Reviews
Short but massively influential, Zéro de Conduite is 44 minutes (or so) of prime Jean Vigo. A film deemed “anti-French” when it was released in 1933, it went on to influence that most French of genres, the New Wave. François Truffaut’s The 400 Blows owes it a lot, as does British New Waver Lindsay Anderson’s … Read more
By general consent a classic, The Treasure of the Sierra Madre also won three Oscars – best director and screenplay for John Huston and best supporting actor for Walter Huston (his father) – and is one of those films that also get film-makers dewy eyed. Stanley Kubrick named it one of his faves (in 1963 … Read more
When is a good time to tell your girlfriend that you’re just not that into her? Oh, Hi! suggests it probably isn’t when you’re in the middle of a light bondage session and you’re handcuffed to a bed. Yup. Stoopid. That’s the scenario that director Sophie Brooks and star Molly Gordon dreamt up while they … Read more
A Cop – the title is just as bald in French, Un Flic, and in opening scenes featuring a bank job carried out by clichéd robbers in trench coats and wearing hats, the writer/director Jean-Pierre Melville appears to be having a bit of a laugh, possibly at his own expense. Who, in 1972, was still … Read more
Metropolis, now seen as a classic, didn’t do many favours for director Fritz Lang short term. And it nearly bankrupted Ufa, the studio that made it. For Lang’s follow-up, Spies (Spione), Ufa clipped his wings and forced him to shoot on a reduced budget. Hey ho, another classic, and also, just incidentally, the template for … Read more
Hush…Hush, Sweet Charlotte tries to recapture the lightning-in-a-bottle that was What Ever Happened to Baby Jane? And fails. It’s not even a valiant fail, instead director Robert Aldrich and co cynically re-run the same basic idea – two vintage dames doing battle most foul – but this time around one essential ingredient is lakcing. Joan … Read more
Apparently Martin Scorsese and Leonardo DiCaprio were discussing a remake of Akira Kurosawa’s Drunken Angel. It never happened, but we do at least have the 1948 original, a study of two flawed men in the Japanese equivalent of a film noir setting. On the one side a gangster played by Toshirô Mifune. On the other … Read more
Two opinions of Bacurau from Amazon’s Top Reviews of this film. “One of the worst movies we have ever seen,” said Scout in a one star thumbs-down. “We were both regretful that we paid to give away time that we cannot get back watching a movie that was this painfully stupid.” On the other hand … Read more
The French New Wave, film noir and sci-fi all collide in Alphaville, Jean-Luc Godard’s mad mash-up of all three genres. If it does nothing else it demonstrates that as long as you have imagination you don’t need any budget at all to make an impressive movie. Godard shot it all in Paris, with no sets, … Read more
A Private Life is the “Jodie Foster speaks French shock!” movie, and it’s a funny old beast, as if the plot of Jane Austen’s Emma – the fixer who cannot fix her own life – had been re-written by Agatha Christie and then weirded-up with a plot involving past lives. Another way of looking at … Read more
For decades Cohen’s music has been misrepresented as the soundtrack to suicide. In fact the old (now 73) groaner is something of a comedian, though his wit is so dry it’s taken non-aficionados decades to catch on. He’s also something of a master of self-mythology, the sort of performer who seems to back into the … Read more
It’s unlikely you will ever have seen anything like The Bunny Game before, or will want to again. A film too strong and dark for many tastes, it’s undeniably brilliant at what it does. But couldn’t it do it elsewhere? Facetiousness to one side, The Bunny Game gets the thumbs up from the likes of … Read more