Popular Reviews
Je t’aime, je t’aime
Part modernist experiment, part sci-fi, part exploration of memory, Alain Resnais’s weird 1968 drama Je t’aime, je t’aime (aka I Love You, I Love You) is the place to go if the prospect of watching his more celebrated first two movies, the formally and formidably “difficult” Hiroshima Mon Amour and Last Year at Marienbad, give you the collywobbles. It’s clear even before the film gets going that something odd is going on. The massive titles in bright red and the haunting, ethereal choir singing over the opening credits eventually give way to opening scenes in which Resnais’s framing is also doing odd things – too close, not close enough, it’s all quite unsettling. … Read more
We Have a Pope
A movie for every day of the year – a good one 11 October Second Vatican Council convenes, 1962 On this day in 1962, Pope John XXIII formally opened the Second Vatican Council. The first Vatican Council had been held nearly 100 years before, the most remembered of its declarations being that the Pope was infallible, when speaking ex cathedra. But back, or forward, to the Second, its aim being, broadly, to work out what the hell to do with the 20th century. The solution was to modernise. Out went the insistence that the Catholic church was the only way to sanctification and truth. Out went the Latin mass. In came a renewed … Read more
The Bride!
Frankenstein’s unfortunate monster was put together out of offcuts and so is director Maggie Gyllenhaal’s The Bride!, a furiously eclectic assemblage of body parts. Motivating breath, alas, is there none and so the film remains on the table, lifeless, a glorious mess of gorgeous odds and sods, twitching but refusing to draw breath. To summarise the main thrust of the plot, after a century alone Frankenstein’s monster – Frank here – decides he needs a wife, and arrives at the office of Dr Euphronious, renowned for her re-animation research. After some niceties, Frank makes his pitch to Euphronious and she flat-out refuses to build him a bride, on ethical grounds. He responds with … Read more
15 August 2016-08-15
Out This Week Only Yesterday (StudioCanal, cert 15) It’s 25 years since Isao Takahata directed this touching animation for Studio Ghibli. Only now, thanks to a fresh revoicing by a cast including Daisy Ridley, has it arrived on these shores. The Force etc etc. As with Takahata’s Grave of the Fireflies it takes a while to get its hooks in and also goes into slightly darker territory than Takahata’s stablemate Miyazaki would. The focus however remains the same – a girl finding her way, this being the story of Taeko, a woman haunted by memories of her younger self. We see, in flashback, her childhood at school where she isn’t very good, and at … Read more
9 June 2014-06-09
Out in the UK This Week The Past (Artificial Eye, cert 12, Blu-ray/DVD) After Fireworks Wednesday and A Separation, something more muted from Asghar Farhadi, a drama set in France rather than Iran as the previous two were, about Marie (Bérénice Bejo) a beautiful but flighty woman finally giving the kiss-off to ex-husband Ahmad (Ali Mosaffa) while lining up a new man, Samir (Tahar Rahim, the lead in A Prophet). It sounds like a soap and it’s undeniable that Farhadi’s genius knack for naturalism seems to have slightly abandoned him this time. What makes The Past still unmissable is the devious plotting – the ex seems like such a nice guy, the new man … Read more
The Vourdalak
Dracula before Dracula, the original of The Vourdalak, Aleksei Tolstoy’s The Family of the Vourdalak, was written in 1839, nearly 60 years before Bram Stoker sat down to write his tale of the Undead. It’s a refreshingly different take on the story we’re all used to, with a focus, unsurprisingly given the title, on how the average everyday vampire might get along with his relations, blood and otherwise. This retelling of the story makes for a very drole movie, in the very French sense of the word. Not exactly comedic but prancing about in that territory somewhere and incarnated in the central character – the Jonathan Harker, if you like – an innocent … Read more
Killer of Sheep
Charles Burnett’s movie Killer of Sheep was shot in 1972 and 1973, mostly at weekends, didn’t get shown until 1978 and then vanished for about three decades even though it had had rave reviews from the few people who’d seen it and had been selected for preservation in 1990 by the Library of Congress as being “culturally, historically or aesthetically significant”. The reason for its disappearance? Burnett had made it on a budget, guerrilla style, not bothering with shooting permits or anything official. Nor did he bother sorting out the music rights, and its eclectic mix of music (Dinah Washington and Scott Joplin to Earth, Wind and Fire and Rachmaninoff) is the backbone … Read more
The Scarlet Empress
When it came out in 1934, everyone knew that The Scarlet Empress was a reference to a scarlet woman, a sexual libertine. Doubly so once they learned that it was a biopic about Catherine the Great, the Russian royal who notoriously died while making love to a horse, or so the story went. Things are slightly more fragrant than that in this sixth collaboration between director Joseph von Sternberg and Marlene Dietrich, one of the first films made after Hollywood put into effect its infamous morality code, for fear of having one imposed on it by the government. Even so, right there, right after the information that this film has indeed been made … Read more
Border Incident
Evidence that borders aren’t just a 21st-century hot button, 1949’s Border Incident is about the contentious human back and forth between Mexico and the USA. Every year workers cross the border to harvest the crops in California, an authoritative and majestic introductory shot of the All-American Canal tells us, all part of the Bracero Program to import a workforce to do the jobs Americans don’t want to do. Braceros – from the Spanish for arms, because they’re manual workers – are a good thing, director Anthony Mann’s picture is at pains to point out. They only become a problem when they arrive in the USA illegally. Here, the picture is at even more … Read more
Because That Road Is Trodden
Because That Road Is Trodden is included as a bonus item on the BFI’s release of Here We Go Round the Mulberry Bush. It’s a strange extra, not thematically linked, no personnel in common. Both were shot in the UK towards the end of the 1960s, this at Bryanston School, a fee-paying private school in Dorset, Mulberry Bush in working class Stevenage New Town. By British standards these places are not even geographically close. It’s a strange and short film, moody and woozy, about a day in the life of someone called only The Boy (Sebastian Tombs) from waking up in the morning onwards (though minute to minute this is not). It was … Read more
I Walk Alone
Big acting is the offer in I Walk Alone, the first of many teamings for Burt Lancaster and Kirk Douglas, and the first directorial effort by Byron Haskin, up till this point an effects guy. Haskin delivers nuanced, psychologically attuned drama while Lancaster and Douglas go at it like fighting dogs. The whole thing is great to watch and it’s easy to see why Scorsese is such a big fan (it marks a transition from one type of film-making to another, he says). The critics of the day were less enthusiastic. “Low grade of melodrama,” said the New York Times. “Dreary,” said the Chicago Tribune. Variety liked it, though. So let’s side with … Read more
Across 110th Street
The Arriflex 35BL camera is the most important ingredient in Across 110th Street. It drives the look, the location, the acting style, the intimate mood, in fact almost every aspect of this strange hybrid of blaxploitation and noirish crime thriller. Silent, lightweight and released in time for the Munich Olympics, the new 35BL (the BL stands for blimped) was much easier to use than standard movie cameras. It could get into tight spaces and meant almost all of this film, also from 1972, could be shot out on the streets and inside the clubs and bars of New York – if you’ve seen the TV series The Deuce, Across 110th Street looks very much … Read more
