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Ulysses and Flora

Flora and Ulysses

Flora and Ulysses is a bright Disney family movie with a “turn that frown upside down” message, lively performances, funny bits that are funny, a cute kid in the lead, fantastic supporting turns. If it

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Peter Dinlage and Rosamund Pike

I Care a Lot

You used to see plenty of films like I Care a Lot in 1990s. In the slipstream of Quentin Tarantino’s first burst of success there was a glut of movies with a “who’s zooming who”

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Anna and Ray in a car

Lapsis

Sci-fi costs money. All those sets, all that tech. But there’s an honourable tradition of good lo-fi sci-fi that Lapsis fits into neatly. Films like The Signal, Attack the Block, Timecrimes and Monsters are only

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Fern has a cigarette

Nomadland

In January 2011 the US Gypsum plant in Empire, Nevada, shut down. By July of the same year the town’s zip code had been discontinued. Nomadland makes personal a phenomenon that’s been going on for

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Raya and Sisu

Raya and the Last Dragon

Remember when Disney princesses just lay about in glass cases waiting to be kissed? Raya and the Last Dragon gives us the latest iteration of the new style of Disney female, joining Mulan, Merida (from

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Annie and Scott look scared

The Intruder

The Intruder examines, in the sort of lurid, semi-deranged way you’d expect from a horror movie, something that’s actually rather subtle. How a house becomes a home. How any prospective buyer, looking around someone else’s

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Hank on the sofa

After Midnight

A few years ago Jeremy Gardner wrote, directed and co-starred in The Battery, a criminally underrated zombie movie that just had two guys in it… and a horde of zombies. It examined a relationship that had

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Yoko with a portable camera

To the Ends of the Earth

The Japanese writer/director Kiyoshi Kurosawa (no relation to Akira) first made his name with horror movies, but even though he’s moved away from the genre at a superficial level, there’s often something dark lurking beneath

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Rudolph Valentino as the Sheikh

100 Years of… The Sheikh

Rudolph Valentino had two big films in 1921. The Four Horsemen of the Apocalypse, by far the biggest grossing film of the year, was the one that made him a star. But The Sheikh was

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