Lee

Lee smoking a cigarette

Before Lee we’d kind of already had a movie about Lee Miller. Kirsten Dunst’s character in Civil War, an old-school photojournalist, had been named Lee in honour of Lee Miller, so she said, and her character was clearly modelled on Miller’s. Now here’s the real thing, a representation at least, with Kate Winslet applying herself to the task of playing a woman whose life was so interesting that the movie can afford to pretty much toss away her first flush – life as a model and muse palling about with Man Ray, Picasso and the like in the 1920s. So, flapper not so much, snapper it is, this being Lee Miller the Sequel, … Read more

Avatar: The Way of Water

Sam Worthington as Jake

Discounting the documentaries about voyages to the bottom of the sea, James Cameron’s last two movies were 1997’s Titanic and 2009’s Avatar. Titanic was the biggest grossing movie of all time, until Avatar replaced it at the top. Success breeds sequels but with the best will in the world it’s hard to imagine what a Titanic follow-up would be about (Titanic II – “it’s still at the bottom of the Atlantic”). The same cannot be said about Avatar, and so it came as no surprise when Cameron announced in 2010 that a sequel was in the works. It took 12 years to get it onto the screens, in large part because Cameron decided … Read more

Minari

David with his dad Jacob out in the fields

Minari is an old-school film of the sort you used to see at Sundance a lot, gentle character driven dramas full of people who were essentially decent. The sort of film Robert Redford used to direct, like Ordinary People or The Milagro Bean Field War or A River Runs Through It (which starred Brad Pitt, an exec producer here). It did well there, winning both the Grand Jury and Audience awards. In the dying days of the Donald Trump administration it asks and answers the question: who built America? The answer is immigrants, though that message is never uttered out loud. Instead we follow a Korean family who’ve moved out from the city … Read more

Ammonite

Saoirse Ronan and Kate Winslet

After a few years of doing mostly voice work on animations, Kate Winslet has been coaxed back into a leading role in Ammonite, the follow-up to Francis Lee’s powerful breakthrough debut as a director, God’s Own Country. The 2017 movie told the story of forbidden love between two men on the wild and windy moors of Yorkshire. It’s tempting to see Ammonite as a remake – forbidden love on the wild and windy shores of Dorset – but is there more going on here than that? Winslet plays real-life 18th-century fossil-hunter Mary Anning – a huge Wikipedia page on her awaits if you know nothing about her. To boil it down: she lived in … Read more

The Holiday

Jude Law and Cameron Diaz in The Holiday

The rom-com has traditionally featured an alpha couple and a beta couple. This allowed the alpha couple do the serious mooning about, while the beta couple handled the comedy and dispensed sound, often snarky, advice. However, since Richard Curtis’s successful if frequently painful Love, Actually, there’s been an attempt to get more people in on the act. Which brings us to one of those transatlantic rom-coms with a couple of Hollywood stars and a couple of Brits, each side playing to the other’s stereotyped view of what an American/Brit is. The Brits are a journalist at the tweedy Daily Telegraph (Kate Winslet) and a book editor (Jude Law); meanwhile, from California, USA, we … Read more

Flushed Away

Roddy the Rat holds on tight in Flushed Away

Aardman, the animation house that gave us Wallace and Gromit, announced the ending of their collaboration with DreamWorks (Shrek) just as Flushed Away was released. And watching it, you can understand why. High on sentimentality and laden with backstory, it’s a DreamWorks movie with Aardman touches, rather than what Aardman probably hoped for – an Aardman movie with DreamWorks muscle behind it. A good movie that could have been a great one, in other words, though the good stuff makes it worthwhile. The over-complicated story tells the tale of Roddy St James, a privileged London pet rat (voiced by Hugh Jackman) who gets “flushed away” down the toilet and into the sewers, where … Read more

Little Children

Kate Winslet in Little Children

A tale of American white-picket suburbia, disturbia perhaps, from director Todd Field, opening out a touch from In the Bedroom, whose focus was all there in the title. Our heroine, a Madame Bovary figure called Sarah (Kate Winslet), scandalises the harpies at the school gate by striking up a relationship with the only hot male on the school run (Patrick Wilson). Back home Sarah’s husband (Gregg Edelman) is big on internet porn, something Sarah doesn’t know till she catches him masturbating with a pair of panties on his face. But he’s small on most other things and so we sympathise with Sarah as she seeks solace in the arms of the hunky Brad. … Read more

Holy Smoke

Kate Winslet and Harvey Keitel in Holy Smoke

A maker of thoughtful films, some hugely successful (The Piano), some not (In the Cut), Jane Campion here takes a small film – about a cultbuster (Harvey Keitel) and his intensely focused efforts to deprogram a naive Oz girl (Winslet) who’s been got at in India – and produces a sly, dry comedy of trans-Pacific manners. Being set in Australia really helps it, those highly personal, dialogue-heavy interchanges between the two main players being balanced against huge backdrops (does it come any bigger than the Outback?). Keitel is a presence it’s hard to miss too, of course, but he’s offset by deliberately ripe caricatures by some of Oz’s finest, the meat in the … Read more