 quick minutes of screwball farce, made in 1932 just as Hollywood was putting its own house in order (before the government stepped in and did it), one of the highlights of the pre-Code era. It’s more sexually risqué than later films, for sure, though that isn’t what got it into trouble when Paramount tried and failed to re-issue it in 1935. Banned for decades, it wasn’t really seen again until the 1960s. It’s the story of a conman called Gaston and a thief called Lily who try to swindle and/or steal from each other but instead fall in love. Realising … Read more
The Love of Jeanne Ney
The Love of Jeanne Ney is one of those torrid love stories told against a backdrop of roiling conflict. Or that’s what it looks like at the outset. But by the end it’s become more like a showcase for everything the great Austrian director Georg Wilhelm Pabst could do – all the genres in all the styles. By this point in his career, Pabst had given Greta Garbo her first starring role two years before in 1925’s Joyless Street (aka Die freudlose Gasse). Two years later he would turn Louise Brooks into a global icon with Pandora’s Box. If Jeanne Ney was a bit of bait designed to lure Hollywood into hiring him, … Read more
