Popular Reviews

Promising Young Woman

A #MeToo-fuelled drama produced by Margot Robbie’s LuckyChap company, starring Carey Mulligan and directed and written by Killing Eve’s Emerald Fennell. Promising Young Woman is full of promising young women but recently gained extra notoriety because a Variety review of the film apparently suggested that Carey Mulligan wasn’t quite hot enough to pull off the role of vengeful temptress luring drunk men to their fate. That comment was actually about Mulligan’s performance rather than her looks. But the story now has grown its own legs. Either way, an attractive young woman who is not hot enough to tempt a heterosexual man wearing several pairs of beer goggles. Pause to think about that. And … Read more

27 July 2015-07-27

Out in the UK This Week Clouds of Sils Maria (Artificial Eye, cert 15) Olivier Assayas follows Something in the Air, his largely autobiographical personal meditation on the aftermath of the events of May 1968, with a different type of dramatic reflexivity. Clouds of Sils Maria is a meditation on acting, performed by a trio of actors at the top of their game. Juliette Binoche, Kristen Stewart and Chloë Grace Moretz are the three, all channeling vague versions of themselves. Stewart plays the personal assistant to Binoche, an actress now about to play the older role in a remake of the punishing two-hander that made her name years before. But who to play … Read more

Dancer in the Dark

Is it “Unique” (CNN), “Heartbreaking” (The Independent), “Riveting” (Radio Times)? Or, perhaps, “Ludicrous” (Daily Mail), “Numbing” (Salon.com) or “Grim” (TV Guide)? Lars Von Trier’s low-rent, grainy tale of the Czech immigrant in the USA who is losing her sight, made according to the minimalist Dogme manifesto, won the Palme D’Or at the 2000 Cannes film festival. And even there fighting almost broke out in the audience. What got everyone’s goat was Von Trier’s decision to couple his muddy shakeycam style to the most velour of Hollywood genres – the musical – and to cast the coolest of Euro sophisticats, Catherine Deneuve, as a factory worker. Adding to this deliberate provocation is the singing … Read more

Dans Paris

Since The Beat That My Heart Skipped, Romain Duris has been pretty much the hottest name in French cinema. There’s plenty of opportunity for him to do some high intensity scowling in this claustrophobic drama about a family whose secret, its driving force, is depression. His dad (the excellent Guy Marchand) is clearly wrestling with it, his brother (Louis Garrel) has flown off in the other direction and is banging anything female that moves and now Paul (Duris) is in deep trouble too. There’s a bad attack of the narrative cutes at the outset of Christophe Honoré’s latest film, when Garrel turns to the camera and addresses it directly. But give the film … Read more

The Small Back Room

So how do you follow a grand Technicolor extravaganza like The Red Shoes? With The Small Back Room, if you’re Michael Powell and Emeric Pressburger. A war movie set in 1943, even its title is telling us that this isn’t more of the same. And it really isn’t. A mid-grey hodgepodge in which nothing quite locks into place, deliberately, it’s almost experimental in its approach. Does this 1949 movie work? Depends what you mean. The film was called Hour of Glory in the US, which makes sense, kind of, by the time you’ve got to the end of the film but none whatsoever for the majority of it, since it’s a story of … Read more

The Killing of a Chinese Bookie

The world is at Peak Ben Gazzara and Peak John Cassavetes in The Killing of a Chinese Bookie, a neo-noir from 1976 full of techniques – handheld camera, sparse (if any) lighting, crash editing, semi-improv – that seemed weird at the time but have since been absorbed into mainstream film-making. Cassavetes had worked on the early stages of the film with Martin Scorsese (a protégé) and there are parallels with the style and content of Mean Streets – a “hey we’re just guys talking” aspect to the storytelling and a loose shooting style which Cassavetes pushes a lot further than Scorsese. Here, the camera often becomes more obviously subjective and emotional, the image swinging … Read more

Sharp Corner

Beta-male-goes-mad time with Sharp Corner, borrowing the arc of The Shining and starring Ben Foster as a Jack Nicholson stand-in. There is no Overlook Hotel or supernatural stuff. Instead the action takes place in a “mansion” outside the city where Foster’s Josh McCall has moved his family, not once wondering why this great big house in the middle of nowhere could be bought at a price they could afford. The reason becomes obvious on their first night in the place when, as Josh and wife Rachel (Cobie Smulders) christen their new home by having sex on living room floor, they are rudely interrupted by a car wheel flying through their picture window. Sharp … Read more

Zero: An Investigation Into 9/11

A movie for every day of the year – a good one 10 March Osama bin Laden born, 1957 On this day in 1957, Osama bin Mohammed bin Awad bin Laden was born in Riyadh, Saudi Arabia, to the construction billionaire Mohammed bin Awad bin Laden and his tenth wife, Hamida Alia Ghanem. Osama’s father disposed of wife number ten and her child to an associate, and Osama ended up growing up in the household of Mohammed al-Attas, with his three half brothers and one half sister. A devout Wahhabi Muslim, Osama was educated at Al-Thager Model School, the model it was based on being the British educational one, this being a school … Read more

Eragon

Here be dragons. Dungeons and Dragons, to be more specific. Because that’s what this British Lord of the Rings knock-off most resembles. The 2000 film also heavily featured Jeremy Irons, who moved heaven and earth to save it but could not ultimately fight the sheer dead weight of the script and its deadly fantasy game holdovers. Something similar is going on here, with Irons once again mustering all his considerable charisma to try and float a sodden barque, a tale of a fine-limbed young farm lad (Edward Speelers) who has somehow sprung noble from the poor lumpen volk, his nice-boy accent setting him off against the ooh-aarghs of fellow proles, a token of … Read more

Boss Level

For those days when you just want something entertaining – Boss Level, a new Joe Carnhan movie that gives us the familiar Carnahan formula, action plus buffoonery, delivered with a deadpan rictus by a new arrival in geri-action heroics – Frank Grillo. Grillo plays Roy Pulver, a guy who wakes up every day to the same scenario – a “machete wielding asshole” trying to kill him, followed by an encounter with a helicopter gunship, followed by a deadly explosion and a fall from a high window, after which he’s chased down city streets in fast cars by gun-toting bad guys determined to kill him. That’s if they haven’t already killed him. Because Pulver has lived … Read more

Nitram

Nitram is a tough sell: a film about the Port Arthur shooting in 1996 – 35 dead, 23 wounded at the hand of a lone gunman called Martin Bryant – it was controversial in Australia, where the shooting occurred, and unsurprisingly several politicians were particularly vocal in campaigning against it. The fact that Australian’s gun laws were changed in the aftermath of the shooting might suggest culpable hostility on the part of politicians who had clearly been asleep on the job if a man with restricted intelligence, with a history of reckless behaviour and with no firearms licence could easily buy enough weapons to supply a small army. It’s a tough sell, though, … Read more

The Old Guard

Dark hair, dark shades, dark clothes, it’s Badass Charlize Theron who turns out for The Old Guard, a superhero adventure with a mournful air and an eye on a franchise. There are four distinct Therons – the actor (Monster, In the Valley of Elah), the babe (Gringo, The Devil’s Advocate), the snark (Young Adult, Tully) and the buttkicker (Aeon Flux, Atomic Blonde). She’s good at them all but it’s the last in that list that we get here. Though at 45 Charlize isn’t bouncing out of the helicopters the way she once did. But if Tom Cruise can do it… and he’s 13 years older. Theron plays androgynously named “Andy”, head of what looks … Read more