Popular Reviews
Despicable Me 4
Are you still here? That’s how I approached Despicable Me 4, an intellectual property that had done all its emotional work already in the first movie – how super-super villain Gru became a decent sort – but somehow miraculously re-purposed itself and sailed on to franchise glory. Perhaps the most remarkable thing about this fourth iteration is that everyone involved seems to still give a stuff. The story is zippy, the voice cast is committed, the animation is lively and colourful, it has a good soundtrack. It’s busy, too busy really, but it’s still pulling out the stops, being inventive when it could just ride along on its own coat tails. You could start … Read more
Omni Loop
Sci-fi or is it? Omni Loop certainly doesn’t look or feel like a sci-fi movie. In fact it’s all about human foibles, regrets, the life lived rather than the life that could have been lived. But its ostensible story – a woman reliving the last week of her life over and over again thanks to a magic time-travelling pill – has sci-fi written all over it. Groundhog Week, you could call it. The action sets out from the point where Mary-Louise Parker’s Zoya Lowe is given a terminal diagnosis. Heading home from the hospital to die with the family, instead of breathing her last with them at the decisive moment she takes one of … Read more
The Orphanage (2019)
The Orphanage is about life in an orphanage, no shock there, but what makes it fascinating is that it’s an orphanage in Afghanistan in the late 1980s while it was under Soviet rule. Director Shahrbanoo Sadat’s film is based on her friend Anwar Hashimi’s unpublished 800-page diaries, which also inspired her previous film, Wolf and Sheep, the first film ever brought to Cannes by a female Afghan director. A further three instalments of what will ultimately be a pentalogy are planned, so Sadat clearly has faith in the source material. Qodratollah Qadiri, also a holdover from Wolf and Sheep, plays a hustling street kid in Kabul who is picked up one day by … Read more
Rocks
Rocks is the director Sarah Gavron’s best fiction feature to date, beating Brick Lane and Suffragette to top honours thanks to outstandingly fresh performances from a cast of actors who deserve all the praise that’s been heaped on them. It’s a simple and fairly familiar story. Rocks (Bukky Bakray) is a London inner-city kid, feisty and formidable, fast of mouth, quick of wit, older in attitude than her 13 years. One day her mother simply disappears from the council block she shares with Rocks and much younger brother Emmanuel (D’angelou Osei Kissiedu), leaving behind a note saying she’s gone off somewhere to “clear my head” plus a bit of money intended to tide … Read more
The Breaking Point
Released in 1950 two years before the death of its star, John Garfield, aged only 39, The Breaking Point played to all Garfield’s strengths – he’s the tough guy military veteran attempting to maintain masculine dignity in a world that doesn’t want him any more. It was his favourite role. Harry Morgan (Garfield) is scraping along in the business he set up after he returned from the Second World War, chartering boats out for fishing and whatever comes along. Times are hard and he owes everyone money, and so, in hock to his eyeballs, a disappointment to his loving wife (Phyllis Thaxter), bossed by an offstage father-in-law dangling a job with his successful company, … Read more
My Old Ass
Aubrey Plaza in a film called My Old Ass looks like a case of someone getting their defence in early, but is in fact a canny repositioning of Plaza – more mouth, less sex – and another demonstration of her ability to light up a film with dark snark in a supporting role. The film actually belongs to Maisy Stella, in her first time out, playing a young Canadian woman – bit snarky, bit dark – who meets her older self after going on a mushroom trip with her friends, in a last hurrah before they all leave their home town for the next phase of their lives. Shrooms ingested, all three sit … Read more
17 August 2015-08-17
Out This Week Dear White People (Signature, cert 15) A sharp, smart and almost breathless satire on race, racism, post-racism and the whole damn thing, set in an American university where an all-black college asks the question that all black people are asked in some way… integrate or segregate? This basic question – hard enough – is further complicated by the people it’s being asked of: the entitled, preppy student president (Brandon P Bell), the chippy mixed race DJ (Tessa Thompson) whose Dear White People radio show offers snarky advice on the state of current racial politics (“Dear white people, the minimum number of black friends needed to not seem racist has just been … Read more
Kneecap
I’d not heard of Kneecap. The band from Northern Ireland rap in the Irish language, which makes them unusual and worthy alone of a biopic. The fact that they’re good at it and are also buzzy, funny, lairy lads who can act is just a bonus. There are only 80,000 native Irish speakers on the whole island of Ireland, an on-screen info dump tells us, and only 6,000 in Northern Ireland, the bit that remains part of the United Kingdom since Ireland broke away a century ago. So, band members Móglaí Bap (stage name of Naoise Ó Cairealláin), Mo Chara (Liam Óg Ó Hannaidh) and DJ Próvai (JJ Ó Dochartaigh) are a minority … Read more
The Act of Killing
“For killing people trousers should be thick,” says Anwar, the “star” and chief exhibit in this bizarre documentary. He’s the retired head executioner of an Indonesian death squad reliving his glory days garrotting hundreds if not thousands of “communists” (ie anyone in the way) with a piece of thick wire in the mid 1960s. And though now knocking on a bit he shows us how he did it, in the place he did it, a cement yard out the back of what looks like a restaurant. Bizarre though this is, there is more to come, because what the makers of this film have done – not sure if it was their idea or … Read more
The Avengers: Series 2, Episode 20 – School for Traitors
Mrs Gale takes a rest and Venus Smith gets another outing in an episode set at an elite Oxbridge-style university and kicking off with a death (again) before the credits (again). Steed is sent in to find out what happened to the man he was meant to have been keeping an eye on, after a briefing from a different control, One-Seven (Frederick Farley), a ridiculous throwback complete with cigarette holder and winged collar. A much chattier, gamine Venus Smith is introduced early on. Smith just happens to be gigging at the university’s rag week, which is handy for Steed, who has soon also inveigled his way into the grove of academe and is … Read more
Jericho Ridge
No one involved in Jericho Ridge thinks they’re making art, but neither do they think they’re making trash. It’s the sort of movie that keeps an industry alive – well made, well acted, decent-enough if familiar story and a satisfying conclusion all round, especially if you like happy endings served with lashings of gory violence. The plot is a slight steal from Assault on Precinct 13 – cops under siege on their own turf – but first it sets up its underdog hero as a person who has a lot to get out from under. Nikki Amuka-Bird plays smalltown cop Tabby Temple, a smart and resourceful deputy who’s recently had her rank reduced because … Read more
Summer Window
When not co-creating, -writing and -directing the glorious Babylon Berlin TV series, Henk Handloegten likes to make films like Summer Window (Fenster zum Sommer), dramas that come front-loaded with a chunk of fantasy. The fantasy isn’t what his films are about, it’s more of a come-on, luring in the sceptical, who might find that they’ve lingered longer with his style of humane drama than they expected. In Good Bye Lenin!, which Handloegten co-wrote, the fantasy was more oblique, existing only in the mind of its East German characters, who were playing a gigantic game of make-believe with their frail mother, recently awake after a coma, in which the Berlin Wall hadn’t fallen and … Read more
