Popular Reviews
Together
Together is a select member of a new genre – the Covid Drama – and sees Sharon Horgan back working again with Dennis Kelly. Together they co-wrote Pulling, the TV relationship comedy that made both their names. Kelly went on to create and write the TV conspiracy thriller Utopia and Horgan to co-write the popular comedy series Catastrophe. This time around he writes, she acts (though you can’t rule out the possibility that there’s a fair amount of improvising going on too). Flipping the actual experience of many people – who found that the whole Covid experience (particularly the lockdowns in the UK) caused their relationship to buckle – Together is a funny/angry examination of a married … Read more
The Drover’s Wife
Leah Russell stars, writes, directs, produces and plunders her own family history for The Drover’s Wife (aka The Drover’s Wife: The Legend of Molly Johnson), a fine-looking revisionist western set in the Australian Outback. Russell plays Molly, it almost goes without saying to say, a woman left to fend for herself and her kids out in the back of beyond while her husband is away droving sheep up in the high country. Handy with a gun but with a tendency to shoot when the red mists descend, Molly may be suffering from a form of PTSD, as no one back then ever called it. It’s writer/director Russell’s first fictional feature (she’s done some … Read more
4 May 2015-05-04
Out in the UK This Week Foxcatcher (E One, cert 15) Not unlike Steven Soderbergh’s Behind the Candelabra in many ways, Foxcatcher tells a similar true story of a young impressionable man being taken up by an older man and being groomed, things all falling apart when the young man says “enough”. With Soderbergh the spotlight was on strapping Scott Thorson and his gay relationship with Liberace, whereas Foxcatcher focuses on potential Olympic wrestler Mark Schultz and the strange grip that the super-rich amateur wrestler John du Pont, owner of the Foxcatcher gym, had over him. The hoo-haa surrounding the film is generated mostly by the really rather remarkable performance by Steve Carell as du … Read more
The Opening of Misty Beethoven
The openings are both figurative and literal in The Opening of Misty Beethoven, the pornified Pygmalion that’s a key movie from the so-called Golden Age of Porn. The real Pygmalion, you’ll recall, is about two la-di-dah gentlemen betting on whether they can get a Cockney flower girl to pass as a duchess. Here, Henry Higgins, Colonel Pickering and Eliza Dolittle are replaced by Dr Seymour Love (Jamie Gillis), his occasional lover Geraldine Rich (Jacqueline Bedaunt) and Misty Beethoven (Constance Money), a low-rent sex worker Dr Love picks up in a grindhouse cinema pleasuring a guy dressed as Napoleon. In a plot following Pygmalion’s major beats, aficionados of erotica Dr Love and Ms Rich … Read more
Beyond the Visible – Hilma af Klint
Three great abstract artists died in 1944, this revelatory German documentary from 2019 tells us. Two of them haunt the gift shops of the world’s museums of modern art: Piet Mondrian and Wassily Kandinsky. The third deserves to be in there with them, according to Beyond the Visible – Hilma af Klint (Jenseits des Sichtbaren – Hilma af Klint) – which goes on to make an even bigger claim. That this obscure artist working in relative isolation in Sweden was not just one of the greats but the very first abstract artist, and so one of the major figures in 20th century painting. Piet and Wassily need to budge up. When MoMA’s Inventing Abstraction … Read more
The Avengers: Series 5, Episode 13 – A Funny Thing Happened on the Way to the Station
The Stephen Sondheim musical A Funny Thing Happened on the Way to the Forum – a hit on Broadway in 1962, in 1966 a film directed by Dick Lester and featuring Zero Mostel, Phil Silvers and Buster Keaton in his final role – is the obvious inspiration for the title of this episode, A Funny Thing Happened on the Way to the Station. But beyond the title, there’s not really any sign of the musical in this story, no shred of Forum’s plot about a slave helping his young master to navigate the waters of true love. So, that diversion tackled, let’s get on to the episode itself, a very good one initially … Read more
