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An army officer in front of a burning building

I Do Not Care If We Go Down in History as Barbarians

In I Do Not Care If We Go Down in History as Barbarians (originally Îmi este indiferent daca în istorie vom intra ca barbari), Romanian auteur Radu Jude takes on the his country’s treatment of the Jews in the Second World War, as part of Hitler’s Final Solution. The title comes from a speech made … Read more
The Green Knight

The Green Knight

Sailing into the gap opened up by Lord of the Rings and Game of Thrones, The Green Knight is the latest addition to the crowded medieval/supernatural genre and writer/director David Lowery’s latest experiment in giving a hot genre a cool treatment. It’s Dev Patel as Gawain (emphasis on the first syllable, not the second), the … Read more
Anthony looks in the mirro

Candyman

Gory but not too scary, 2021’s Candyman is a direct sequel to 1992’s Candyman, which means it builds on the narrative and the lore of the first film rather than the 1995 and 1999 sequels. It also builds on the lore and narrative of Tony Todd’s Candyman, the first mainstream black horror whacko, someone to … Read more
John Steed and David Keel

The Avengers: Series 1, Episode 20 – Tunnel of Fear

For a long time it was thought that only a couple of episodes from series one of The Avengers had survived. And then Tunnel of Fear turned up in a “private film collection”, as the press release guardedly puts it, swelling the number of complete episodes from two to a mighty three out of a … Read more
James McAvoy squats in the kitchen

Together

Together is a select member of a new genre – the Covid Drama – and sees Sharon Horgan back working again with Dennis Kelly. Together they co-wrote Pulling, the TV relationship comedy that made both their names. Kelly went on to create and write the TV conspiracy thriller Utopia and Horgan to co-write the popular comedy series … Read more
Pim and Pat's wedding ceremony

1448 Love Among Us

In the 2014 Thai film 1448 Love Among Us, both the “1448” and the “Us” of the title are significant, the former the section of the Thai penal code restricting marriage to heterosexual people and the latter an indicator that this film is very much a movie for domestic consumption. Even so, for drama lovers … Read more
Alice masturbates

Yes, God, Yes

Yes, God, Yes – a funny title pithily catching the twin obsessions of this slight but sharp movie. Sex and god. It stars Natalia Dyer, who somehow has managed to fit this in alongside the nine other movies and 30-odd episodes of the Netflix show Stranger Things she’s appeared in over the last six years … Read more
At the cryptozoo

Cryptozoo

Independent, hand-drawn, adult animation is rare, as Sundance programmer Charlie Sextro said at the premiere of Cryptozoo, which puts Dash Shaw’s busy and quirky adventure in pretty much the same category as its subject matter. A cryptid, an early intertitle card informs us, is a creature whose existence is unsubstantiated, or who remains hidden. As … Read more
Clint Eastwood and Eduardo Minett

Cry Macho

Cry Macho is the latest instalment in the Clint Eastwood series of movies you could loosely call the “old guy’s last hurrah”. Like Gran Torino and The Mule, it’s a moment to be reminded of past glories as well as be entertained, all the while marvelling at at Eastwood’s remarkable career and long life. Clint … Read more
John turns yellow

The Boy Who Turned Yellow

The Boy Who Turned Yellow is interesting for all sorts of reasons. Released in 1972, it was the final film of both director Michael Powell and screenwriter Emeric Pressburger, the powerhouse duo who’d been responsible for some of the UK’s most innovative, technically brilliant, thematically complex and entertaining films. The Life and Death of Colonel … Read more
Cops Pento, Chris and Gwada

Les Misérables

The title Les Misérables is now so associated with the musical that it’s often hard to remember that it was originally a novel by Victor Hugo, and an immensely significant one at that. Surely, bearing the book, the musical and various film adaptations of both in mind, writer director Ladj Ly must have had qualms … Read more
Feinberg and Wolf meet at the opera

Worth

Worth is a film about 9/11 and its aftermath and if you were about on that day and old enough to take in what was going on you might feel there’s little reason to watch it…  The shock was so intense and keenly felt that 2001 still seems so present, no reminder necessary, thanks. There … Read more

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