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Popular Reviews

Stage Fright

When conversation turns to Alfred Hitchcock, Stage Fright doesn’t often come up. Notorious, Psycho, Strangers on a Train, The 39 Steps, North by Northwest, Vertigo and even The Birds all regularly make an appearance. Stage Fright not so much. And yet it’s a fascinating film, not least because Hitchcock tries to do something different with his formula in it. All the usual elements are here – the innocent man, mistaken identity, flat-footed cops, the mystery blonde – but he’s given everything a distorting twist, inside a movie which itself is set in a world with a distorted relationship to reality, as if all the characters in it have somehow become aware they are … Read more

The Rental

Take your pick – The Rental is a deliberately confounding amalgam of genres or a film that can’t work out what it wants to be. It starts out looking like one of those cabin in the woods things, and we meet two couples – Charlie (Dan Stevens) and Michelle (Alison Brie), Josh (Jeremy Allen White) and Mina (Sheila Vand) – as they’re arriving at a secluded and fabulous place by the coast, complete with ocean view and hot tub. They also have a dog in tow, which the rules of the rental explicitly forbid. But they’re entitled “white privilege” kind of guys and so those rules don’t apply. Actually, one of them, Mina, isn’t white … Read more

The Avengers: Series 5, Episode 6 – The Winged Avenger

The Winged Avenger, self-referentiality to one side, is a comic-book title and a comic-book episode – look at the framing throughout – and intriguingly suggests that The Avengers now has another genre reference point, having conclusively ditched noirish crime fiction as a motherlode even before Honor Blackman left the show at the end of series three. Hold on to that hard because this episode is in dramatic terms dead in the water, flat, lacking interest. Though all starts well as a gigantic, semi-feathered (and entirely ridiculous) bird kills an ageing magnate (William Fox), who turns out to be the fourth publishing nabob in a row, the creature having scaled the company building to the … Read more

Let’s Scare Jessica to Death

1971’s Let’s Scare Jessica to Death was originally titled It Drinks Hippie Blood and was a satire on 1960s counterculture. And then John Hancock got involved and, one rewrite later, out popped this much more straightforward but rather superior horror movie setting out to unsettle rather than amuse. Hancock also directs, in his feature debut, and as in the best horror movies (this is one of Stephen King’s faves) he spends plenty of time establishing mood, so when the bad stuff arrives it’s got something to stand out against. There are two interwoven stories here. In one, Jessica (Zohra Lampert) is a troubled woman recently released from a mental asylum who is trying … Read more

What War May Bring

A movie for every day of the year – a good one 31 December President Truman declares the Second World War over, 1946 On this day in 1946, the US President declared that hostilities had come to an end in the Second World War. Whether this means that the war itself ended on that day depends on your terms. The war in Europe ended on VE day (8 May 1945). Some suggest that the war ended with the defeat of Japan and the signing of an armistice, with VJ day (14 August 1945). Still others reckon the war can’t be termed over until the signing of the peace treaty with Japan (1951). And … Read more

9 November 2015-11-09

Out This Week Song of the Sea (StudioCanal, cert PG) The Irish tricolour is firmly nailed to the mast in the follow-up to Tomm Moore’s animation The Secret of Kells – opening and end credits are in Gaelic – a whimsical tale of a young lad unaware that his dumb younger sister is in fact a kelpie, a mythical sea creature. Moore has set out to do the things with animation that Pixar rarely does, using its possibilities in a more expressive, impressionistic way, recalling Studio Ghibli and Sylvain Chomet, though the resolutely 2D approach also contains echoes of Noggin the Nog and other Smallfilms productions. The story is pure Ghibli though – … Read more

Dellamorte Dellamore aka Cemetery Man

First, Dellamorte Dellamore is a much better title for a movie than Cemetery Man, which is how it went out in English speaking countries in 1994. Cemetery Man suggests something slasher-inspired, maybe. Dellamorte Dellamore, and its literal translation, Of Death, Of Love, something much more gothic and weird. And that’s exactly what this mad piece of super-cultish garage grindcore is. It’s Italian, who are good at weird, and is based on the novel Dellamorte Dellamore by Tiziano Sciavi. Sciavi had based his main character in an earlier work, the comicbook Dylan Dog, on the actor Rupert Everett (specifically the listlessly upper-class Rupert Everett character in Another Country) and so when it came time … Read more

The Poseidon Adventure

A movie for every day of the year – a good one 23 April Ronald Neame born, 1911 On this day in 1911, a remarkable figure in cinema was born. Ronald Elwin Neame lived until 2010 and in his time was a cinematographer, a producer, writer and director. There are probably plenty of people who could line up a similar list of credits. But Neame was a cinematographer on Powell and Pressburger’s One of Our Aircraft Is Missing, a producer of Oliver Lean’s Oliver Twist, the writer of Lean’s Great Expectations and the director of The Poseidon Adventure, each one of them an important film, for different reasons. He also directed Judy Garland … Read more

Popes on Film

When I first wrote this intro Pope Benedict had just hung up the red papal slippers. Now, revisiting it 12 years on, Francis has come and gone and now Pope Leo XIV is the Vicar of Christ in Rome. It sets the mind a-wandering. Who are the great popes of cinema? Oddly, this is a harder question to answer than you might think. For starters, there are many films that feature a pope at the edge of the action but very, very few are actually about the supreme pontiff himself. Though the pope is held in contempt in some quarters, he tends to get a rather easy ride in the movies, possibly because … Read more

The Return

As you will know from reading your Homer, after his victory at the battle of Troy, the warrior king Odysseus got waylaid on his journey home to Ithaca. Instead of taking weeks, Odysseus’s voyage lasted years. There was many a mythical adventure en route. Hence, yes, the word “odyssey”. The Return picks up the story as the last section of The Odyssey did, with Odysseus finally washed up half-dead on his troubled native island. Grizzled, battle-scarred and bewildered, he is taken in by a swineherd, where he licks his wounds and mentally regroups before eventually heading off towards his palace disguised as a beggar. Surely he will re-assert himself as king? Surely things … Read more

Pygmalion

Pygmalion was the name of a mythological sculptor who made a statue so beautiful that he begged the gods to bring it to life. Which they did. He called it Galatea. The myth has been worked and reworked over the millennia and still has purchase – Trading Places is a version of the basic idea, so is Damien Chazelle’s breakthrough film Whiplash. In all the best updates there’s a conversation going on in the subtext about appropriate behaviour. When does tough love become abuse? When should the sculptor accept that “his” creation now has a life of its own? It’s all here in this film version from 1938, an adaptation of George Bernard … Read more

The Bikeriders

Since Shotgun Stories, his 2007 debut, there hasn’t been a bad Jeff Nichols film. But The Bikeriders comes close, a downbeat affair quietly putting the glamorous image of the motorbike gang to the test, if not to the sword. The film is based on a 1960s photo-book by Danny Lyon, which followed the Outlaws (here renamed the Vandals) motorbike club for several years, photographing the guys and girls and talking to them about their lives. Constructed as a series of flashbacks, it is strung together by interviews Lyon (played here by Mike Faist, of Challengers fame) conducts over the years with a young woman called Kathy (Jodie Comer), who fell badly for a … Read more

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