Lee J Cobb

The Man Who Cheated Himself

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Ed and Lois with the dead man between them

The Man Who Cheated Himself is a prime example of a good movie ruined by bad casting. Lee J Cobb’s in this case, who’s meant to be playing a cop blinded by love and winding up on the wrong side of everything. If Cobb’s Lieutenant Ed Cullen is a poor sap being driven by his dick, it doesn’t come across. Jane Wyatt also isn’t quite right as Lois, the object of Ed’s affection. It’s hard to locate her as a woman who could drive a man to mess his life up totally. No heat, no spark, no nothing. But I’m getting ahead of myself. The plot revolves around a little lie that turns … Read more

Call Northside 777

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McNeal in shirtsleeves with a coffee

Call Northside 777 tells the true story of a miscarriage of justice – Joseph Majczek framed for killing a cop in 1932 and sentenced to 99 years – and the crusading journalist from the Chicago Times who got the case overturned. The same story was the source material for Railroaded!, released the year before in 1947. It’s probably the better movie all told – better pace, fewer digressions – but Call Northside 777 has the advantage of a big spend and very well cast actors in its lead roles. James Stewart as cynical journalist PJ McNeal , Lee J Cobb as ballsy editor Brian Kelly and Richard Conte as the wrongly imprisoned man. Joe … Read more

Party Girl

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Robert Taylor as crooked lawyer Tommy Farrell

Party Girl reminds us that director Nicholas Ray wasn’t just a master of noir. Alongside the stark monochrome of great dramas like In a Lonely Place and They Live by Night, there’s this insanely lush, ridiculously colourful offering, often bracketed with Ray’s other colour movies of the era – Johnny Guitar or Rebel without a Cause, for instance – but quite apart from them in tone. It’s still very noirish, a gangster movie in colour, really, with Cyd Charisse the titular star but the movie very much focused on the character Robert Taylor plays, Tommy Farrell. They’re both not-quite people: she’s a fan dancer (which really means stripper at the very least) at … Read more

Thieves’ Highway

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Mike Figlia, a haggling customer and Nick

Jules Dassin is so associated with Rififi (aka the best heist movie ever) that his other films tend to get eclipsed. Here’s 1949’s Thieves’ Highway, one of his run of great movies, which had got underway with Brute Force two years earlier. It’s the story of a guy who comes back from the war to find that his immigrant dad Yanko, a truck driver, has lost his legs in an accident and been swindled out of all of his money by an unscrupulous wholesaler. Determined to find answers, Nick buys a truck and takes to the road himself. Dassin gives us a movie that’s three things simultaneously. At one level a movie about … Read more

Boomerang!

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Father Lambert with a gun to his head

Boomerang! – what a great movie. Fully justifying that screamer, this movie from 1947 doesn’t get the love it deserves. For two reasons, of which more later. But first let’s clear away the baggage. It’s not a film noir, though it’s often described as one. Instead it’s one of those “ripped from the headlines” crime dramas that came along a bit later, relying on “you are there” levels of authenticity to bolster its dramatic credentials. In a written preamble we’re told that not only was the film shot on the same locations as the events it relates, but it uses some of the same people. The first is not true. The real-life incidents … Read more