Popular Reviews
Despicable Me 4
Are you still here? That’s how I approached Despicable Me 4, an intellectual property that had done all its emotional work already in the first movie – how super-super villain Gru became a decent sort – but somehow miraculously re-purposed itself and sailed on to franchise glory. Perhaps the most remarkable thing about this fourth iteration is that everyone involved seems to still give a stuff. The story is zippy, the voice cast is committed, the animation is lively and colourful, it has a good soundtrack. It’s busy, too busy really, but it’s still pulling out the stops, being inventive when it could just ride along on its own coat tails. You could start … Read more
Northern Lights
When is a feature film not a feature film? When it’s only 53 minutes long is one possible answer. Not that it matters too much in writer/director Nicholas Connor’s debut in a category we might just choose to call “definitely not a short”. Perhaps I’m being a dick, because all the elements of the feature are here – characters, a setting, a recognisable story arc, a satisfying conclusion – just boiled down to a nourishing concentrate, like a delicious stock. According to a dedication at the end of the film, Connor’s drama is inspired by the work of Chris Cyprus, a Mossley-based (Greater Manchester) artist whose work could be very loosely called a mix … Read more
Winnie the Pooh
A movie for every day of the year – a good one 18 January AA Milne born, 1882 On this day in 1882, Alan Alexander Milne was born in Hampstead, London, UK. The son of a Scottish teacher, he was educated at his father’s small public school in Kilburn, London, where one of his teachers was HG Wells. After that he attended Westminster, one of the country’s leading private schools, before going to Cambridge University on a mathematics scholarship. While there he was noticed by the humorous Punch magazine, to which he started contributing. After Cambridge he got a job at Punch and became a prolific writer, producing 18 plays and three novels. … Read more
I, the Executioner
First things first. I, the Executioner, the 1968 one I mean, has nothing to do with the 2024 film. They share a snappy title and both trade in violence but it doesn’t go much further than that. The new movie is a police-focused South Korean action sequel (to Veteran) full of martial-arts sequences. The 1968 iteration is a Japanese revenge thriller, the story of a pitiless incarnation of natural justice – “divine punishment” he calls himself – raping and slaughtering his way towards cosmic retribution. I have not seen the newer film but doubt it can match the original for style. Because the 1968 movie is surely one of the most grippingly stylish … Read more
The Storms of Jeremy Thomas
The Storms of Jeremy Thomas is a documentary for people who enjoy the sort of films that Jeremy Thomas gets involved with. The likes of The Sheltering Sky, Sexy Beast, Crash, High-Rise, 13 Assassins or The Dreamers. Smart, good-looking, slightly offbeat stuff, not arthouse exactly – his films are too starry for that. But not your Pixars, or Disneys, or Marvels or Foxes. Thomas is the producer or executive producer behind all of those movies, plus a long run of critical and box office successes going back to the 1970s. A “searingly bright” man of “great taste”, “totally playful” who can be “very serious”, says Debra Winger. “The dream producer… the enabler… so rock’n’roll,” … Read more
Bill & Ted Face the Music
Quick show of hands, did anyone actually ask for Bill & Ted Face the Music? Thought not, though here it is, around 30 years on from Bill & Ted’s Excellent Adventure and their Bogus Journey, back with its original stars, Keanu Reeves and Alex Winter, a good comedy director at the helm (Dean Parisot of Galaxy Quest fame), and with two talented draftees in there to provide new blood. In fact Reeves expressed an interest in a new instalment as long ago as 2005. Original writers Chris Matheson and Ed Solomon climbed back on board soon after, and the project was ready to go for about ten years – the studio wasn’t convinced a … Read more
Superboys of Malegaon
It’s pronounced “maa.lay.gao”, a screen note informs us, before Superboys of Malegaon gets properly underway. And that’s the tone of the entire film – nothing left to chance, a narrative that is laid out with one logical piece following another, nothing fancy, nothing tricksy, just the age-old “let’s do the show right here” tale, of an Indian guy in the small town of Malegaon in Maharashtra State, India, who decides to make movies – no money, no clue, just make them. It’s brilliant. Feelgood, funny, dramatic, tear-jerking, a feast of emotional manipulation by director Reema Kagti and co, who retell the true story first told in the 2008 documentary Supermen of Malegaon, which … Read more
Ghosts
The British film-maker Nick Broomfield is well known for his documentaries made in the teeth of adversity, his working practice often being to get into someone’s face and then stay there while they duck and dive (see The Leader, His Driver and the Driver’s Wife, the 1991 doc on South African white supremacist Eugene Terre’Blanche). Either that, or he “dead chairs” his subject – as news people do when an interviewee doesn’t or won’t turn up – and makes a documentary about the documentary he’s trying to make (see Tracking Down Maggie: The Unofficial Biography of Margaret Thatcher). In fact he’s made something of a specialty out of these two practices, to the point where … Read more
8 February 2016-02-08
Out This Week Gemma Bovery (Soda, cert 15) Gemma Arterton plays the English belle getting French baker Fabrice Luchini in a tizz in this adaptation of the Posy Simmonds graphic novel which first appeared in The Guardian as a weekly cartoon strip. And very cartoon-strippy it is too, Arterton all tippy-toes sex appeal as a modern-day version of Flaubert’s hot-gusseted Madame Bovary, Luchini pulling a series of faces that Benny Hill would be proud of as the “no fool like an old fool” looking on haplessly as the new arrival in the French idyll forsakes lovely, broke husband Jason Flemyng and sets her hat at local rotter Niels Schneider. If it all feels … Read more
La Chienne
La Chienne. It translates as The Bitch, literally. But if it ever goes by an English title it’s usually Isn’t Life a Bitch?, which kind of misses the point. It was made by Jean Renoir in 1931 in France and then remade by Fritz Lang in Hollywood in 1945 as Scarlet Street, with Edward G Robinson and Joan Bennett in the lead roles. Here it’s Michel Simon who plays the silly old duffer, Maurice, who falls for a prostitute, without realising what she is, and is then systematically cleaned out by her and her pimp. Foolish Maurice on one side, cool, calculating Lulu making the big eyes on the other, with Dédé the … Read more
100 Years of… The Strong Man
Two people do special things in 1926’s The Strong Man. The first is director Frank Capra, inventing film language on the hoof in his feature debut and showing us why he was such a force on the 20th-century film scene. The other is Harry Langdon, demonstrating an ability to animate dead space with his fluid features and expressive body. The story is really a case of the tail wagging the dog and it takes a long time to get to the film’s point – elaborately conceived and expertly executed stunts. First there’s a preamble in the Great War, where Harry’s hapless soldier Paul Bergot is taking potshots at Germans with his catapult in … Read more
The Hater
The Hater (Sala Samobójców. Hejter in the original Polish) slots in alongside Brechtian “man on the make” dramas like The Resistible Rise of Arturo Ui, or the novel/film Room at the Top, or even Mephisto, the Klaus Mann novel and 1981 movie by István Szabó. It’s a film about a young man who believes in himself rather than anything else, and we meet Tomasz (Maciej Musialowski) just as he’s being thrown out of law school for plagiarism, though he doesn’t seem overly concerned about the fact that he’s trashed his own prospects. Later, at the apartment of the aunt and uncle who’ve been sponsoring his studies, he keeps quiet about what’s happened while … Read more
