Popular Reviews
100 Years of… Blood and Sand
1922’s Blood and Sand was Rudolph Valentino’s third big hit movie in two years and it deserved to be. A grand, well-appointed, beautiful-looking, subtly-acted adventure rippling with themes and sub-themes and with properly fleshed-out side characters, it’s got more going on under the hood than at first appears. Famous Players-Lasky (later to become Paramount) had been caught on the hop by Valentino’s success and insisted that he carry on with the schedule already mapped out for him – which is why you’ll find a number of B movies sprinkled along the way between The Four Horsemen of the Apocalypse, his breakthrough, and Blood and Sand. Though Valentino was hot stuff (and knew it), … Read more
Coach Carter
“Inspirational coach” movies come in many shapes and sizes. This one comes in the shape of Samuel L. Jackson, the tough talking, clean-living paragon of virtue who comes into a troubled school and turns around the basketball team in the teeth of indifference from pupils, teachers and … sorry, am I boring you? There’s a little more to Coach Carter than the usual sports movie fare. To whit: it is based on the true story of the coach who insisted his players properly knuckle down. He made them sign contracts. Controversially, he also insisted they got good grades in their other classes otherwise they were off the team. And outrageously, he closed the … Read more
Respect
It would easy to go all hatey on Respect, a biopic of the life of Aretha Franklin, but instead let’s take it for what it is – the authorised version, the Stations of the Cross of a towering talent who even old, sick and with her voice in ruins could yank a tear, if not sobs, from the coldest of hearts. As we can see at the end of the film in actual footage from Aretha’s performance at the 2015 Kennedy Center tribute to Carole King which, perhaps unwisely, is shown over the end credits. Jennifer Hudson never quite manages anything similar, brilliant though she is. Choose your biblical metaphor – she’s Daniel … Read more
Puss in Boots: The Last Wish
“Fear me, if you dare!” It’s a strange catchphrase but it is Puss in Boots’s and goes some way towards explaining his appeal – dangerous and ridiculous at the same time, as befits a vainglorious furball swashbuckler who’s Zorro in miniature, a legend in his own eyes more than anyone else’s, but a legend all the same. In Puss in Boots: The Last Wish two-time Zorro and four-time Puss Antonio Banderas returns to the role and remains a good part of the appeal of this character spun off from the Shrek franchise. Puss debuted in Shrek 2, returned in Shrek the Third and Shrek Forever After, then got his own show in 2011’s … Read more
Starve Acre
Starve Acre starts out looking like it’s going to be a folk-horror reworking of The Amityville Horror, spooky house and all that. Then changes tack and appears to be attempting a folk-horror reworking of The Exorcist, possessed child and all that. Before finally settling down to tell a story about different ways of coping with grief. It’s a mood piece in many ways. So if you’ve pitched up looking for entertainment – boo scares, ghoulies, things going bump – park those expectations. Subterranean sounds and bleak visuals abound in this story set on the Yorkshire moors in the 1970s, where the modern, rational mindset meets the old ways and comes off second best. … Read more
26 October 2015-10-26
Out This Week Theeb (New Wave, cert 12) Jordan’s contender for this year’s Best Foreign language Oscar is, somewhat unexpectedly, an old school adventure story, the sort of thing Rider Haggard would recognise, set in a Lawrence of Arabia desert and starring Jacir Eid as a Bedouin kid. Eid is an untrained actor, as are most if not all of the excellent cast – goodies and baddies – and the plot is a basic dash across the desert, away from bad guys and towards a well which a floppy-haired English interloper wants to visit, for reasons probably nefarious. A sealed box provides a bit of a Maguffin, the cinematography knows that David Lean … Read more
His House
Let’s do a refugee drama, which no one wants to watch, as a haunted house movie, which everyone does. That’s the thinking behind His House, a canny mix of genres from writer/director Remi Weekes in his feature debut, which adds a further layer of originality by adding all sorts of weird African supernatural juju to the mix. This clever and atmospheric amalgam kicks off with a pair of refugees from the war in South Sudan being shown a house on a housing estate in shithole Britain. It’s loads better than the detention centre and so Bol (Sope Dirisu) and his wife Rial (Wunmi Mosaku) cannot believe their luck. They move straight in. Of … Read more
The Liability
Starting great but ending merely good, this British thriller full of deadpan laughs is sexy, nasty and features two great actors, Tim Roth and Peter Mullan. It even boasts a starmaking performance by Jack O’Connell as The Liability. The genre is announced before the opening credits, as a man in a car parked somewhere bleak but lit with the rainbow palette of an acolyte of Christopher Doyle is gruesomely garrotted from the rear passenger seat by someone we never see. Except it isn’t. The genre we thought it was, I mean. Cut to Adam (Jack O’Connell) a total dipstick who has borrowed his mum’s boyfriend’s C Class Mercedes and is razzing it up … Read more
Trace of Stones
Socialism good, the socialist party bad is the idea driving Trace of Stones, originally Spur der Steine, a film made in the German Democratic Republic in 1966. It was shown a handful of times and then withdrawn, not to be seen again until the fall of the Berlin Wall. Audience unrest, said the authorities. Don’t criticise the Party! The SED (Sozialistische Einheitspartei Deustschlands aka Socialist Unity Party of Germany) really does get it in the neck in what’s otherwise quite a familiar film, not a long way from the “kitchen sinkers” being made by the likes of Lindsay Anderson in the UK, though director Frank Beyer’s direction is looser, his approach to dialogue … Read more
Minari
Minari is an old-school film of the sort you used to see at Sundance a lot, gentle character driven dramas full of people who were essentially decent. The sort of film Robert Redford used to direct, like Ordinary People or The Milagro Bean Field War or A River Runs Through It (which starred Brad Pitt, an exec producer here). It did well there, winning both the Grand Jury and Audience awards. In the dying days of the Donald Trump administration it asks and answers the question: who built America? The answer is immigrants, though that message is never uttered out loud. Instead we follow a Korean family who’ve moved out from the city … Read more
Caught
Revenge would be a better title but Caught it is, director Max Ophüls’s broadside against Howard Hughes, who’d fired him from Vendetta only days into shooting a film that was meant to launch the career of Faith Domergue, a Hughes “discovery” (booty division). Vendetta ended up with five directors’ names attached to it so clearly the launch needed more grease on the slipway than anticipated. Hughes’s treatment of women, it turns out, is what Caught is all about, a reworking of the Libbie Block novel Wild Calendar also incorporating the stories Ophüls and screenwriter Arthur Laurents had heard about the infamously philandering studio boss. Naive and nice young thing Leonora (Barbara Bel Geddes) … Read more
Brother 2
The gang’s all back together for the sequel to Brother – Brother 2, unsurprisingly. That includes the writer/director Aleksey Balabanov, star Sergey Bodrov, key members of the support cast, notably Viktor Sukhorukov as the titular brother, plus cinematographer Sergey Astakhov, editor Marina Lipartiya, composer Vyacheslav Butusov and even the chunky knit sweater that Bodrov wore through most of the first film. Amusingly, Balabanov starts off his sequel with a direct callback to the first film – a scene in which Bodrov’s Danila, an ex-soldier and hitman of the cool, unassuming sort, wanders on to a film set, just as he did first time out. This time, though, Danila is in Moscow rather than … Read more
