Month: June 2025

On Becoming a Guinea Fowl

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Shula in her fancy dress outfit

Well it’s an African Festen, isn’t it? I’m going to say immediately what most reviewers seem to get around to saying eventually. But On Becoming a Guinea Fowl is much more than just a dark drama about family secrets coming to light at a family gathering, so memorably wrangled in Thomas Vinterberg’s 1998 film. The director/writer is Rungano Nyoni, who swept all before her with feature debut I Am Not a Witch in 2017. Also suggesting excellence is the fact that it’s an A24 production, and they are rarely putting a foot wrong at the moment when it comes to intelligent, entertaining and original drama (see The Brutalist, Midsommar, Aftersun and The Whale). … Read more

Three Poplars on Plyuschikha Street

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Nyura and Sasha in the taxi

A Soviet Brief Encounter of sorts, Three Poplars on Plyuschikha Street is the sort of film you don’t really imagine coming out of the USSR, if grand epics featuring the entire Red Army are what you are used to. It’s a small-scale but beautifully crafted romance and in its day it was hugely popular. That side of it completely stands the test of time and, thanks to the passage of the years and the change in political landscapes, there’s now an added fascination to it which wasn’t there when it came out in 1968. It’s also a very neat example of the directorial work of the quietly fabulous Tatyana Lioznova, who starts us … Read more

Jericho Ridge

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Deputy Tabby aiming a gun

No one involved in Jericho Ridge thinks they’re making art, but neither do they think they’re making trash. It’s the sort of movie that keeps an industry alive – well made, well acted, decent-enough if familiar story and a satisfying conclusion all round, especially if you like happy endings served with lashings of gory violence. The plot is a slight steal from Assault on Precinct 13 – cops under siege on their own turf – but first it sets up its underdog hero as a person who has a lot to get out from under. Nikki Amuka-Bird plays smalltown cop Tabby Temple, a smart and resourceful deputy who’s recently had her rank reduced because … Read more

Renoir

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A sun-dappled Jean and Andrée

There’s a fascinating factoid at the centre of Renoir, Gilles Bourdos’s film about the old painter Pierre-Auguste and his son, the future-filmmaker Jean. Both men shared the same muse. Andrée Heuschling was the last in a long line of life models for the aged Impressionist, a celebrity painter who by the end of the First World War was wracked with rheumantoid arthritis and coming towards the end of his life. She was also the woman who encouraged his son, Jean, wounded and back from the battlefront, to give up ideas about being a ceramicist and to go into film-making. In Bourdos’s telling of the story, Heuschling essentially offers Renoir a deal – you … Read more

The Echo (El Eco)

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A girl collects kindling in the forest

Hardscrabble lives are what film-maker Tatiana Huezo specialises in and that’s what she gives us in The Echo (El Eco), a documentary following three families in a Mexican village, particularly the girls just coming of age and contemplating a future of mixed possibilities. A couple of years ago Huezo gave us the excellent Prayers for the Stolen, also set in Mexico, also interested in young women, a documentary-influenced fiction feature with a double shot of drug-cartel thriller to drag us along. Now back with her first love for the last in her so-called “trilogy of pain”, Huezo gives us The Echo‘s key scene early on. Montserrat Hernandez is helping her mother bathe her … Read more

I Knew Her Well

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Close up of Adriana

A beautiful young woman glides through life bewitching the men around her in Antonio Pietrangeli’s I Knew Her Well (Io la conoscevo bene). Stefania Sandrelli, a knockout in real life who won a beauty contest and went to Rome to become a film star, plays Adriana Astarelli (similarly alliterative names surely no coincidence), a beauty following the same route but falling into every trap along the way. Pietrangeli’s camera first finds Adriana lying topless on her front in the sun on the beach, glides up her legs and over her buttocks before following Adriana back to the beauty salon where she is meant to be working. By the time she gets back there … Read more

The Super 8 Years

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Annie and son in a screenshot from the 1970s

Annie Ernaux won the Nobel Prize for literature for a body of autobiographical body of work charting her own life. The Super 8 Years is pretty much more of the same, except in filmic form. At its most basic and off-putting level it’s a “what I did on my holidays” narration over clips from a family’s home movies. At another a snapshot of a lost era and the history of a development of a writer. In 1972 Annie and husband Philippe Ernaux (always addressed by his full name) bought a Super 8 camera. It was, she says in voiceover, “the ultimate desired object… much more than a dishwasher or TV”, and set about … Read more

Wanda

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Close up of Wanda

Barbara Loden only made one feature film and Wanda is it. A remarkable piece of determinedly non-Hollywood vérité, it features no hero, comes with no moralistic teachable points and hasn’t got much of a plot, unless a relentless slide towards the abyss counts as one. Loden was inspired to make it after reading a newspaper article about a woman who had thanked a judge for sending her to jail, because that way her entirely formless life would be given some shape. Imagine a life like that, Loden mused. And here’s what the musing delivered, a portrait of a woman without any of what Loden called “the equipment” needed to live an independent life. … Read more

Monster Hunters

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Large image of a monster with teeth

Monster Hunters, not to be confused with Monster Hunter starring Milla Jovovich. Scratch that thought. Because half the thing about any of these Asylum “mockbusters” is that confusion is at least half of the deal. So many Asylum movies ride on the coattails of the advertising spends of much bigger movies, maybe peeling off a few of the less wary hoping for more Milla Jovovich or whoever. Another tranche of viewers come to see what new depths have been plumbed by, say, The Twisters or Road Wars: Max Fury. Yet others see The Asylum as being on a bit of a mission – the bigger and more complicated Hollywood movies get, the more … Read more

Á Nos Amours aka To Our Loves

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Suzanne in a white dress

A crazy mixed up film about a crazy mixed up girl, if it’s nothing else 1983’s Á Nos Amours (To Our Loves, sometimes To Our Romance) is a brilliant showcase for the astonishing Sandrine Bonnaire, sexy as young French stars tend to be, in her debut on screen, possessing it entirely and aged only 15 or so. She plays the effortlessly hot Suzanne, a precocious tease wielding the weapon of her good looks and fully functioning libido in a series of encounters with older men. These dark-haired, worldly and hairy guys are the opposite of Luc (Cyr Boitard), the fair-haired, sulky, smooth-skinned boyfriend of her own age she will dump repeatedly as Suzanne’s … Read more