Month: February 2025

Funeral in Berlin

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Harry Palmer by the Berlin Wall

The Ipcress File is one of the great 1960s Cold War spy thrillers and its follow-up, Funeral in Berlin, attempts to do the whole thing again. Popular opinion puts the sequel as second best to Ipcress – something its star Michael Caine seems to agree with in various interviews (like this one) – with the third in the series, Billion Dollar Brain, trailing along at the back. The fun in The Ipcress File was in watching a man who was not a spy – and possibly wasn’t suited to becoming a secret agent – being turned into one in spite of himself, all part of a bigger plot to flush out a double agent … Read more

Starve Acre

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Juliette stares at a wicker crib

Starve Acre starts out looking like it’s going to be a folk-horror reworking of The Amityville Horror, spooky house and all that. Then changes tack and appears to be attempting a folk-horror reworking of The Exorcist, possessed child and all that. Before finally settling down to tell a story about different ways of coping with grief. It’s a mood piece in many ways. So if you’ve pitched up looking for entertainment – boo scares, ghoulies, things going bump – park those expectations. Subterranean sounds and bleak visuals abound in this story set on the Yorkshire moors in the 1970s, where the modern, rational mindset meets the old ways and comes off second best. … Read more

The Silent Partner

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Elliott Gould and Susannah York

The story goes that Elliott Gould screened The Silent Partner for Alfred Hitchcock after it was finished. Hitchcock apparently liked it, as well he might, since it’s about 75 per cent Hitchcock by look and theme. There’s a blonde, a bit of mistaken identity, a nobody who finds he’s a somebody when tested, and even a nod to Hitchcock’s set pieces, particularly in the finale. Gould plays a meek bank teller who discovers quite by chance that there’s going to be a raid on his bank, and that a guy disguised as Santa Claus is going to do it – I won’t explain but it’s either ingenious or ridiculous depending on which side … Read more

Good One

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Close up of Sam

Midlife males fall apart in Good One, writer/director India Donaldson’s debut feature, which looks at masculine fragility through the eyes of a teenage female who’s gone walking in the woods with her dad and his old friend for three days. Sam and dad Chris are on the three-day hike in the Catskills with Matt. Matt’s son Dylan was meant to come too, but he flamed out at the last second, so Sam lost someone her own age to roll eyes with and is now toughing it out with two men not in the best place, though neither of them is going to admit it. So it’s dad jokes and laddish references to lesbian … Read more

Horrors of Malformed Men

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Komoda and his wife

If it’s highly controlled yet mad gothic you’re after – plus a wackadoodle title – Horrors of Malformed Men, a Japanese cult item from 1969, should do it for you. Director Teruo Ishii wastes no time setting out his stall. The opening shot is of a woman’s bare breast, followed half a second later by a knife aimed at the chest of the only man in a cell full of half-clothed women. Breasts abound. If this is your thing the entirely well formed women of this movie are an extra bonus. The knife turns out to be a stage prop, and the man is not in any immediate danger. Once rescued from the … Read more

The Order

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Terry fires a rifle

Masculinity on the downswing meets white supremacism on the up in The Order, a typically unsettling film by Justin Kurzel, who’s never quite topped his devastating debut, Snowtown, though this comes pretty close. The casting is unusual for something set in redneck USA. Nice, pretty Nicholas Hoult as Bob Mathews, head of a white-power outfit that’s broken away from a parent group of Nazis because it wasn’t extreme enough. And nice, diffident fellow Brit Jude Law as FBI cop Terry Husk, whose hopes of a quiet life on a new posting in Idaho are dashed when he realises he’s tangling with guys who are planning the overthrow of the US government. Both are … Read more

Bring Me the Head of Alfredo Garcia

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A wounded Bennie

It’s one of the great movie titles, so it may be no surprise to learn that Bring Me the Head of Alfredo Garcia‘s title came first. Co-writer Frank Kowalski came up with the Bring Me the Head bit, and co-writer/director Sam Peckinpah took it from there, helping flesh out a story that would both justify it and do it justice. It is a deliberately shonky quest movie, set up in its opening scenes of a Mexican patriarch, his henchmen and family interrogating the man’s clearly pregnant teenage daughter as to who is the father of the child. She says nothing, even as the interrogation turns into torture. Eventually, at the sound of a … Read more

Late Night with the Devil

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Jack Delroy introduces the show

David Dastmalchian’s wonky presence slots right in to Late Night with the Devil, a horror movie with a difference, though if I say “found footage” and The Exorcist you might wonder where exactly the difference is. A preamble explains that what we’re about to see is a lost recording of a live, late-night TV chat show that went spectacularly bad on the night of Halloween 1977. It also explains that Jack Delroy (Dastmalchian) is a wannabe Johnny Carson whose successful TV chat show has been on the skids for some time now. After losing his wife to cancer, and having courted some mysterious conspiratorial organisation called The Grove, Jack is now casting around … Read more

Golem

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Pernat with newspaper stuffed in his mouth

Golem is the first of Polish director Piotr Szulkin’s Apocalypse Tetralogy – as it’s sometimes called – and is also often credited as being one of the inspirations for Blade Runner. Before Ridley Scott fans start rubbing their hands together with glee, Szulkin is far less interested in entertainment than Scott. His film is bleaker, more paranoid and more obviously Kafkaesque than Blade Runner. Think Rainer Fassbinder’s Berlin Alexanderplatz meets Terry Gilliam’s Brazil rubbed all over with an oily rag heavy with swarf. It’s political too, in a coded sort of way and though set ostensibly in a destroyed society decades after an apocalyptic nuclear event, it’s clear that Szulkin has Communist Poland in … Read more

Every Little Thing

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A hummingbird caught mid flight

Every Little Thing is a documentary about a hummingbird sanctuary. A funny sort of documentary if you’re interested in the birds themselves and want to know how much they weigh, or how long they live, what they feed on or how big their eggs are – tiny, presumably, since the birds are only as big as your thumb. Based on the book Fastest Thing on Wings, by its subject, Terry Masear, it’s an emotional rather than informational portrait of the woman who runs this animal hospital, seemingly on her own. Masear is the woman to call in California – where hummingbirds flourish – if you’ve found an injured or orphaned bird and don’t … Read more