Kimi
When did Zoë Kravitz get so good? In Kimi she’s not only the star of the film but almost the only person in it, and she has a grip like a tractor beam on the attention. It helps that she’s beautiful, of course, but there’s more going on here than that. She plays Angela, a shut-in with a string of emotional conditions, among them germophobia, ADHD, paranoia, neurosis, which suits her job as a human hired to tweak the algorithm of a Siri-like virtual assistant. When someone shouts, “Kimi, you’re a peckerwood,” she’s the one who later adds definitions for “peckerwood” in Kimi’s onboard dictionary – Kimi is always listening. And the covid pandemic, … Read more
The Seduction of Inga
The Seduction of Inga is a direct sequel to its soft-porn predecessor from three years before, 1968’s Inga. Its main claim to fame these days is that it contains music by Benny Andersson and Björn Ulvaeus, aka the two guys from Abba. It’s rumoured that Björn was also offered a role in the film, but his wife at the time, Agnetha (the blonde one from Abba), said no. Which role would that have been? Probably that of Rolf, here played by Tommy Blom. He’s a musician who lives in the same rooming house as sad, lonely Inga. Rolf would dearly like to get in Inga’s pants though she’s so distracted by her boyfriend’s … Read more
Gabby’s Dollhouse: The Movie
If you’re over the age of eight, Gabby’s Dollhouse: The Movie is probably not something you’ll have come across, or the Netflix show it sprang from. Its star, Laila Lockhart Kraner, probably won’t mean much to you either. Your loss? This intensely likeable, positive, bright and sunny excitement isn’t a “something for everybody” offer. But if you’re in the right demographic – the producers go as low as pre-schoolers and that seems about right – who knows? As is traditional for shows given a movie breakout, the writers send the format on holiday. So Gabby heads off with her Grandma Gigi to Cat Francisco, in Gigi’s VW Camper Van – number plate KTTY WGN – where … Read more
Nocturne
Nocturne is a story about two sisters. Twins. Both students at an arts academy. Vivian (Madison Iseman) is off to prestigious Juilliard soon; Juliet (Sydney Sweeney) isn’t. Vivian has a hot boyfriend; Juliet doesn’t. Vivian plays tricksy pieces by the likes of Saint Saëns; Juliet sticks with safe dependable Mozart. Vivian is feisty and popular; Juliet is moody and a loner. Both seem reasonably accepting of their lot, until a fellow student commits suicide (we see her leaping from an upper floor in a pre-credits sequence), and Juliet comes into possession of a book once owned by the dead student, a book full of spooky satanic drawings with a medieval flavour. Duh, duh, … Read more
14 April 2013-04-14
Out in the UK This Week Nymphomaniac Vol I (Artificial Eye, cert 18, Blu-ray/DVD/Digital) A middle aged man finds a woman beaten up in the street. Taking her back to his house – she doesn’t want the police involved – he coaxes her story out of her with nothing more than a bit of tea and sympathy. And so starts Lars Von Trier’s most “normal” film to date, effectively a Victorian bildungsroman in which one party (Charlotte Gainsbourg) relates the ping-ponging progress of her life, while the other party (Stellan Skarsgård) prompts more revelations with a “do tell me more”. Von Trier barely bothers to hide the structure and sets about acclimatising us … Read more
Dead Pigeon on Beethoven Street
Directed by Sam Fuller, Dead Pigeon on Beethoven Street (Tote Taube in der Beethovenstraße) is something of an outlier, both for Fuller and for the German TV show Tatort. Tatort, still running after more than 50 years, translates as Crime Scene, and is a Sunday-night landmark on the German TV landscape. It offers feature-length policiers set in various different parts of the German-speaking world and is populated with a huge cast of characters, some who recur and others who don’t. Part of its formula for success is this lack of a rigid formula – it’s highly adaptable. It’s also a proving ground for rising talent. Wolfgang Petersen (Das Boot), Edward Berger (Conclave) and … Read more
