Month: July 2024

The Glass Key

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Brian Donlevy, Alan Ladd and Veronica Lake

Watching The Glass Key you wouldn’t think it was the inspiration behind Kurosawa’s Yojimbo, which itself inspired Leone’s A Fistful of Dollars. But they’re in there if you peel back the 1942 fashions and noirish looks and swap out Alan Ladd for Toshirô Mifune or Clint Eastwood. Ladd plays the cool, smart, tough loner caught between various interacting groups of crooks, politicians, the police and the media, all in various ways in cahoots but falling out as an election swings into view and existing power dynamics are threatened. Ed Beaumont (Ladd) is a fixer for Paul Madvig (Brian Donlevy), a man who is himself a fixer, a shady operator trying to swing the … Read more

Do Not Expect Too Much from the End of the World

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Angela Raducanu in her car

A film of two halves, two time periods and, in fact, two films, Do Not Expect Too Much from the End of the World also tells two stories. In one the everyday travails of a production assistant driving around Bucharest auditioning injured people to appear in a public information film about workplace safety. In the other, snatches of a 1981 movie, Angela Moves On, the adventures of a female taxi driver in the same city 40 years earlier. In the here and now we have Angela Raducanu (Ilinca Manolache), an earthy, forthright woman with a love of a dirty joke. When not charging about the city filming potential (injured) candidates for the film, … Read more

Man Hunt

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Captain Thorndike takes aim with is rifle

A film expressly designed to lure the US into the war in Europe, 1941’s Man Hunt is also Fritz Lang’s attempt at a rollicking The 39 Steps-style yarn, with dashing about, derring-do, stiff upper lips, local colour and a man/woman yoking-together that’s got everything Hitchcock had except handcuffs and his exquisite sense of pace. It bogs down, in other words. But only towards the end. Up till then this is a fast-moving story about a tweedy secret agent of some sort, who is caught red-handed while lining up his rifle’s telescopic sight on Adolf Hitler. When interrogated by the Nazis Captain Alan Thorndike’s defence is that he had no intention of actually killing … Read more

Aporia

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Malcolm reunited with wife Sophie

My dictionary defines “aporia” (from the Greek) as “an irresolvable internal contradiction or internal disjunction in a text, argument or theory”. In sci-fi movies such an internal, irresolvable contradiction – like a man who is his own father – is called a time paradox. Ironically, Aporia, a fascinating attempt to weld one aesthetic to another, bristles with internal disjunctions that are all its own. On one side a familiar, kitchen-sink weepie drama populated with relatable everyday people being put to the test. On the other a machine built by one of them capable of firing “a bullet into the past” to change the course of history. Those people are played by Judy Greer … Read more

The Last Movie

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Dennis Hopper in cowboy hat

When it came out the critical consensus on Dennis Hopper’s The Last Movie was that it was a mess, the result of giving a druggie with questionable talent full creative control of a movie. Nowadays it’s more often seen as a lost cult classic, a bold experiment and an attempt to push the boundaries of what a movie can be. Neither is really true. It’s not a mess, nor is it really that experimental. From this distance it looks like what it is: Hopper’s homage to Godard, with borrowings from Alejandro Jodorowsky and Robert Altman. It does not help the movie – then or now – that it arrives panting from carrying so … Read more

The Ministry of Ungentlemanly Warfare

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Gus March-Phillips and his team

You know The Ministry of Ungentlemanly Warfare is a Guy Ritchie film even without knowing it’s a Guy Ritchie film. That Gentleman bit of the title is the giveaway – whether it’s Holmes and Watson or the Lock, Stock lads, The Man from U.N.C.L.E. or The Gentlemen (film and TV versions), Ritchie has repeatedly demonstrated that he’s a guy Guy. Even his most feminine sounding movie, Snatch, is all about the boys. So the real-life story of the dude who became the template for Ian Fleming’s James Bond sounds like a good fit. And with Henry Cavill – regularly proposed as the next 007 – as Gus March-Phillips, what could possibly wrong? Before answering … Read more

The Beach Girls and the Monster

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The monster

The beach party movie, surfer and monster movies all hang out together in The Beach Girls and the Monster, an oddity from 1965 that often makes it into the “so bad it’s good” category, largely, I suspect, because people just don’t really know what to make of it. It’s Scooby-Doo in plot – fun-loving kids, a string of strange murders carried out by an unconvincing monster, who looks like a human in a bad costume because… well why spoil it. It’s the only film directed by Jon Hall, who also has top billing. Hall had swung from one terrible movie to another in a long Hollywood career and is now most often remembered, if … Read more

The Beast aka La Bête

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Gabrielle and Louis in 1910

Bertrand Bonello’s The Beast (La Bête) isn’t the first adaptation of Henry James’s novella 1903 The Beast in the Jungle. It’s not even the first one of 2023. That honour goes to Patric Chiha’s French-language movie The Beast in the Jungle, which made it to the screens about six month’s before Bonello’s. Whether Bonello trimmed his sails having seen Chiha’s fascinating and underloved film is doubtful. The Beast looks like the vision of a man who’d already decided to take Henry James and put him through an extreme wash followed by a rigorous spin cycle. James’s story has lost its original shape in Bonello’s version, which flips the genders for a start, and … Read more

The Exterminating Angel

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César del Campo, Lucy Gallardo, and Enrique Rambal

One of a string of films by Luis Buñuel sticking it to the bourgeoisie, the church, the authorities, the man, The Exterminating Angel (El Ángel Exterminador) looked wildly radical and political when it debuted in 1962. Now it looks like a metaphor in search of a story. Times change. Even before things have descended into the purely allegorical, Buñuel is telling us that something is afoot. All is not well at the grand house preparing for an after-party for the swells who have just attended the opera. Everyone is uneasy. The servants are making excuses to get out of the building before their social superiors arrive. When this gaggle of top-hatted, fur-wearing toffs … Read more

La Chimera

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Arthur with an ancient Etruscan artefact

Halfway through making La Chimera, its star Josh O’Connor took a break and went off to make Challengers for Luca Guadagnino, then came back to Italy to finish off for Alice Rohrwacher. Since his breakthrough in 2017’s God’s Own Country, after five or so years of plugging away, these days everyone wants a piece of O’Connor. They’re not remotely similar roles – a tennis player in Challengers, a graverobber in La Chimera – but from the actor’s point of view they have something in common. Both are essentially unlikeable people the audience needs to feel something for, and does, because O’Connor, as he also demonstrated in God’s Own Country and then Only You … Read more