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China Girl

1987’s China Girl is usually described as a reworking of the Romeo and Juliet plot, or as a song-free update on West Side Story (which is a reworking of the Romeo and Juliet plot). But that’s to fall for the elaborate feint of director Abel Ferrara and writer/frequent collaborator Nicholas St John. Yes, there are star-crossed lovers meeting across an unbreachable divide – ethnicity in 1980s New York – but Ferrara and St John are not that interested in handsome Tony (Richard Panebianco) and sweet Tye (Sari Chang), the Romeo update from Little Italy and the reconditioned Juliet from Chinatown. Instead, flipping the dynamic, their focus is on the modern-day Montagues and Capulets, … Read more

Snow White and the Seven Dwarfs

David Hand? Look at the credits and you’ll see the name down as the director, one among quite a few, depending on where you’re looking. Such is the grip of the “director as auteur” notion on modern thinking that everyone – from the IMDB down – feels obliged to list the director first, as if theirs were always the guiding hand. Which is a long-winded way of saying that Snow White is a Walt Disney film. He might not have directed any of it but he directed the people who did. And, in the days when we’re meant to marvel at the computer-generated output of Pixar and the like, how much more amazing to … Read more

8 February 2016-02-08

Out This Week Gemma Bovery (Soda, cert 15) Gemma Arterton plays the English belle getting French baker Fabrice Luchini in a tizz in this adaptation of the Posy Simmonds graphic novel which first appeared in The Guardian as a weekly cartoon strip. And very cartoon-strippy it is too, Arterton all tippy-toes sex appeal as a modern-day version of Flaubert’s hot-gusseted Madame Bovary, Luchini pulling a series of faces that Benny Hill would be proud of as the “no fool like an old fool” looking on haplessly as the new arrival in the French idyll forsakes lovely, broke husband Jason Flemyng and sets her hat at local rotter Niels Schneider. If it all feels … Read more

The Hater

The Hater (Sala Samobójców. Hejter in the original Polish) slots in alongside Brechtian “man on the make” dramas like The Resistible Rise of Arturo Ui, or the novel/film Room at the Top, or even Mephisto, the Klaus Mann novel and 1981 movie by István Szabó. It’s a film about a young man who believes in himself rather than anything else, and we meet Tomasz (Maciej Musialowski) just as he’s being thrown out of law school for plagiarism, though he doesn’t seem overly concerned about the fact that he’s trashed his own prospects. Later, at the apartment of the aunt and uncle who’ve been sponsoring his studies, he keeps quiet about what’s happened while … Read more

The General

Buster Keaton’s favourite of his own films got off to a poor start in 1927. A flop at the box office and poorly received by critics (“the fun is not exactly plentiful” said the New York Times), it’s now considered to be one of the greatest films ever made. Is this high ranking down more to nostalgia for a simpler time or campaigns mounted by lovers of the hair shirt? Possibly a bit of both. But strip away the nonsense and you’re still left with something remarkable. The gags, for the most part revolve around The General, the steam locomotive of which Keaton is the engineer. The most famous of these is the … Read more

Fudoh: The New Generation

The title Fudoh: The New Generation begs the question: was there a Fudoh: The Old Generation? There wasn’t, strictly speaking, though there was a manga series called Fudô, which Takashi Miike based this film on. And there were some subsequent regenerations, with Fudoh 2 and 3, neither of which were directed by Miike. Miike was largely an unknown quantity outside Japan when this film debuted in 1996. It made his name, which isn’t bad for something originally slated for home-release only. It also started Miike’s golden run – see Audition (still brilliantly yuk after all these years), Ichi the Killer or The Happiness of the Katakuris for examples of that. What impressed audiences … Read more

The Avengers: Series 4, Episode 19 – Quick-Quick Slow Death

Lean, arch and fast, Quick-Quick Slow Death is high-church Avengers, with barely a normal person in it. Instead a busload of eccentrics power a plot that starts odd – a full-grown man in evening dress and bearing a “Lucille” tattoo on his arm being disgorged from a baby’s runaway pram after it’s crashed at speed – and keeps getting odder. Steed and Peel are soon on the case of the dead “agent” – the series has also finally decided how to describe the line of work that Steed and his various partners are in – with Peel off to a tattoo parlour to pursue the “Lucille” line of enquiry, while Steed heads to … Read more

Flee

Towards the end of 2021 Flee found itself in the curious position of being eligible for Oscar nomination in three different categories. Which way to jump? It eventually submitted itself as a contender in the Best International Feature category. Best Animated Feature was also an option. As was Best Documentary – though spotting that Summer of Soul was in that category would make anyone think twice. Flee ticks all three boxes because it is a documentary telling the true story of a young man called Amin and his long and perilous flight from wartorn Afghanistan up to the moment, where he is about to marry his partner, Kaspar. It’s from Denmark (box two) … Read more

La Llorona

La Llorona is a figure in Mexican folklore, a tragic ghostly beauty dressed in white clothes who haunts the world she once lived in, having drowned first her own children and then herself. You can find a faint echo of La Llorona in the Wilkie Collins novel The Woman in White, but though The Woman in White has been turned into several movies, TV series and an Andrew Lloyd Webber musical, it’s never really taken hold in the anglosphere quite the same way as La Llorona has with Spanish speakers – in fact there were two other movies based on the myth in production when this La Llorona debuted. I mention all that because … Read more

The Tunnel

A movie for every day of the year – a good one 2 August Tower Subway opens, 1870 On this day in 1870, the Tower Subway opened in London, UK. Running under the River Thames between Tower Hill on the north bank and Tooley Street on the south, it is a 1,340 foot (410m) tunnel and was the first built under a river expressly to carry a train. Though it caused a lot of excitement at the time, the tunnel was only narrow, at just over 6.5 feet (2.026m) wide, and its tiny train did not have much room for passengers. The company that built it went bust and the tunnel closed at … Read more

The Day of the Beast

A Christmas movie for Satanists, The Day of the Beast (El Día de la Bestia) is one of the key movies of a very 1990s style of grindhouse film-making. It’s the gonzo wild ride in which pump-action shotguns and breasty women compete for screen space with demons and SWAT teams, while rock music and satanic ritual drive the soundtrack. This genre is probably best exemplified by Robert Rodriguez’s From Dusk Till Dawn, from 1996. But Spanish director Álex de la Iglesia got there first in 1995, and he got there best. This is a very funny movie, probably at its best in early scenes introducing its hero, Father Ángel Berriartúa, a Catholic priest … Read more

Beneath Hill 60

A movie for every day of the year – a good one 24 December The Christmas Truce, 1914 On this day in 1914, an unofficial truce broke out, mostly between the British and German soldiers, at the Front in the First World War. It was the first year of the war and it had already become largely a static war fought from trenches. Troops had been dug in for months and had become familiar with their opposite numbers. As Christmas approached and the tug of hearth and home got stronger, men began to sing songs on both sides of no man’s land. Perhaps because the British and Germans would have been familiar with … Read more

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