Popular Reviews
The Crown Jewels aka Kronjuvelerna
If this is the age of helicopter parenting and the Young Adult (YA) genre is its cultural manifestation, then 2011’s The Crown Jewels (Kronjuvelerna in the original Swedish) is as good an Exhibit A as you’ll find in any case for the prosecution. Life is full, absolutely full, of bear traps and kids need to know about them. People can be horrible. Open water can kill. Boyfriends can turn out gay. Mums can die. Dads can lose their legs. Rape can happen any time. Insanity lurks. Make sure you turn the gas off. The story is told in flashback, from a Swedish police interrogation room where a kindly inspector (Tomas von Brömssen) wants … Read more
Danger: Diabolik
Arsène Lupin, Fantomas and James Bond all come together in Danger: Diabolik, the first screen appearance of the Italian masked master criminal. A flop on its initial release in 1968, it’s now regarded as something of a cult classic. The reasons for that are hard to ignore. This is prime mid-1960s kitsch, a psychedelic, phantasmagoric, frequently silly, almost always entertaining dollop of schlock elevated by the superb eye of director Mario Bava and a soundtrack by Ennio Morricone at his most poptastic – twangy guitars, wordless choirs, drums thrashing, a harpsichord, the sonic equivalent of Bava’s colour-soaked, bright, stylish and slightly demented visuals. Italian audiences were familiar with Diabolik (also the film’s original … Read more
An Ordinary Execution
A movie for every day of the year – a good one 15 July John Ball hanged, drawn and quartered, 1381 On this day in 1381, a charismatic priest called John Ball was killed publicly in front of the monarch of England, Richard II. Ball had been a “hedge” priest, roaming the countryside, unattached to a parish, a “Lollard” who believed the Church to be corrupt. In prison in Maidstone at the time of 1381’s Peasants’ Revolt – a rebellion against too much taxation, villeinage (ie slavery), corvée (obligatory unpaid labour) and the new laws making it illegal to refuse work on the grounds that the pay was too low (the Black Death had … Read more
The Wrong Box
Lovely wallpaper. It’s not the highest praise you could give to a film, but The Wrong Box is one of those British films of the 1960s that’s so fundamentally terrible that you are left scrabbling to find something good to say about it. It’s a bad picture but isn’t the frame lovely? It’s one of those sub-Agatha Christie comic capers set in the Victorian era, where two ancient brothers are the last survivors of an elaborate tontine pact set up decades before – everyone pays in but only the last surviving member benefits from the payout – with John Mills and Ralph Richardson as Masterman and Joseph Finsbury, the two old duffers trying … Read more
The Royal Hotel
Writer/director Kitty Green’s The Royal Hotel slots into the “people having a terrible time in the Outback” groove but her follow-up to The Assistant is also its own distinctive beast. It’s more Wake in Fright than Wolf Creek, with its subjects/victims being tested to their psychological limits rather than out-and-out monstered. It’s a “thriller” says the IMDb, and quite a few reviews say it is too. But it’s a funny sort of thriller, coming across more as a human drama with a lurking sense of threat unsettling enough almost for it to be counted as a horror movie. But on to the plot. Two young women backpacking their way around the world wind … Read more
Scarface
A movie for every day of the year – a good one 11 September Brian De Palma born, 1940 On this day in 1940, Brian De Palma was born. De Palma is one of the key figures in the New Hollywood group that stormed the citadel in the 1970s. If 1967’s Bonnie and Clyde marked the beginning, 1977’s Star Wars saw the beginning of the end for the golden ten-year run of the New Hollywood gang, after which 1940s Hollywood certainties seemed to re-establish themselves and the selling of spin-off action figures became too lucrative to ignore. In that short sweet flowering, the careers of Scorsese, Coppola, Bogdanovich, Spielberg, Lucas, Rafelson and Schrader … Read more
Pilots
Pilots (Pilotinnen) was Christian Petzold’s graduation film, a short feature-length drama which he completed in 1995. At 35, Petzold was quite ancient as students go but he’d studied German and theatre already before switching into film at Berlin’s DFFB. Either way, his film got a showing on the German TV channel ZDF, which isn’t bad at all for a graduation movie. It’s clearly the work of someone who technically is still learning how the vehicle works but thematically knows exactly where he’s heading. It’s not so much Petzold in utero as Petzold in miniature. It’s a two-hander, in essence, and once Petzold has thrown us with an opening shot suggesting that his troubled … Read more
Stardust
Stardust, echoing the title of his most consequential album, Ziggy Stardust and the Spiders from Mars, charts the journey of David Bowie from washout – the big 1969 hit Space Oddity not having led on to greatness – to the moment he became the David Bowie of legend. Gabriel Range’s film pegs that moment as being when Bowie first stepped on stage in 1972 with his new band, the Spiders from Mars, though fans will rightly point out that the decisive shift actually came with the previous album, Hunky Dory, in particular the song Queen Bitch, a moment of arch Ziggy-ness inspired by Lou Reed. But, fanboy grumbles to one side, let’s talk … Read more
The Great Silence
One of the great puzzles about Sergio Corbucci’s 1968 spaghetti western The Great Silence (Il Grande Silenzio) is how shakily it starts. In one gruesomely unsteady shot after another, using lenses that are way too long, cinematographer Silvano Ippoliti appears to be putting on a demonstration of the genre’s technical shortcomings. Distant figures swing wildly all over the frame, rendering action almost impossible to follow. Stick with it, it settles down. By the end, as events build towards a climax that’s satisfying because it’s so unexpected, Ippoliti and Corbucci have relaxed into a groove and are delivering cinematic storytelling at its finest. Scenes play out in as much time as feels necessary, minor … Read more
Anaconda
Clever, this Anaconda, a vastly ironic comedy horror written and directed by the guys who did The Unbearable Weight of Massive Talent – which was also as clever as it was ironic. It follows a bunch of flaky dudes whose lives have been less than fulfilling in a last ditch attempt to do something meaningful by remaking 1997’s corny creature-feature Anaconda on a micro budget. Off they head, wedding videographer Doug (Jack Black) and useless actor Griff (Paul Rudd), with childhood friends Kenny (Steve Zahn) and Claire (Thandiwe Newton) to the Amazon, where the snake wrangler they hire will be as good as useless, and the pilot of their boat will turn out to … Read more
The Leopard
The movie-as-oil-painting prize goes to The Leopard, Luchino Visconti’s majestic, magnificent, magical magnum opus from 1963, a contender in all the serious forums for best looking film ever made but also a triumph as an examination of a society, a politics and a psychology in flux. It’s an adaptation of Giuseppe di Lampedusa’s only novel – a best-seller to this day – and follows it closely. There is no real plot, in other words, more a series of tableaux from the life of a mid-19th-century Sicilian prince as he and his family are buffeted by change, brought about first of all by Garibaldi’s revolutionary Red Shirts, busy unifying Italy (re-unifying, if we’re counting … Read more
Catch and Release
Having written the entirely acceptable Erin Brockovich and the entirely terrible 28 Days, Susannah Grant makes her directorial debut with a dog of a rom-com starring Jennifer Garner as the girl mourning the death of her fiancé, learning that he wasn’t as perfect as she had thought, and turning to his friend (Timothy Olyphant) for succour and much else besides. How awful a rom-com premise is that? Such was your love for someone, so impactful was his death, so stricken are you by the news that he might well have been a scumbag, that you decide to start making big eyes at the nearest available sexy guy. True, it might happen in real … Read more
