Popular Reviews
Let’s Scare Jessica to Death
1971’s Let’s Scare Jessica to Death was originally titled It Drinks Hippie Blood and was a satire on 1960s counterculture. And then John Hancock got involved and, one rewrite later, out popped this much more straightforward but rather superior horror movie setting out to unsettle rather than amuse. Hancock also directs, in his feature debut, and as in the best horror movies (this is one of Stephen King’s faves) he spends plenty of time establishing mood, so when the bad stuff arrives it’s got something to stand out against. There are two interwoven stories here. In one, Jessica (Zohra Lampert) is a troubled woman recently released from a mental asylum who is trying … Read more
26 October 2015-10-26
Out This Week Theeb (New Wave, cert 12) Jordan’s contender for this year’s Best Foreign language Oscar is, somewhat unexpectedly, an old school adventure story, the sort of thing Rider Haggard would recognise, set in a Lawrence of Arabia desert and starring Jacir Eid as a Bedouin kid. Eid is an untrained actor, as are most if not all of the excellent cast – goodies and baddies – and the plot is a basic dash across the desert, away from bad guys and towards a well which a floppy-haired English interloper wants to visit, for reasons probably nefarious. A sealed box provides a bit of a Maguffin, the cinematography knows that David Lean … Read more
The Avengers: Series 6, Episode 32 – Get-A-Way!
The penultimate Avengers episode actually goes right back to the early days of this series’ production run. There was over a year between the completion of Get-A-Way! in February 1968 and its transmission in May 1969. It’s one of the ones produced (or started, at any rate) by John Bryce, whose short-lived attempt to take The Avengers back to some version of realism never really had enough time to gain traction before the old team of Clemens and Fennell were reinstated. Invisibility (realism?) is what Get-A-Way! is all about. Invisibility at a high-security prison for enemy agents, run as if it were a monastery – the warders wear habits (again, realism?) – where … Read more
The Wall
A movie for every day of the year – a good one 1 February Alexander Selkirk rescued, 1709 On this day in 1709, a Scottish sailor named either Alexander Selkirk or Selcraig was rescued from an island in the South Pacific. But the model for Daniel Defoe’s 1719 novel Robinson Crusoe wasn’t the victim of a shipwreck. In fact he’d asked the captain of the privateer (ie pirate) ship he was sailing on, the Cinque Ports, to leave him on the uninhabited island known as Más a Tierra in the Juan Fernández archipelago about 700km off the coast of Chile. Known since his youth as a quarrelsome sort, Selkirk had been loudly protesting … Read more
Little Fish
Not to be confused with the 2005 movie of the same name starring Cate Blanchett, Little Fish puts a twist on one of the those big films about two people in love told against a torrid backdrop of war
Rushmore
Hollywood in look but in tone something else, this is the odd tale of an intellectually precocious, loquacious, speccy, blazer-wearing 15-year-old (Jason Schwartzman) who falls for one of his teachers, pretty Olivia Williams (think of a non-irritating Liz Hurley with a couple of decent dinners inside her). Unfortunately, misanthropic local steel baron Bill Murray (back on Groundhog Day form) is equally smitten. Faint heart never won fair lady and the oddly mismatched and yet similarly obsessive love rivals are soon at it hammer and tongues. Very weird and often touching romantic comedy ensues as these two strange characters are dissected, helped along by acting that’s all played straight, no one raises even so … Read more
Wander Darkly
Matteo (Diego Luna) and Adrienne (Sienna Miller) are a broke couple with a new baby and a relationship on the skids. Arguing on the way home from a date night, mostly about Adrienne giving someone the glad-eye, they are involved in a massive car crash. This is no spoiler, we’re only a handful of minutes into Wander Darkly, and writer/director Tara Miele is just setting the scene – economically and with great visual flair – for the drama to come. Adrienne is dead. Or is she suffering from post-traumatic delirium and is just imagining she’s dead? Or is something else going on? It’s not certain, but what we can see is Adrienne in … Read more
In the Summers
This tricky but not tricksy feature debut for writer/director Alessandra Lacorazza Samudio is a lightly dramatised account of the summers spent with her sister visiting her dad in New Mexico. Tricky because it’s a film about a lack rather than a presence, a failure to connect on both sides – though both dad and the kids do score points for trying. Done sometimes as snapshots, at other times as more extended scenes from a life, the story is told through the eyes of the two sisters who arrive in Las Cruces every year, to stay with dad while their mother back home in California – never seen or heard – does whatever footloose … Read more
The Memory of a Killer
A hitman’s final job. A cop on the case. A paedophile network run by very well connected men. Corruption at the top end of the police. What could easily have been an identikit crime thriller comes out as something a bit more in The Memory of a Killer, thanks to intelligent direction by Erik Van Looy, fine playing, in particular by Jan Decleir as the conflicted gun-for-hire on the home straight, music by Stephen Warbeck that dives into the rhythmic when the going gets tense, and editing that lifts the whole production a notch and helps make it look like it’s got more than a TV budget behind it. You might know it … Read more
Across 110th Street
The Arriflex 35BL camera is the most important ingredient in Across 110th Street. It drives the look, the location, the acting style, the intimate mood, in fact almost every aspect of this strange hybrid of blaxploitation and noirish crime thriller. Silent, lightweight and released in time for the Munich Olympics, the new 35BL (the BL stands for blimped) was much easier to use than standard movie cameras. It could get into tight spaces and meant almost all of this film, also from 1972, could be shot out on the streets and inside the clubs and bars of New York – if you’ve seen the TV series The Deuce, Across 110th Street looks very much … Read more
The Ugly Stepsister
The Ugly Stepsister (Den stygge stesøsteren) started life as a film about a woman with a talking vulva. Then writer/director Emilie Blichfeldt decided to come at the same idea – the onerous demands put on young women – by taking a second run at the Cinderella fairy tale. The resulting debut feature introduces a really gifted director to a wider audience, though the film itself could learn a lesson from Cinderella herself – it’s the dainty foot that gets into the glass slipper, not the galumphing one. It’s the same story, just slanted so we see it from the point of view of the loser – in this case Elvira (Lea Myren), the … Read more
Pig
“John Wick with a Pig” is how Pig, starring Nicolas Cage, is often described. Fair enough, even if that only really works as a shorthand if you’ve got a big bag of “buts” handy. Admittedly, the plot is strangely similiar – loner loses favourite animal and goes on a payback jag. But though Cage and Keanu Reeves are both boomers from 1964, the similarities end there – Cage is a “big” actor embracing the extra texture that age brings, Reeves is more minimalist and doing his best to ignore it. Either way, this is a vastly entertaining odd-couple comedy served straight. And that’s another thing – this is a buddy movie, whereas the … Read more
