Steve

Architecton

by
Ancient ruins

Victor Kossakovsky’s documentary Architecton is a poetic rumination on the building blocks of settled societies – stone in the ancient time, concrete today. What about brick, you might immediately ask? It’s been around for at least six thousand years in its baked form, and even longer if we include unbaked mud. Not a squeak, not a mention. But let’s not review the film Kossakovsky hasn’t made. Instead here we are with an impressive montage piece starting in war-destroyed Ukraine, where remarkable camera footage slo-mos down a bombed tower block, revealing lives hastily abandoned – a TV set, a sewing machine, a slab of concrete floor hanging precariously into the dwelling below. In a … Read more

The Way You Wanted Me aka Sellaisena kuin sinä minut halusit

by
Maija with cigarette

Something of an outsider, an unknown quantity even by the standards of old cinema from far-flung corners of Europe, Teuvo Tulio is quite a maverick and The Way You Wanted Me (Sellaisena kuin sinä minut halusit, in the original Finnish) is a great example of what he does. A stark and direct melodrama, it’s a noir-meets-Douglas Sirk story of a sweet country lass corrupted by big-city morality and then tormented by fate, which repeatedly holds up a chance of redemption only to snatch it away again. Pushkin’s The Postmaster seems to provide the bare bones of the plot, and though Tulio has changed a lot of the particulars, certain key scenes map pretty … Read more

Caught Stealing

by
Hank sitting on the ground alone

Mock-serious bad times in New York City. Scorsese did it memorably in After Hours, and 40 years later Darren Aronofsky has a go with Caught Stealing, a gonzo nightmare missing a certain something. Comedy, I think, or the right comedic tone at any rate. Anyway, on the upside there’s Austin Butler as a dude in the late 1990s who agrees to babysit his neighbour’s cat, not realising that punk Russ (Matt Smith) is on the wrong side of some scary people, who aren’t all that discriminating when it comes to monstering. Russ being away in London at his dad’s funeral, so he says, street hoodlums Pavel (Nikita Kukushkin) and Aleksei (Yuri Kolokolnikov) have … Read more

Secret Agent

by
Madeleine Carroll and John Gielgud as the Ashendens

Anyone for the fifth best British film of 1936, as voted for by the readers of the defunct Film Weekly? Secret Agent is one of a run of spy thrillers Alfred Hitchcock made in the 1930s. Sandwiched between The 39 Steps and Sabotage it’s the least compelling of the three, a misfire in many ways. There are two reasons for that, both Hitchcock’s fault. But let’s get to that later. First, you need to know that it stars John Gielgud as Edgar Brodie, a successful novelist recruited by the British secret service, given the spy moniker Ashenden (the title of the Somerset Maugham book on which the film’s based) and sent to Switzerland. … Read more

Sisu: Road to Revenge

by
Aatami in a truck

Old Guys R Us: Part Two – Sisu: Road to Revenge repeats the formula of the first movie, of the iron-hard old Finnish dude taking on unimaginable numbers of bad guys… and prevailing, in a vastly entertaining way. He’s John Wick in a beard, transposed back to the 1940s. First time around the enemy was the Nazis. But time has moved on for Aatami Korpi (Jorma Tommila), the war is over and the Nazis have been defeated. For Finns the result has not been entirely good. In a voiceover prologue that’s almost the entire movie’s spoken-word spend, we learn that the Soviet Union has advanced into Finland, taken a good chunk of territory … Read more

Decoy

by
Gangster Jim, bad girl Margot and doctor Lloyd

Decoy is a tightly wound, plot-driven noir from producer/director Jack Bernhard, made in an attempt to turn Bernhard’s British wife, “Miss Jean Gillie” as she’s billed, into a Hollywood star. It didn’t work, though Gillie is actually very good as Bernhard’s female lead. Anticipating the femme fatale character of Gloria Grahame to some extent, complete with overpainted top lipline, Gillie plays Margot Shelby, the girlfriend of condemned murderer Frankie Olins (Robert Armstrong). She comes up with a plan to spring him from death row – by injecting an antidote to the lethal toxin administered in the gas chamber, thus bringing Frankie back to life after his execution. Do not try this at home … Read more

2000 Meters to Andriivka

by
A soldier look downcast

The war in Ukraine cannot end well if 2000 Meters to Andriivka is anything to go by. A bulletin from the frontline during Ukraine’s counter-offensive in 2023, it paints a bleak picture of two countries at war, one of them fighting for its life, the other kicking sand in its face. (As I type in late December 2025 a lousy peace settlement is being hashed out, with the USA apparently urging Ukraine to hand chunks of the country to Russia while Ukraine’s fellow Europeans look on impotently.) The magic in this movie happens mostly in the edit suite, where all the (mostly bodycam) footage from a mission to liberate the Ukrainian village of … Read more

Night Editor

by
Jill and Tony in the car

Night Editor started life as a popular radio show supposedly telling stories inspired by listeners’ letters. This 1946 movie spin-off, based on the episode titled Inside Story, was meant to be the first of a series. But that never came to be, and so we have only this as a suggestion of what might have been. Tales from the deep memories of old newspaper hands is the big idea. And after some scene-setting in the offices of the New York Star, where the night editor and other unfortunates working the graveyard shift play cards, drink coffee and smoke cigarettes, director Henry Levin’s film starts properly. It tells the story of Tony Cochrane (William … Read more

Eternity

by
Joan with Larry and Luke

A supernatural comedy just like Hollywood used to make – that’s the big idea behind Eternity, Irish indie film-maker David Freyne’s arrival in the bigtime, a knowing nod to Preston Sturges and Ernst Lubitsch with a touch of Powell and Pressburger’s A Matter of Life and Death thrown in for fun. To be fair to Freyne and co-writer Pat Cunnane, they don’t overdo the allusions, possibly to strangle compare-and-contrast criticism at birth. Though the plot – a recently dead woman is asked which of two men she wants to spend eternity with: her first love or her husband of many years – feels like it’s straight from the era of The Ghost Goes West and … Read more

Cornered

by
Madame Jarnac and Laurence Gerard with gun

“This is the new Dick Powell,” the trailer insists. “Rougher. Tougher than in Murder, My Sweet.” Cornered is indeed the “new Dick Powell”. Audiences in the late 1930s and early 1940s knew him best as a crooner. But 1944’s Murder, My Sweet changed all that, when Powell became the first screen iteration of Philip Marlowe, Raymond Chandler’s dog-eared, quippy detective. In an adaptation of Farewell, My Lovely, Powell delivered Chandler’s dialogue with great style – “She was a charming middle-aged lady with a face like a bucket of mud. I gave her a drink. She was a gal who’d take a drink, if she had to knock you down to get the bottle.” … Read more