Europa ’51

Ingrid Bergman in dark coat

Often described as a neorealist film, Roberto Rossellini’s second collaboration with Ingrid Bergman, Europa ’51, is actually more a Hollywood melodrama with one breakaway neorealist moment. But more than that it’s a vehicle designed to rehabilitate Bergman by getting her to do what she was best at on screen – suffer. It’s the story of a high society woman who’s too busy drinking cocktails and exchanging chintzy chit-chat with her friends to notice that her son is in need of some love and affection. At a drinks party one night, son Michele attempts suicide by throwing himself down the stairs. He survives, only to die later of a complication. Irene (Bergman) is thrown … Read more

Juliet of the Spirits

Giulietta Masina

1965’s Juliet of the Spirits (Giulietta degli spiriti) was Federico Fellini’s first film in colour and he goes at it like a child whose Christmases have all come at once. Up comes a screen of opening credits so vividly blue that it’s shocking, followed by an opening scene where the quiet and mousey Juliet (played by Fellini’s own wife Giulietta Masina) is assailed on all sides by people, chatter, action. The quiet romantic evening she’d had planned with her husband Giorgio (Mario Pisu) has been upended. He’s brought home a gaggle of people, party animals who want to have fun. Fellini wants to have fun too, and he wants to fill the screen … Read more