marion cotillard

The Ice Tower

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Marion Cotillard as the Ice Queen

Lucile Hadžihalilović has been making films like The Ice Tower ever since her feature debut, 2004’s Innocence, an allegorical semi-fairytale in which a young Marion Cotillard played a pivotal role in a story that wasn’t about her character at all. Same here – Cotillard pivotal, playing Cristina, an actress in a very non-specific 1970s whose latest role, as Hans Christian Andersen’s Ice Queen, gets her caught up with a young runaway hiding out in the studio where the film is being shot. Mistaken for an extra, Jeanne (Clara Pacini) is gradually wound into the movie itself, into the life of Cristina and into the world of the Ice Queen. Hadžihalilović slides about between … Read more

Lee

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Lee smoking a cigarette

Before Lee we’d kind of already had a movie about Lee Miller. Kirsten Dunst’s character in Civil War, an old-school photojournalist, had been named Lee in honour of Lee Miller, so she said, and her character was clearly modelled on Miller’s. Now here’s the real thing, a representation at least, with Kate Winslet applying herself to the task of playing a woman whose life was so interesting that the movie can afford to pretty much toss away her first flush – life as a model and muse palling about with Man Ray, Picasso and the like in the 1920s. So, flapper not so much, snapper it is, this being Lee Miller the Sequel, … Read more

Annette

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Adam Driver and Marion Cotillard

The formidably talented maverick Leos Carax hasn’t made a feature in nine years, nothing since 2012’s batshit Holy Motors, so that’s one thing to thank the new movie Annette for. Whether Annette actually is a Carax movie at all is the question though. How so, you ask. Because Annette is written by Ron (he of toothbrush moustache) and Russell (he of swooping voice) Mael, the brothers behind Sparks, the US band that bounced into the zeitgeist in 1974 with the song This Town Ain’t Big Enough for the Both of Us, and has returned, comet-like, every few years since with material ear-catching and interesting enough to win new fans. Originally bracketed with the … Read more

A Good Year

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Marion Cotillard and Russell Crowe in A Good Year

In 1989 former adman Peter Mayle wrote a book about how he left the rat race behind and started a new life in France. A Year in Provence was its name and this humorous memoir set the tone for the TV series that followed, starring John Thaw as the escapee to the good life. Though director Alan Parker had been at the Ogilvy agency where Mayle was the UK’s creative head, it was another UK former commercials director, Ridley Scott, who decided to turn Mayle’s novel, about a stockbroker who gets fired and then inherits a vineyard from his uncle, into a film. And Scott stays true to type, laying on the warm … Read more

Contagion

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Gwyneth Paltrow not feeling too good in Contation

A movie for every day of the year – a good one 23 February Mass inoculation using the Salk vaccine, 1954 On this day in 1954, Jonas Salk started the first mass trial of his polio vaccine in Pittsburgh. At the time polio was killing more children in the USA than any other communicable disease and it seemed to be getting worse – there were 58,000 cases in the USA in 1952, of which just over 3,000 died and just over 21 thousand were left with some disability, including muscle weakness, paralysis. Salk’s approach differed from that of other researchers – he used a dead polio vaccine, rather than a live one. And … Read more

Midnight in Paris

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Marion Cotillard and Owen Wilson in Midnight in Paris

A movie for every day of the year – a good one 25 October Birth of Picasso, 1881 On this day in 1881, the Spanish artist Pablo Ruiz y Picasso was born. Prodigiously talented, Picasso was painting at a high level as a child, and continued experimenting with different media and styles – the rose period, the blue period, the African period, cubism, surrealism, and neo-expressionism and so on – right up until his death in 1973. Media included paint, sculpture, collage, cardboard, string, pencil, pen, photograph, torch (on film), chalk, oil, whatever was going. He’d draw on napkins to pay bills, draw on walls, any time, place or where. A key figure … Read more