Popular Reviews
May
May is a disturbing film full of weirdos but almost none of them is the real deal, apart from the central character of May herself. In a world where people play-act at being strange to make themselves seem interesting, May is properly odd. Lucky McKee’s solo debut came out in 2002, to a little acclaim, but has become a cult over the years, loved by people who admire its aslant world view, its focus on its lead character and its position on pseuds who make false claims on weirdness. May was born with a lazy eye and has been brought up cosseted by her mother. She grew up – or rather didn’t grow … Read more
Storm Warning
Doris Day and Ginger Rogers meet the Ku Klux Klan in 1951’s Storm Warning, a noirish crime drama strangely silent on the most salient aspects of Klan activity but with things to say about the mob mindset and liberal American values nonetheless. It rattles along at around 93 minutes, with the focus mainly on Rogers, who plays a travelling clothes model arriving in the town where her sister (Day) lives and looking forward to seeing her sister for the first time since little sis got married. She arrives late and immediately something is off in this dark town, where everything curiously quiet. The lights are going off in shops. A cab driver refuses … Read more
Three Wishes for Cinderella
If you already know Václav Vorlíček’s Three Wishes for Cinderella it’ll most likey be because you grew up on it. It’s a tradition in some European countries to watch it at Christmas. A Czech/East German co-production made in the days of the Iron Curtain, its appeal is obvious as soon as it gets going. It gives it to us straight – a good, old-fashioned fairy tale so traditional it could be half-timbered, with virtuous maidens and hissable villains, noble rulers and stout yeoman. All is in its place and all is right in the world. That said, there is no fairy godmother, no pumpkin coach and no glass slipper. Instead the nearest we … Read more
28 July 2014-07-28
Out in the UK This Week Noah (Paramount, cert 12, Blu-ray/DVD) Director Darren Aronofsky, having temporarily revived the career of Mickey Rourke with The Wrestler and then an entire genre – the tween ballet thriller – with Black Swan, goes for another challenge, the biblical epic. The story: a big flood. The man: Russell Crowe as a fundamentalist Noah. The tone: old school epic, with the odd arthouse break to remind us that Aronofsky once directed films like the overwrought Pi. Jennifer Connelly plays Mrs Noah in British Heroic voice, in what must be the least demanding role of her career. Surprisingly, bizarrely, very very little is made of the ark, the animals, the flood, … Read more
Hold Back the Night
One of the occasional forays behind the camera of Phil Davis, the hugely gifted actor whose face pops up in everything from a Dickens adaptation to a geezer gangster flick. Which is particularly of interest in this film because it’s neither of those. In fact it’s a genre Brits have a fairly low success rate in – the road movie. Upping the ante even further it’s a feelgood road movie. And heaping the improbable on the unusual, it’s set in a Scotland that’s actually sunny. It stars the enormously talented Christine Tremarco, as a teenager on the run from her abusive dad. Also on the hoof is Stuart Sinclair Blyth as her tree-hugging be-dreadlocked … Read more
Möbius
Möbius, not Morbius. The Marvel supervillain was still in the uncertain future in 2013 when Eric Rochant wrote and directed this spy thriller set in the chi-chi world of high finance. Also in the future was Rochant’s magnum opus, the brilliant TV series The Bureau (aka Le Bureau des Legendes), for which Möbius can be seen as a dry run. Though TV had already clearly won the Movies v TV race by 2013, old-school movies still had prestige and many were still being made which, all told, should really have been a TV series. The result is too many films of this era with overstuffed storylines, too many characters, too much event, too … Read more
Operation Diplomat
A neat example of the brisk storytelling of writer Frances Durbridge – a British crime eminence in 1953 – Operation Diplomat is also a prime example of the skilful directing of John Guillermin, who tells that story at speed. He’d later go on to direct successes like The Towering Inferno and 1978’s Death on the Nile, where an ability to keep the story moving while giving each of a vast array of stars their moment in the spotlight would turn out to be vital. Here, Guillermin is in the British B-movie phase of his career. And though he doesn’t have to corral herds of actors and swing his cameras around exotic locations and impressive … Read more
A Woman in Winter
For a film-maker, Richard Jobson has an odd CV – a member of the new wave band The Skids (hit single: Into the Valley), a model, performance poet, actor, TV and radio presenter, Jobson arrived as a director with his partly autobiographical debut, 2003’s 16 Years of Alcohol, about growing up in a violent gang in Scotland. A Woman in Winter, his third feature, is also set in Scotland, but draws heavily on that country’s long alliance with France (anything but the English, eh) in its story of a quantum physicist (Jamie Sives) falling for a mysterious French woman (Julie Gayet) and simultaneously finding the parallel universes his theories have predicted. What we have here, … Read more
Together
Alison Brie and Dave Franco are a couple in real life and in excitable quarters this fact alone earns Together extra kudos. It’s a talking point, but the Brie/Franco connection doesn’t otherwise make any difference to this movie. They are fine, separately and together, as people whose too-close relationship shifts from the figurative to the literal in a dire and grisly way. We know this before it happens because a pre-credits sequence has told us so, in a tone-setting mini-drama in which two separate dogs have wound up fused together in a gruesomely icky way. Which is what’s coming down the pipe for Millie (Brie) and Tim (Franco) once they head out into … Read more
The Gangster
There aren’t that many films called The Gangster, which is odd considering how many gangster movies there are. But here he is, this singular malefactor, in a film noir from 1947, a strange one with a weird, distorting-mirror quality. Too arty for its own good seems to have been the general consensus at the time. I have no idea what any of those complaints are about. The odd art deco clock and building frontage to one side, there’s not much artiness going on here at all – director Gordon Wiles isn’t messing about overly with the narrative. DP Paul Ivano gives it to us fairly straight in terms of lenses and lighting. Dalton … Read more
The Sex Thief
The Sex Thief is an attention-grabbing title for a film. In the original German it goes by the more cumbersome Die Beischlafdiebin. Run that compound noun through Google Translate and you’ll find no mention of sex at all. No mention, either – unless AI is more advanced than any of us can imagine – of Alfred Hitchcock’s Vertigo, a clear influence on a story about a person who is trying to make over another person for reasons rooted in a dark pathology. It’s a Christian Petzold film and so there’s a mysterious female at the centre of it, a woman devastatingly attractive to men but trying to escape her situation (a Petzold constant). Both she … Read more
If I Had Legs I’d Kick You
Rose Byrne has been acting since she was 15, but it wasn’t until If I Had Legs I’d Kick You that some people started noticing how good she is – no matter how much money movies like Bridesmaids or Insidious make, it takes a “serious” movie to unlock some people’s critical reward system. But she is good in this. And she has to be, because this entire exercise in performative neurosis revolves around her. In fact the camera is on her so much that almost no one else features, and we only get to see her daughter – a bone of some contention throughout – right at the end. Which is how (once … Read more
