Reviews
In any fight for the top slot in the “humanoid monsters of the movies” competition, zombies and vampires fight it out to be number one, while werewolves lope along way behind. It could be worse – the mummies in their tatty bandages get barely any attention and even further down the field are invisible men … Read more
We’re now eight episodes into the second series of The Avengers and change is afoot. Even before Death of a Great Dane gets underway, something clearly sets this episode apart from the ones that came before. John Dankworth’s theme music has been perked up a bit – that 1950s-influenced jazz-inflected drone was sitting increasingly at … Read more
Train to Busan 2 goes by a variety of names but the one that works best for me is Train to Busan Presents Peninsula (rather than Train to Busan: Peninsula, or plain old Peninsula), because this best encapsulates what the film is: a film from the Train to Busan people rather than another go around … Read more
Everyone loves Bill Nighy but he’d never really looked like Oscar material – unjustly – until Living came along. Too diffident. Too stylised. Too often wearing that same blue suit. What Nighy did was so effortless that it hardly seemed like acting at all, or at least the sort of acting that Oscar likes (snot … Read more
The family is a cult and the cult a family in the films of Sean Durkin. After Martha Marcy May Marlene and The Nest, The Iron Claw continues Durkin’s excavations with a biopic of the Von Erichs, a famous wrestling clan whittled away by a tragic curse. After a quick black-and-white preamble sketching paterfamilias Fritz’s … Read more
The last of the Great American Novelists of the 20th century, Philip Roth died in 2018, leaving behind a substantial body of work. Deception (Tromperie in the original French) adapts yet another of his novels for the screen, becoming yet another brave attempt at making a movie out of something that doesn’t really want to … Read more
A perfect farce from 1937, Easy Living catches Jean Arthur at the peak of her career and is so devilishly constructed that explaining the plot would be a fool’s game. But the gist of it is that a normal young woman on the top deck of an open-top bus suddenly finds herself draped in a … Read more
Jasmila Zbanic’s powerful drama Quo Vadis, Aida?, about the Srebrenica massacre in 1995, starts with a sad irony. As the production company idents come up, and various “with the support of” and “in collaboration with” credits list all the European and international organisations involved, remember that when the events in this flm were playing out … Read more
“Librement inspiré de faits réels,” it says at the beginning of Eiffel. Not a mere “inspired by real events”, often used as an apology for serving up historical fact laced with made-up stuff, but “freely inspired”. Turn to Wikipedia if what you want is the actual factual, in other words. That’s what I did, and … Read more
Acting when there’s something to do is relatively straightforward. But what about when there’s nothing to get hold of? Father Mother Sister Brother is full of empty space, and for whole stretches of time the characters in it don’t really know how to fill the silence. They babble. They fall silent. They pick up on … Read more
Lush and lovely and slightly empty, The Forgiven is the clockwork toy that fails to march. And it all looks so promising to start with. The opening moments alone really get the hopes up – that saturated colour red of the scrolling credits seems to be offering a vast 1960s-style epic à la Lawrence of … Read more
Before Laurel and Hardy there was Laurel and Laurel, and in 1922’s Mud and Sand we get to see Stan Laurel’s original silent-movie partnership at work. The film is a longish short (40 mins) spoofing the Rudolph Valentino hit Blood and Sand, the story of a poor Spanish toreador who hits the big time and … Read more