enter the void

Popular Reviews

Godzilla vs. Kong

It’s Godzilla vs. Kong but in all honesty it could almost be any Godzilla movie. There’s just something so interchangeable about them all. Grasping for a differentiator you might seize on “cult indie director” as a search filter – but that could be this one (director: Adam Wingard) or 2014’s Godzilla (director: Gareth Edwards). Or how about “the one with Kyle Chandler and Millie Bobby Brown”? Well that could be either this one or 2019’s Godzilla: King of the Monsters (they played the same characters). Or how about “the one with Michael Dougherty’s name on the writing credits?”. That could also be this one or Godzilla: King of the Monsters. Unsurprisingly, perhaps, since they … Read more

The Avengers: Series 5, Episode 9 – The Correct Way to Kill

So we arrive at The Correct Way to Kill, a rewrite of the series 3 episode The Charmers, and a frank admission that The Avengers has pretty much run out of ideas. Or, since we’re being generous, that it’s taking a prize episode out for a well deserved second airing – The Charmers was excellent, though in no small part because it featured Fenella Fielding. She’s not visible here but the bare bones of the plot remain the same – someone is killing enemy agents on British soil, putting Steed in the frame. Enemy agent Ivan (Philip Madoc) has been sent to dispatch Steed but, after listening to Steed’s protestations of innocence, buys into … Read more

The General

Buster Keaton’s favourite of his own films got off to a poor start in 1927. A flop at the box office and poorly received by critics (“the fun is not exactly plentiful” said the New York Times), it’s now considered to be one of the greatest films ever made. Is this high ranking down more to nostalgia for a simpler time or campaigns mounted by lovers of the hair shirt? Possibly a bit of both. But strip away the nonsense and you’re still left with something remarkable. The gags, for the most part revolve around The General, the steam locomotive of which Keaton is the engineer. The most famous of these is the … Read more

The Extraordinary Adventures of Adèle Blanc-Sec

A movie for every day of the year – a good one 31 May Ramesses II becomes pharaoh of Egypt, 1279BC On this day in 1279BC, the king often called Ramesses (or Rameses, or Ramses) the Great, became pharaoh of Egypt. Known as Ozymandias by the Greeks, the pharaoh most remembered by history was a great military campaigner and a great builder of cities, temples and monuments. He became pharaoh in his late teens and ruled for the following 66 years. The Egyptian army consisted of about 100,000 men, and he used it to wage war against the Hittites and Nubians, routed the Sherden sea pirates who were harrying ships on the Mediterranean … Read more

Father Mother Sister Brother

Acting when there’s something to do is relatively straightforward. But what about when there’s nothing to get hold of? Father Mother Sister Brother is full of empty space, and for whole stretches of time the characters in it don’t really know how to fill the silence. They babble. They fall silent. They pick up on a tiny detail and won’t let it go. Because where a relationship should be there is none. Jim Jarmusch’s latest film is episodic, three bijou, beautifully crafted Carver-esque mini-dramas. In story one a brother and sister visit their ageing father, who lives all alone and on the breadline miles from anywhere in rural New Jersey. As they approach … Read more

Eolomea

Considering it’s sci-fi from behind the Iron Curtain at the height of the Cold War, Eolomea is an unexpectedly bright, colourful, even countercultural space adventure. Some of it is still brilliant, some of it pretty dated. But it’s entirely fascinating, top to toe – this is how the East Germans were doing it in 1972. It opens unexpectedly, with a shot of a guy running down a beach. I’ve made it, he says (in so many words), the Galapagos Islands! It’s like the beginning of an episode of TV show The Monkees. The soundtrack is surely about to break out into something bubblegummy and poptastic. Apart from anything else it completely confounds expectations. … Read more

Unrest aka Unrueh

There was a real-life person called Pyotr Kropotkin, he isn’t a fantasy creation of writer/director Cyril Schäublin, who is also excavating his own family’s connection to the Swiss watch industry in Unrest (Unrueh), a film as quiet and precise as a high-end timepiece. Schäublin’s film follows the bearded Russian political radical (played here by Alexei Evstratov) as he arrives in a Swiss valley, where, he’s apparently heard, the workers are beginning to organise themselves in a loose anarcho-syndicalist fashion. There, posing as a cartographer making a map, Kropotkin stands back and observes, taking in the working relations of the late 19th century – feudal more than anything. He notices how the workers mutually … Read more

500 Days of Summer

A movie for every day of the year – a good one 23 December Carla Bruni born, 1967 On this day in 1967, Carla Gilberta Bruni Tedeschi was born in Turin, Italy. The daughter of a concert pianist and a composer, and the grand-daughter of Virginio Bruni Tedeschi, founder of CEAT tyres, Carla grew up in France, where her family moved to escape threats from the Red Brigades, the terrorist group active in 1970s Italy. She studied art and architecture and became a model at 19, going on to become one of the highest paid in the business. In 1997 she abandoned modelling to devote herself to music. Her first album, Quelqu’un M’a … Read more

Both Sides of the Blade

Revered arthouse director Claire Denis starts Both Sides of the Blade with an almost subliminal reference to Jaws. A couple wade into the sea. The soundtrack growls ominously. But only for maybe half a second. Then it pivots spectacularly into something gooey, gentle and romantic. We see the faces of the couple. It’s Juliette Binoche and Vincent Lindon, looking ecstatically happy. They stare fondly into each other’s eyes. They touch and caress each other. They laugh. Later, in their room, they make love. Still later, back at their apartment in Paris, their holiday over, the first thing they do is make love again. But that growl. Something is lurking. We learn what it … Read more

Merry-Go-Round

“The pinnacle of Hungarian cinema,” is how István Szabó described Merry-Go-Round (Körhinta), and since he directed Mephisto and Colonel Redl, he’s worth listening to. But what of Zoltán Fábri, director of Merry-Go-Round, two of whose later films were Oscar nominated, which is quite a feat considering the deterrent effect of the Iron Curtain when he was at his creative peak. Not having seen any of his other films, I can only speak for this outing from 1956, which tells a familiar love story, adds just enough politics to keep the commissars happy (and allows for all manner of readings) and overlays everything with a heady wash of poetic realism, just like the French … Read more

The Deadly Affair

1966’s The Deadly Affair repeats the formula of The Spy Who Came In from the Cold – John Le Carré story, top British and European cast, London locations, great US director, ace British cinematographer, soundtrack by a big name – and if it isn’t quite up there with the 1965 film, it’s still one of the very best Le Carré adaptations. It takes Le Carré’s first novel, A Call for the Dead, slaps a less sombre, more bums-on-seats title on it and also renames Le Carré’s masterspy George Smiley, as Charles Dobbs (Paramount, who had made The Spy Who Came In from the Cold, “owned” the Smiley name). Though in all important respects this is … Read more

The Devil’s Bath

Powerful to the point of punishment, The Devil’s Bath (Des Teufels Bad) is Austria’s contender for the Best International Feature Oscar in 2025. It won’t win. It probably won’t even make the shortlist. Too bleak. Too uncompromising. Seen one way, it’s a group portrait of the extremely grim existence hacked out by peasants in a remote part of 18th-century Austria. Seen another, it’s the progress of one female from fragile, dreamy single girl to married woman in psychological extremis. Anja Plaschg plays Agnes, a sweet, unworldly creature who in early scenes is married off to Wolf (David Scheid), a bear of a man who seems delighted to be married to her. Or maybe … Read more

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