Popular Reviews
Looking
2016’s Looking is also known as Looking: The Movie, for reasons that are obvious if you were a fan of the TV show that suddenly got pulled just as everyone involved was gearing up for a third season. Looking: The Movie is HBO’s sop to the fans who bombarded the company with howling letters of complaint, and a neat way for showrunner Michael Lannan and creative sidekick/writer/director Andrew Haigh to tie off various loose ends. This they do. The original idea for the series was Queer as Folk meets Tales of the City – a look at gay/queer (though “gay” is the word most used here) life as it’s lived by people who … Read more
La Notte
It’s called The Night, the IMDb tells us, though I’ve never heard Antonioni’s 1961 drama called anything but La Notte. So let’s use the original title. It’s pithy. As Italian phrases go this one is not hard to say and it’s distinctive. There are plenty of films called The Night already. The title is as stark as the film’s opening moments. The credits are written in an unfussy sans serif font. The theme music is atonal. The first images we see are of glass and steel buildings shot to emphasise their angularity. La Notte is the mid-century modern movie – sleek, unadorned, made out of good materials and not entirely comfortable. Isn’t life … Read more
Encanto
If you liked Moana then you are the target for Encanto, a song-filled animated story of young female derring-do, set against the background of an ancient civilisation and with a sprinkling of magic to help things along. Polynesia did the decorative thing for Moana, it’s Mesoamerica in Encanto, but if actual knowledge brings you in out in hives, be not afraid, it’s largely just a few masks and other accessories borrowed from the Amerindian back catalogue to give Disney’s latest princess a USP that sets her apart from Pocahontas, Mulan, Merida et al. This one also wears glasses just to make her stand out from the increasingly homogenous big-eyed throng. The action takes … Read more
An Unquiet Grave
An Unquiet Grave is a remarkably simple but remarkably effective horror film. Two people, one camera, a handful of sets, kicking off with a scene at a graveside where grieving husband Jamie (Jacob Ware) meets Ava (Christine Nyland), the twin sister of his dead wife, Julia, and together they set off to resurrect the dead woman. What Ava doesn’t know is that the procedure is going to cost her a lot more than it’s going to cost him, which raises all sorts of questions about male privilege on the way. None of those questions are raised in the English folk song on which the film is based. The Unquiet Grave goes back to … Read more
Night of the Kings
When is a prison drama not a prison drama? When it’s Night of the Kings (La nuit des rois), a French-language drama from the Ivory Coast that starts and ends in a brutal jail and soars off in every direction in between. Philippe Lacôte’s film opens with a shot of the jungle. The camera pans up to reveal a vast building, the Maca prison, one run by its inmates, the governor will later remark to an underling. It’s a jungle out here and it’s going to be a jungle in there too, right? Right. But also very wrong. Into this pulullating mass of hyper-masculinity – so many shirtless male bodies, so many scowls – … Read more
A Blonde in Love
One of the key movies of the Czech New Wave of the 1960s, Miloš Forman’s A Blonde in Love (original title: Lásky jedné plavovlásky) was also the director’s international breakout. Through a long career, individual freedom was Forman’s abiding concern. The oppressive force of totalising regimes and the stultifying power of received wisdom on individual liberty always played a powerful role in his movies, whether it was Jack Nicholson trying to get the inmates’ voices heard in One Flew Over the Cuckoo’s Nest, Mozart trying to find an audience for his music in Amadeus or Larry Flynt banging the drum for free speech in The People vs. Larry Flynt. It’s the same here, … Read more
The Avengers: Series 5, Episode 22 – The Positive Negative Man
A mad spy-fi story, the sort that made The Avengers the legendary show it is, The Positive Negative Man gets off to a Cybernauts-style start with a big lumbering creature – a man in silver greasepainted face and a metal sleeve on one finger – zapping a scientist (Bill Wallis) as he labours over some boffin-y task. The man has been thrown clean across the room. This being “the Ministry”, Steed and Peel are soon called in, only to become mired in protocol – do they or do they not have enough security clearance to conduct any sort of investigation, sort of thing. Tony Williamson’s script tugs in two directions. One is techy – … Read more
The Avengers: Series 6, Episode 18 – The Morning After
Peter Barkworth, Joss Ackland and Brian Blessed fortify The Morning After, a decent “abandoned town” caper with an egregious USP – Tara King isn’t in it. It’s insult added to injury, given that the previous week Linda Thorson had been substituted by obvious try-out replacement Jennifer Croxton. This week Clemens has two stand-ins, Peter Barkworth and Jennifer Horner (attractive, blonde, posh), taking the place of King, who spends the entire episode “asleep”, thanks to some knockout gas administered by shifty quadruple agent Merlin (Barkworth) and which he unintentionally also falls victim to, along with Steed and King. If we’re being kind, it’s Clemens returning to an earlier idea of The Avengers – Steed … Read more
Hard Candy
Thonggrrrl14 , aka Hayley, agrees to meet Lensman319, aka Jeff, at a local coffee shop. They head back to his pad, the 14-year-old and the mature photographer, where Hayley drugs Jeff, ties him up and prepares to wreak some overdue revenge on behalf of all the other poor girls who have ever been hoodwinked and then abused by someone who should know better. First threatening to castrate him following procedures she learnt online – see how the internet gives but also takes? – she then spends a good amount of time messing with his head, in scenes which should be punctuated with reminders to breathe. Which way is this thriller going to play … Read more
Your Friends and Neighbors
Like writer/director LaBute’s In The Company of Men, his 1997 debut, Your Friends and Neighbors deals with a theme that’s current in cinema – that all men are rubbish. LaBute focuses on three self-obsessed friends, travelling further into their psyches as the film progresses. And the further he travels, the shallower the trio appear. Contemporary gents, LaBute appears to be saying, have benefited enormously from the liberalising cultural shift of the 1960s, but these days instead of being high, they’re more high and dry. For some people this film might be a bit preachy, a bit speechy, and it’s true that LaBute’s origins as a writer for the stage seem fairly evident. Perhaps the … Read more
The Street with No Name
Full of guys with nicknames like Mutt, Shivvy and Whitey, 1948’s The Street with No Name is your tough, streetwise crime drama making many claims to authentiticity. It was one of a run of “semi-documentary” movies made around this time, often by Twentieth Century-Fox, and shot out on the streets, in the bars and at the racetracks where ordinary Americans lived their lives in the boom that followed the Second World War. Don’t get too cosy is the message, delivered via stern voiceover and onscreen teleprinter in the film’s opening moments – gang activity is starting to re-assert itself now the peace has been won, it declares in so many words. If the … Read more
The Avengers: Series 5, Episode 5 – The Bird Who Knew Too Much
Even being kind The Bird Who Knew Too Much is a fairly crap episode of The Avengers, a half-hearted rewrite of an Alan Pattillo story by Brian Clemens. But it gets off to a quirky enough start – a man on the run is shot and, instead of shedding blood, gives out a little trickle of bird seed. Steed Fancies Pigeons: Peel Gets the Bird is what the irritating subhead card reads before action recommences after the credits with another one of “our” gang – a pigeon keeper (a “fancier” in the terminology) – winding up backwards in a tank of wet cement. “He was a pretty solid sort of man,” Steed later … Read more
