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Four Sided Triangle
Four Sided Triangle is a British B movie from 1953. That’s two if not three knocks against it straight away. Look it up in the books and you’ll see it generally doesn’t get very good reviews. And yet it’s a really interesting film from all sorts of approaches. It’s a kind of tweedy Frankenstein story, set in the bucolic English countryside, and introduced by a decent chap, a local doctor (James Hayter) who with rounded vowel sounds and in a voice like warm gravel recounts the story of two boys and a girl. Perhaps Robin and Bill were rivals for Lena’s affection even as kids, the flashback structure tells us, before Dr Harvey … Read more
The Parenting
Brian Cox apparently gets a bit sick of being asked in interviews about Succession and playing Logan Roy, which might explain his presence in The Parenting, a film unafraid to do jokes about projectile vomiting alongside a whole slew (spew?) of gags revived from the era of gross-out comedy. Look, this says, I’m an actor, now doing something completely different, alright, because that’s what acting is. Craig Johnson is the director and Kent Sublette the writer, but it’s the Farrelly or Wayans brothers who really preside over this movie – comedy done with a wink and a how-low-can-you-go chuckle. It’s a Meet the Parents set-up. Rohan (Nik Dodani) and Josh (Brandon Flynn) are … Read more
Claire’s Knee
In many ways the perfect French movie, French-movie cliché even, 1970’s Claire’s Knee (Le genou de Claire) is one of Éric Rohmer’s most celebrated works and is a good place to start if you want to dig into his back catalogue. One of the key voices of the French New Wave, Rohmer regularly banged out films from the mid 1950s until, in 2007, old age forced him to step back. Unlike other old dogs of the New Wave (Godard springs to mind), right to the end Rohmer’s newest offerings were still consistently putting bums on seats. It’s the perfect and cliched – archetypal, if you like – French film because it has the elements … Read more
Grand Theft Hamlet
Though the title almost does all the explaining you’ll ever need, to spell it out in a full sentence Grand Theft Hamlet is an attempt to stage the Shakespeare play Hamlet inside the online version of Grand Theft Auto. The background. It’s the third Covid lockdown in the UK and husband and wife Sam Crane, a theatre director, and Pinny Grylls, a documentary maker, are suddenly workless and at home cooling their heels. He’s a bit of a console jockey. She isn’t. Inspired by a comment from their kids about a YouTube gamer going by Dream (31.9 million subscribers as I type) who’s been staging performances inside Minecraft, they wonder if they can … Read more
The Vampires Night Orgy
There is no orgy in The Vampires Night Orgy, that snippet of trivia on the IMDb does not lie. Nor, to add to it, is there very much in the way of vampires. Which leaves the Night bit of the title with quite a bit to do. This horror movie, no surprise, from Spain was made in 1973, when sex, horror and arthouse all cohabited in a lot of European movies. It’s hideously dubbed, as was also often the case, and it was originally served up in two forms: the tame one for domestic consumption and the “nude export version”, which is the one you are likely to find, especially if it’s flying … Read more
The Girl with the Needle
Imagine reading Oliver Twist and suddenly Jack the Ripper turns up in it. The Girl with the Needle (Pigen med nålen in the original Danish) is a bit like that. A bracingly miserablist trek through the life of one of the urban poor in post-First World War Denmark, its Dickensian traipse from one grim situation to the next is interrupted towards the end with the dawning realisation that its heroine, poor benighted Karoline, has somehow wandered into the orbit of Dagmar Overby, Denmark’s most prolific serial killer. The film never tells us that the Dagmar on screen is Overby but the woman portrayed is presented as a serial murderer of infant children, which … Read more
100 Years of… Lady Windermere’s Fan
Mary Pickford once described the director Ernst Lubitsch as a “director of doors”. In Lady Windermere’s Fan, an adaptation of Oscar Wilde’s play, you can see what she means. She meant it dismissively, though the door, and what’s behind it – or not – is key to Lubitsch’s work generally, and specifically here. This is a story all about secrets – as Wilde’s so often were – a tale of mistaken identity with ironic distance between what the people on the screen imagine themselves to be and how the audience sees them. To thumbnail-sketch a delicately intertwined plot, it centres on Lady Windermere, who is in love with her husband but being pressed … Read more
A Complete Unknown
James Mangold gave Johnny Cash Walk the Line. Now he gives Bob Dylan A Complete Unknown, a biopic and instruction manual on how to do this sort of thing. If you’re being picky, it doesn’t say much that hasn’t already been said about Dylan. And its criticisms are ones Dylan has made about himself. But if you’re happy to watch as Mangold and a brilliant cast burnish the legend, this is the film for you. It tracks Dylan from being “a complete unknown” in New York in 1961, where he visits his idol, folk superstar Woody Guthrie in his hospital bed, before being taken under the wing of fellow folkie Pete Seeger. And … Read more
D.O.A.
The opening scene of D.O.A. is so punchy and dramatic that it has to be up there on any best-ever list. A man walks into a police station, finds the homicide department and announces that there’s been a murder. “Who was murdered,” asks the homicide captain. “I was,” Frank Bigelow replies. The film ends on a humdinger, too, which in the circumstances is almost unnecessarily generous. In between, in flashback, we get the back story to that odd opening remark, one that doesn’t seem to have surprised the cops at all. Fate often deals bad cards to the leading characters in film noir. It’s particularly undeserved here, a tale of a small guy … Read more
The End
Here’s a pitch. A film about an oligarch family living in a bunker for 25 years… done as a musical! The End is Joshua Oppenheimer’s follow-up to his two documentaries about the genocidal regime in Indonesia, and should at least win awards for audacious change of direction. Oppenheimer’s The Act of Killing and The Look of Silence both marked him out as a special talent, but those were both now ten-plus years ago and in the decade since he’s directed a couple of episodes of TV and nothing else. The End is both a return to film-making as well as a shift into fiction. According to the man himself, what he wanted to do … Read more
Champion
So here I am coincidentally writing about Champion on the day the death of the remarkable George Foreman is announced. A gent and a plugger, who came back after 20 years away to win the world boxing title for the second time, Foreman was everything the focus of Champion is not. The film made a star of Kirk Douglas, and was his eighth film in three years. In many ways the typical boxing drama – scrappy kid, rags to riches, it all goes to his head, a fight to be thrown, the against-the-odds finale etc – it’s also a portrait of a psychopath, or at least a sociopath, who has no use for … Read more
Wicked
Can you believe there are still people out there who don’t know that all-conquering smash musical Wicked is the origin story of the Wicked Witch of the West in The Wizard of Oz. I know this because I met one of them just the other night. Relief: he did know what The Wizard of Oz was. That way true madness lies. So to this much feted, hated, memed and debated movie, which won Oscars for production design and costumes only. Precisely what that guy didn’t know but now does – the back story of Elphaba, who died at the end of the 1939 movie – Wicked picks up the story right there, before dissolving … Read more
