Popular Reviews
Flushed Away
Aardman, the animation house that gave us Wallace and Gromit, announced the ending of their collaboration with DreamWorks (Shrek) just as Flushed Away was released. And watching it, you can understand why. High on sentimentality and laden with backstory, it’s a DreamWorks movie with Aardman touches, rather than what Aardman probably hoped for – an Aardman movie with DreamWorks muscle behind it. A good movie that could have been a great one, in other words, though the good stuff makes it worthwhile. The over-complicated story tells the tale of Roddy St James, a privileged London pet rat (voiced by Hugh Jackman) who gets “flushed away” down the toilet and into the sewers, where … Read more
Monte Carlo
Jolly and bright and unfashionable in so many ways – which just makes it better – Monte Carlo is also an Ernst Lubitsch film and so bubbles along like a thing demented. It has entirely uncool stars like Jack Buchanan and Jeanette MacDonald in the leads and a storyline taking repeated runs at the mistaken identity idea. MacDonald later became known for the films she made with Nelson Eddy, and is all the better without him here, as a flappy, silly, delightful countess who runs away on her wedding day from the oafish daddy’s-boy duke she’s meant to be marrying. In opening scenes that are textbook “Lubitsch touch” stuff and could come from a … Read more
Dekalog
Ten shortish films loosely working their way through the Ten Commandments, director Krzysztof Kieslowśki and co-writer Krzysztof Piesiewicz’s epic Dekalog made its TV debut in December 1989, as Poland was shaking off its Soviet overlords, and was instantly hailed as a masterpiece. Time has polished its legend and it’s still regularly cited as one of the greatest… TV shows or movie collections, take your pick. The whole ten-parter is set in and around one bleak Warsaw tower block, where people come and go, lives are lived and little moral dilemmas play out. In the first one, which lays out the stall, a prescient story about transcendental spirituality and the consciousness (or otherwise) of … Read more
Neil Young: Heart of Gold
Jonathan Demme’s Talking Heads film, Stop Making Sense, is one of the best concert documentaries ever made. Now he’s done the same favour for Neil Young, who was just recovering from a brain aneurysm when he delivered this two-part country set in Nashville. The title itself is something of a misnomer, or a hard sell (take your pick) since the first part of the concert is Young’s Prairie Wind album in its totality. It’s only in part two that Young gets the back catalogue out, mostly songs from Harvest, After the Gold Rush and Harvest Moon, his slight return to the acoustic-y banjo-y style of Harvest. As with Stop Making Sense Demme starts … Read more
Rimini
Cheers aren’t what you get in an Ulrich Seidl movie but let’s give one anyway for his return to fiction after a ten-year absence, with Rimini, a glisteningly dark, drily amusing character study of a man who’d be funny if he wasn’t so pitiful. Actually, he’s quite funny too. Looking not a million miles away from Mickey Rourke in The Wrestler, and sharing a few of his character traits, Michael Thomas plays Richie Bravo, a former pop singer in Austria who now lives in Rimini, where a shadowy vestige of his old life still plays out, albeit largely in Richie’s head. As Seidl’s film opens Richie is back home in Austria and re-connecting … Read more
Clochemerle
Broadcast in 1972, the same year it was agreed that the UK would join the European Common Market, Clochemerle caused a stir when it was first shown. That’s because this charming show was all about a urinal. This pissoir (the word is never used) is erected in a small French village by the progressive mayor and town clerk, and causes ructions after the forces of conservatism decide it’s an affront to deceny and campaign to have it taken down. It was an unusual TV show in many respects. It was an international collaboration (with West German TV) in an era when such things were rare. It was an adaptation of a French comic … Read more
Sisu
Sisu is the return to form that Finnish director Jalmari Helander’s fans were hoping for. If he’d died after his feature debut, 2010’s Rare Exports: A Christmas Tale, he could have shuffled off to Tuonela knowing he’d made a funny, grisly Christmas movie like no other. But he followed up with Big Game, an attempt to weld Helander’s dark ethos to something more obviously Hollywood (it starred Samuel L Jackson), which not only didn’t quite satisfy either camp but also diluted the Rare Exports story a touch. TV work followed and now Sisu, a dark, bloodlusty, periodically howlingly funny film that reverses Helander out of that corner. First Blood is the inspiration, Helander … Read more
Colossus: The Forbin Project
Often overlooked when it comes to discussion about dystopian sci-fi of the 1970s, Colossus: The Forbin Project looks a lot more chillingly prescient now than it did back when it was released in 1970, when it was seen as a sub-Strangelove addition to the genre of jokey sci-fi. It’s the story of the computer that takes over the world, enslaving all of humanity with it. And it starts with Dr Forbin, a boffin who has come up with the design for Colossus, a supercomputer that will assume control of the defence of the United States, and with it “the free world”. What Forbin, his team and the acutely involved US President don’t realise … Read more
Side Street
An overwrought civics lesson done as film noir, Side Street sees Farley Granger’s humble postman making one tiny mistake and finding himself in deep trouble. One minute he’s trading small talk with a cop in the bright daylight, the next he’s mixing with murderers, femmes fatales and other unsavoury sorts and has become a creature of the night. In Side Street, when you fall, you fall. No wonder it flopped – it’s overcooked. And it did flop, badly. So much so that its director, Anthony Mann, abandoned film noir for good and headed off into the hills where a career making highly regarded westerns beckoned. But all that was in the future. First … Read more
The Avengers: Series 3, Episode 26 – Lobster Quadrille
Episodes of The Avengers were often not shown in production order. But Lobster Quadrille was both the last one broadcast and the last one made in series three, going out on 21 March 1964, a day after it had been finished. It’s also Honor Blackman’s farewell episode, before she headed off to be Pussy Galore to Sean Connery’s 007 in Goldfinger. And so you’d be tempted to think the production team might give her a good send-off. But in fact it’s a very John Steed-focused adventure, all about lobster fisherman, a dastardly plot to flood the country with heroin and a mystery Chinaman who connects the first with the second. No, Chinaman is … Read more
The Hunt
Very much a Trump-era movie, The Hunt is the story of a gang of the “elite” going on their annual “deplorables” hunt (spot the Hillary Clinton reference), with a ragtag bunch of gagged and tied rednecks as their quarry. Interesting concept. The idea is that the elite set the rednecks running and give them something of a head start before coming after them with an intention to kill. The reference point for this sort of thing is usually Kinji Fukasaku’s 2000 bloodfest Battle Royale, though it wasn’t the first movie to present hunting as some sort of bloodsport – 1987’s The Running Man springs to mind, or going even further back there’s 1965’s The … Read more
Hannibal
This may not be the best film out this week, but it is the one that is shouting loudest. Who doesn’t want to see Anthony Hopkins return to the role of Hannibal the Cannibal after several years of haggling over his fee, which includes an agreement to make one more film featuring everyone’s favourite cultured cannibal? Hannibal’s plot sees Hopkins’s Dr Lecter returning to the USA, having been lured back from Italy by an elaborate hoax cooked up by Mason Verger (Gary Oldman), a former victim of Lecter’s, who has survived a fiendish munching and is now using Agent Clarice Starling as bait to get payback. The plot is familiar cat v mouse … Read more
