Popular Reviews
Architecton
Victor Kossakovsky’s documentary Architecton is a poetic rumination on the building blocks of settled societies – stone in the ancient time, concrete today. What about brick, you might immediately ask? It’s been around for at least six thousand years in its baked form, and even longer if we include unbaked mud. Not a squeak, not a mention. But let’s not review the film Kossakovsky hasn’t made. Instead here we are with an impressive montage piece starting in war-destroyed Ukraine, where remarkable camera footage slo-mos down a bombed tower block, revealing lives hastily abandoned – a TV set, a sewing machine, a slab of concrete floor hanging precariously into the dwelling below. In a … Read more
Dougal and the Blue Cat
If The Magic Roundabout is a psychedelic trip for kids, its spin-off, Dougal and the Blue Cat, is a wild ride on some pretty bad acid. Skip this paragraph if you know the backstory, but The Magic Roundabout, a mainstay of UK children’s TV in the 1960s and 1970s, was originally a French cartoon, Le Manège Enchanté, created by Serge Danot. Successful at home, it also got exported around the world, where it went under different names – in Italy La Giostra Incantata, in Germany Das Zauberkarussell and in the USA The Magic Carousel. However, in the UK, unlike most other territories, Le Manège Enchanté didn’t simply get translated into the local language, it … Read more
Coup 53
It took Iranian exile Taghi Amirani more than ten years to make Coup 53, a documentary about the 1953 coup against the democratically elected prime minister of Iran, Mohammad Mosaddegh. The coup was organised and paid for by the US and UK governments. While the US long ago admitted that the CIA had a role in bringing Mosaddegh down, the ever-secretive British have never owned up. At first it looks like that’s what Amirani is up to, getting the British to come clean. But as his film winds along, it becomes clear he has grander objectives. He unpicks the story of Mosaddegh’s downfall in detail – here’s how as a foreign agent you … Read more
Argentina, 1985
In classic Hollywood triumph-over-adversity style, Argentina, 1985 deals with weighty events in a superbly accessible way as it tells the story of the lawyer who put the dictatorial Argentinian Junta on trial and saw that they got their judicial just deserts. It was a big film in Argentina, understandably, but also got nominated for an Oscar in the best international feature category – against tough competition (Eo, The Quiet Girl, Close and, most of all, All Quiet on the Western Front) – and that has to be on the strength of its writing, which is lucid and brisk, and the direction, which makes regular use of Hollywood shorthand to keep things moving. If … Read more
16 February 2015-02-16
Out in the UK This Week The Babadook (Icon, cert 15) The Babadook is a horror story about a nervous lone mum with a hyperactive and emotionally fractious six/seven-year-old child who was born the day his father died… in the car which crashed rushing his labouring wife to the hospital. If that isn’t the backstory to something psychologically intense, then what is? The Babadook has a lot going for it – the sombre production design and the creepy drawings in the book about the ghoulish Babadook that the mother ill-advisedly reads to her child as a bedtime story are just for starters. But it succeeds mostly, like all the best horror films, because it … Read more
Vortex
Grimly powerful and powerfully grim, Vortex is the story of a longtime married French couple on the final lap of the track. Elle and Lui, Gaspar Noé’s film calls them, Her and Him, universalising the particularity of what happens to the people played by Françoise Lebrun and Dario Argento, a first lead role in front of the camera for the 80-ish-year-old director. It’s appropriate that Argento is known for horror because in its own domestic, downbeat beat way this is a horror film, the kind of one we’ll all one day have a leading role in, if we’re “lucky” enough to get that far. As in the recent Lux Aeterna, Noë does it … Read more
The Driver
There’s some confusion about The Driver. Starting with which film we’re actually talking about. Not Drive, the 2011 film by Nicolas Winding Refn in which Ryan Gosling plays a driver. Not 1978’s The Driver, by Walter Hill and starring Ryan O’Neal (and where Drive got a lot of its plot and cool style). Not another film from 2019 called The Driver (aka Acceleration), starring Natalie Burn and Dolph Lundgren. None of those, nor a slew of other films and TV series all called The Driver. No, this is The Driver starring Mark Dacascos and directed by Wych Kaosayananda. There leads to more confusion, since this The Driver is meant to be a sequel … Read more
The Big Clock
The IMDb description of The Big Clock succinctly tells the story of what happens – “A magazine tycoon commits a murder and pins it on an innocent man, who then tries to solve the murder himself” – while remaining silent about the massive irony at the centre of the story. The further the man advances with his investigation, the more he’s going to incriminate himself. It’s also about the fact that the entire story is seen through the eyes of the innocent man. It’s dependable Ray Milland as the “man”. George Stroud is a journalist at the top of his game, who’s made his name on a true crime magazine bringing in the villains … Read more
The Seed of the Sacred Fig
Political hotheads start revolutions but it’s the apolitical masses who win them when they abandon the old regime. The Seed of the Sacred Fig was shot in secret in Iran by Mohammad Rasoulof and it’s set against the backdrop of the Masa Amini protests of 2022. This was the moment when, after the Iranian morality police killed a young woman for not wearing a hijab, nationwide civil unrest broke out and for a moment it looked like the regime was going to topple. It survived to fight another day, which lends Rasoulof’s film an extra piquancy. His film is history as written by the losers not the winners, an examination of something very … Read more
The Signal
Well, I loved this. A confident exercise in genre and genre misdirection that has the balls to invoke The Matrix, Close Encounters, and Vincenzo Natali’s Cube. So, yes, it’s about aliens and a gigantic conspiracy and there’s a lot of white light bathing its clinical setups, and it cost not very much at all. And the first bit of misdirection comes at the very first shot – a boy, a girl, his buddy, dappled sunlight, a piano on the soundtrack. It looks like we’re in torridly romantic Nicholas Sparks territory and we can only be minutes away from someone coming down with a terminal disease, especially as Nic, our lead, is on crutches, as … Read more
Blood for Dust
Sometimes you like something but you’re not sure why. Case in point: Blood for Dust, a 1990s style “who’s zooming who?” thriller full of bullets, bad guys and cases of money being swapped for white powder in remote locations. It is very familiar. And yet. The two central performances help a lot. First up, Scoot McNairy, so good in Gareth Edwards’s feature debut, 2010’s Monsters, a smart reworking of 1930s screwball comedy It Happened One Night as sci-fi. Underused almost ever since, he proves himself again here, his dustbowl features lending a haunted aspect to his portrayal of Cliff, a travelling salesman lured into taking a courier-level gig with a gang who run … Read more
The Break-Up
What do you do when you’ve been in a high-profile relationship with Brad Pitt, only for it all to go spectacularly tits up? Jennifer Aniston went out and made a romcom about the perfect relationship and how it all went wrong. That might seem more than mere coincidence but anyone looking for coded digs at Brangelina from one half of Jett, Brenifer, or whatever the composite name for Brad and Jen was (have I just forgotten, or was the relationship doomed thanks to lack of a trash-mag moniker?) is going to have to get out the electron microscope. Yes, this is a romcom starring Jennifer Aniston and Vince Vaughn as a couple who … Read more
