Popular Reviews
The Chronology of Water
So Kristen Stewart made a movie and, in spite of what the goons hoped, didn’t fall flat on her face. The Chronology of Water will infuriate people who harbour a grudge. Though, on the other hand, surely the twittersphere (Xsphere?) can’t still be hating on Stewart? After all this time? For the RPatz stuff? Or the sulky features and mumbling performances. Or suddenly becoming the highest paid actress in the world – briefly, till she walked away from all that. Who knows? There’s an irrational hellbeast out there for all of us if we look hard enough. Personally, I’m a fan, of Stewart’s “fuck you” attitude but particularly of the sort of films … Read more
The Devil’s Bath
Powerful to the point of punishment, The Devil’s Bath (Des Teufels Bad) is Austria’s contender for the Best International Feature Oscar in 2025. It won’t win. It probably won’t even make the shortlist. Too bleak. Too uncompromising. Seen one way, it’s a group portrait of the extremely grim existence hacked out by peasants in a remote part of 18th-century Austria. Seen another, it’s the progress of one female from fragile, dreamy single girl to married woman in psychological extremis. Anja Plaschg plays Agnes, a sweet, unworldly creature who in early scenes is married off to Wolf (David Scheid), a bear of a man who seems delighted to be married to her. Or maybe … Read more
The Beat That My Heart Skipped
Now here is a thing – a film that starts out as a sort of French Mean Streets but ends up in quite different territory. Romain Duris is the young Robert De Niro in question, a thug, we learn early on, with a heart of pure coal and with a surprising gift. He plays the piano like a maestro. Or used to. The film’s narrative tension springs from this internal split – is he going to carry on throwing squatters out onto the streets and smashing up their apartments so the developers can move in? Or is he going to return to the relaxed, elegant world of the piano? The masculine world of … Read more
Mondo Hollywoodland
An alien from the fifth dimension lands in Hollywood (with a camera, handily) and takes a fact-finding tour with a skanky seller of psychedelic mushrooms. Mondo Hollywoodland is the result, a weird survey of the territory that makes half-hearted claims towards being a documentary. Bizarre points to note before the tour gets underway: it’s exec-produced by James Cromwell (yes, that one) and Francis Ford Coppola is namechecked in the “special thanks” credits at the end. Bizarre because Mondo Hollywoodland has that “assembled in the garage” feel, almost as if it’s taken a bunch of random footage and attempted to weld it together into a story, as some kind of bet. The old joke … Read more
Best Wishes to All
What is the price of living an OK life? Best Wishes to All offers a bleak answer to a question few ever really ask. Whether it’s also a funny answer depends on how much grim you can tolerate. Takashi Shimizu, director of Ju On: The Grudge, is its producer, which might give you an inkling as to which way things are going. J-horror: the next generation. All is peace and light initially. A Japanese family eating dinner around a low table. Young parents with their parents and their daughter, who wakes up in the night to go to the bathroom and thinks she sees something – what though? – peering around a door. … Read more
Radical
Radical is a good thing but there is a lot of it. An inspirational-teacher drama, it’s a dramatisation of events that took place in 2012. Those events became the basis of a 2013 Wired article written by Joshua Davis, this film’s producer. And from there ten years ago to this film in 2023. Meanwhile, the teacher at the centre of the whole thing, Sergio Juárez Correa, works in the José Urbina López Primary School to this day. Co-writer/director Christopher Zalla makes sure we know where we are and who we’re dealing with. A poor Mexican border town where guns, gangs and poverty grind out any aspiration parents might have for their children. A … Read more
Don’t Look Now
It seems an odd thing to say, but most films aren’t really that cinematic. Most films, you could close your eyes and follow them. Not so with Nicolas Roeg’s “arthouse horror”. Close your eyes and you’re lost. In fact, even with your eyes open, all is not as it appears. Take the infamous love-making scene played out between grieving parents Donald Sutherland and Julie Christie. It’s not the “were they doing it for real” question that marks it out as significant but the fact that Roeg keeps intercutting this ultimate example of living in the now with scenes from a few minutes later – when the duo are absent-mindedly getting dressed, ready to … Read more
Dream Scenario
Dream Scenario is one of six movie acting credits listed for Nicolas Cage in 2023. Discounting his blur-on as Superman in The Flash, five bona-fide movie appearances in one year is quite a thing, and he is the star of three of them (this, The Retirement Plan and Sympathy for the Devil), co-star in Renfield and had a significant role in The Old Way. But we all know Cage’s tendency to turn up in any old rubbish, especially when a marriage has gone south, or property investments have turned to water. Rest assured, Dream Scenario isn’t the sort of Cage movie where he ships in, gesticulates wildly and ships out again. Nor is … Read more
The Flash
The Flash is a superhero movie that knows exactly where it is in the scheme of these things – the end of days for costumed heroes – and uses that as a superpower. This film cuts quickly to the chase, doesn’t overdo the lore and knows that laughter is roughage in a superhero diet. It even understands that the obligatory “guys beating the shit out of each other” big finish needs freshening up a touch. We need to talk about Ezra Miller. The onetime star of a film about a teenager with serious issues grew into an adult with problems of his own, problems (multiple lawsuits and accusations flying) that threatened to pull this … Read more
Employees’ Entrance
Employees’ Entrance is a short, sharp and strange film, from the title on downward. A drama made in 1933 and set in a department store in the teeth of the Great Depression, it takes a look at rapacious capitalism in the form of its central character – Warren William as the time-and-motion guy Kurt Anderson, who somehow gains control of a business that’s been run almost on feudal lines till he came along. Kurt is a price-of-everything-value-of-nothing badass and though his technique isn’t all slash and burn, his management style is brusque, hectoring and unsympathetic and he demands total loyalty from his staff, who he expects to be on call 24/7. On the … Read more
The Crimson Kimono
The posters are much more direct about what’s going on in The Crimson Kimono than the film itself is. Over a picture of a couple in a clinch they klaxon – “YES, this is a beautiful American girl in the arms of a Japanese boy!”. YES, this is a movie about a transracial relationship! Columbia boss Harry Cohn wasn’t convinced that American audiences would be interested, or happy about, a story about such shenanigans but greenlit the film anyway, undoubtedly influenced by writer/director Sam Fuller’s ability to turn out profitable films quickly and cheaply – this was his second of three in 1959. Perhaps Cohn’s doubts also influenced Fuller’s decision to open his film … Read more
The Forgiven
Lush and lovely and slightly empty, The Forgiven is the clockwork toy that fails to march. And it all looks so promising to start with. The opening moments alone really get the hopes up – that saturated colour red of the scrolling credits seems to be offering a vast 1960s-style epic à la Lawrence of Arabia, the North African settings suggest maybe Bertolucci’s The Sheltering Sky and the presence of Ralph Fiennes hints at another The English Patient maybe. Fiennes and Jessica Chastain play the bickering married couple who knock down and kill a young Moroccan fossil seller one night while en route to a party out at some huge swish villa in … Read more
