Review

Incubus

by
KIa is held by Marc

OK, so, films in Esperanto starring William Shatner… Anybody? The answer is Incubus, a true oddity from 1966 made just before Shatner started work on Star Trek. It’s one of only two films made in the world’s most widely spoken “constructed auxiliary language” (made up, in other words) in the 1960s. The other being 1964’s Angoroj. Wikipedia says there are two more from the noughties – 2006’s Gerda malaperis! and 2007’s La Patro, which is only 40 minutes long and about which not much is known. Incubus is undoubtedly the most famous of all of them, partly because of Shatner, partly because it’s directed by Lesley Stevens, the producer of The Outer Limits, who … Read more

Agon

by
Alice Bellandi in judo gear

As a title Agon is a bit esoteric. The root word from which English gets “agonist”, “protagonist” and so on, it’s also the source of the word “agony”. But to the Ancient Greeks the Agon was also an athletics competition. Director Giulio Bertelli’s choice of titles may be abstruse but it is apt – his film is about the struggles of three female athletes as they compete in the entirely fictional 2024 Olympic Games at Ludoj. While we’re in the realm of etymology, “Ludoj”, the linguists will know, is the Esperanto word for “Games”. The three leads are almost fictional too. Two of them, Yile Yara Vianello and Sofija Zobina, are professional actors … Read more

Twenty Six Days in the Life of Dostoevsky

by
Anatoliy Solonitsyn as Dostoevsky

A bit too neat and tidy, maybe, but Twenty Six Days in the Life of Dostoevsky is serious and sincere and has two canny performances at its centre: Anatoliy Solonitsyn as the Russian writer and Evgeniya Simonova as the woman who saved him. The neatness and tidiness is exemplified by the opening scene, where two friends discuss Fyodor Mikhaylovich Dostoevsky’s terrible financial position. He’s broke, it seems, and if he doesn’t deliver his latest novel to the publisher by the end of the month, he’ll lose the right to all the royalties on all his books for the next nine years. Maybe what Dostoevsky needs, one of the friends suggests to the other, … Read more

Greenland 2: Migration

by
Close up of a bearded Gerard Butler

Greenland 2: Migration follows hot on the heels… no, hang on… comes six years after the first Greenland, which was a thoughtful apocalyptic thriller which somehow seemed to anticipate the Covid outbreak. The second movie has decided to aim for relevance more deliberately. The “Migration” in the title – what could be more of the moment? Starting off in the sanctuary in Greenland where John Garrity (Gerard Butler) and family were heading in the first instalment, it plays a “see how you like it” plot flip on our heroes. First it asks the Garritys if they’d like to share their cramped space with a batch of 50 new arrivals. They’re reluctant. Shortly afterwards the Garritys … Read more

The Cameraman

by
Buster, the monkey and the newsreel camera

For Buster Keaton, it all went right and it all went wrong in 1928 and The Cameraman is where it all collides. Widely considered to be one of his masterpieces, the film marks the point where Keaton loses control of his own narrative. He’d gone from writer, star and director on a string of hits, like Sherlock Jr, Go West and The General, produced by his own company. But here he suddenly was, working as a gun for hire for MGM, who did their best (at first, at least) to keep him on a tight leash. It’s also the last of Keaton’s silent films and, ultimately, the beginning of the end for him … Read more

Exit 8

by
Lost Man

A man on the Tokyo subway struggles to find the exit. That’s the entire plot of Exit 8, proof that it’s not what you do it’s the way that you do it. This is a tense and atmospheric chunk of quasi-scifi, owing something if not everything to Jean-Paul Sartre’s Huis Clos, with a bit of a stylistic assist from Vincenzo Natali’s cult classic Cube. Quite how Natali got sidetracked into gun-for-hire work on TV shows rather than making more superb high-concept movies like Cube is a question for another day. Here the incredibly capable director is Genki Kawamura, whose only previous feature, A Hundred Flowers, was a tremulous tale of encroaching dementia. Here, … Read more

Gentlemen of Fortune

by
Docent with the golden helmet

You might not associate frivolous caper comedy with the dour Soviet Union of gulags and five-year plans, but that’s what Gentlemen of Fortune is. A larky affair that probably works best if you get all the cultural specifics, it’s perfectly entertaining even with very little knowledge of the USSR. It’s one of the most successful comedies ever produced under the communist system – doesn’t that tickle your curiosity? It’s a very familiar story, of one man posing as another, kicking off with the theft from an archaeological dig of a solid gold helmet reputed to have belonged to Alexander the Great. The thieves are soon caught and sentenced to prison, but where’s the … Read more

Rebuilding

by
Callie-Rose and Dusty sitting on a fence

In plain language Rebuilding doesn’t sound like much of a proposition. A guy whose farm has been burnt out by a devastating fire tries to put his life back together while taking shelter in a Federal Emergency Management Agency trailer. That’s it. But give it a bit of space, as director/writer Max Walker-Silverman gives his characters space, and it rewards the interest. It’s a warm and lovely film at many levels, but a psychologically nuanced one too. The fire is a metaphor. When we first meet Rusty (Josh O’Connor) he’s selling off what’s left of his cattle and pitching up at the FEMA camp for people whose farms and homes have been destroyed. … Read more

100 Years of… A Page of Madness

by
Servant's wife asleep

Madness indeed. A Page of Madness was made in 1926 on next to no budget, by a talented director aided by a group of demented avant-garde writers called the Shinkankakuha, who were determined to break free from the shackles of naturalism. For many years it was considered lost, until its director, Teinosuke Kinugasa, found a copy of the film in a storeroom in 1971. Still with a third of its footage missing, that’s the version you will see today. The other thing that needs saying before locking in is that it’s made with barely any gear. Kinugasa and co had no equipment to speak of, just a 16mm camera and eight lights. Remember … Read more

Gabby’s Dollhouse: The Movie

by
Gabby in human form

If you’re over the age of eight, Gabby’s Dollhouse: The Movie is probably not something you’ll have come across, or the Netflix show it sprang from. Its star, Laila Lockhart Kraner, probably won’t mean much to you either. Your loss? This intensely likeable, positive, bright and sunny excitement isn’t a “something for everybody” offer. But if you’re in the right demographic – the producers go as low as pre-schoolers and that seems about right – who knows? As is traditional for shows given a movie breakout, the writers send the format on holiday. So Gabby heads off with her Grandma Gigi to Cat Francisco, in Gigi’s VW Camper Van – number plate KTTY WGN – where … Read more