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Boagart and Bacall sit on a desk

The Big Sleep

The older it gets, the better 1946’s The Big Sleep looks. When it was new, Howard Hawks’s adaptation of Raymond Chandler’s famously unfathomable story was rooted in reality – the clothes, the cars, the language, the streets of LA. Since then, as it’s become detached from the everyday, it has risen unimpeded into the mythic. The opening scene sets the tone. A detective, Philip Marlowe, arriving at the mansion of General Sternwood (Charles Waldron), where the sick old man lives in an orchid house, staying alive on the heat, while his daughters run wild with his money. One of them, the general informs Marlowe, has got into some trouble. Can Marlowe fix it? That’s … Read more
Jacques le Gris and Sir Jean de Carrouges face off

The Last Duel

Talk about burying the lead. The Last Duel submerges its true story – the rape of a woman in 14th-century France – inside a story about the man who did it and her husband, his friend. We get the duel, the joust, up front, so we know from the outset where this adaptation of a true story is going, and then director Ridley Scott and writers Matt Damon and Ben Affleck (their first collaboration since Good Will Hunting) and Nicole Holofcener (presumably brought in to de-problematise the very problematical screenplay) wheel us back in time to what brought us to this point. We’re introduced to all the parties involved – Sir Jean Carrouges (Matt … Read more
Audrey Tautou, Tom Hanks in The Da Vinci Code

The Da Vinci Code

“What, [dodges bullet] you mean Jesus wasn’t really the Son of God [jumps into speeding car] and married Mary Magdalene [hijacks armoured vehicle] who bore a child who [takes plane to an England full of half-timbered cars] established a bloodline which [evades knife-thrust of albino monk] if it were ever to become public knowledge would [accidentally shoots cardinal] undermine the power of the Catholic Church [garrottes nun]?” There’s plenty more of this sort of carry-on in director Ron Howard’s almost satisfying attempt to turn Dan Brown’s 560 pages of lecture-chase-lecture into something cinematic. And it had to be made into a movie – the sales figures of the book said so. But did … Read more
Pilou Asbaek as Mikkel

A Hijacking

Stories of Somali pirates hijacking ships and holding people hostage for months regularly make the news bulletins but rarely seem to make it to the big screen. Which is odd considering that foreigners waving guns about in front of frightened innocents’ faces is a staple of cinema. Enter A Hijacking (original title: Kapringen), a Danish offering that welds a cast familiar to viewers of Danish TV sensation Borgen to a twin-track plot – one half takes place on the high seas, the other back at base where negotiations for the hostages’ release are taking place. The result is a drama so involving that, though I’d dragged myself to the cinema with a heavy … Read more
Robin Williams ready for ordeal by ordure in RV

RV: Runaway Vacation

And you thought that after being excellently sinister in Insomnia and One Hour Photo, Robin Williams had stopped making goofily sentimental comedies that stop every 20 minutes for toe-curlingly inappropriate improv from Mr W. Sadly not, as evidence there’s this woeful, slight affair in which Williams plays the family man driving his family cross country to a business convention (they think they’re going on holiday but he hasn’t told them the truth) in a recreational vee-hickle, even though they’re the sort of family who don’t do recreational vehicles, camping, communication, fun or togetherness. Cheryl Hines plays the exasperated wife and Jeff Daniels and Kristin Chenoweth are the heads of a family they meet … Read more
Tara King in front of a portrait of Pandora

The Avengers: Series 6, Episode 31 – Pandora

The benign king deceived by his courtiers – a wicked grand vizier, a scheming cardinal, a treacherous brother – is a comforting story told and retold down the ages. The Avengers episode Pandora is Brian Clemens’s version of it: a man grieving for a lost love being fooled by his family into believing she is alive, the better to loosen his grip on the family fortune… Pandora is that woman, dead 50 years but still mourned by maddened recluse Gregory (Peter Madden), around whom a massive deceit is daily confected that out in the wider world the First World War is still raging and Pandora is still alive. All that bad guys Rupert … Read more
Sally and Burger face off

The Counterfeiters

When The Counterfeiters (Die Fälscher) won the Best Foreign Language Film Oscar in 2008, there was disquiet in some quarters. How come Cristian Mungiu’s brilliant 4 Months, 3 Weeks, 2 Days hadn’t even been nominated? Didn’t that glaring omission obviously invalidate all the other entries? As with most cases of whataboutery, the answer is yes, but mostly no. The Oscars are always a bit of a scrum and for all their claims to objectivity are best seen as industry awards first (ie the “Buggins’ Turn” rule is in play) and guarantors of quality second. In the end The Counterfeiters won and, while not quite a classic on the Mungiu level, it’s a fine … Read more
Danny Kaye and Basil Rathbone

The Court Jester

A flop, amazingly, when it was first released in 1955, The Court Jester is pretty much perfect in every way. It has the looks, the jokes, the action and the stars, in particular a perfectly cast Danny Kaye doing what he does best. There are stories of Kaye holding theatre audiences spellbound just sitting on the edge of the stage and reminiscing, and his ability (or perhaps his need) to command attention suits him perfectly to the role of a carnival entertainer using his talents to save the realm. The wicked King Roderick (Cecil Parker) has usurped the rightful ruler and killed the royal family. All except the infant prince, identifiable by a … Read more
John Steed and Dr King

The Avengers: Series 2, Episode 5 – Mission to Montreal

Mixing it up yet again, episode five of series two – Mission to Montreal – introduces yet another sidekick in a story set on board a cruise liner heading for Canada. Jon Rollason plays Dr Martin King and brings the number of Steed’s accomplices in this series to three (Honor Blackman and Julie Stevens being the other two). King is an echo of Ian Hendry’s Dr David Keel in that he’s a doctor, and also one only too happy to indulge in a bit of espionage and rough stuff if necessary – not exactly what you’d expect from a well paid follower of Hippocrates, but there you go. In fact he’s more than … Read more
Agent Bradwell

Wifelike

Wifelike is a sci-fi mishmash starring Elena Kampouris as a robowoman and Jonathan Rhys Meyers as the cop overjoyed to have taken delivery of a lookie-likie replacement for his dead wife. It’s a mishmash and a half, in fact, a little Stepford Wives, more than a touch Humans, a bit of Ex Machina, and towards the end a chunk of Total Recall, with Meyers playing a guy who hunts down rogue wifebots when their programming goes wrong or they make a run for it – see Blade Runner for more on that. There is, the Humans bit, in the background a resistance organisation called Sentient Citizens for AI Rights, a team of badass … Read more
Mrs Peel at gunpoint

The Avengers: Series 4, Episode 4 – Death at Bargain Prices

Charles Crichton directed one of the best Ealing comedies, 1951’s Lavender Hill Mob, and the highest grossing British comedy of the 1980s, 1988’s A Fish Called Wanda – both crime capers – so is just the man for an episode of The Avengers. And the first shot of the first of five episodes he’d direct announces that “a director” is in the house – it’s a looming, upward-looking shot of a building at dusk, in near-silhouette, ominous as you like. But Crichton wasn’t lauded for his visual style – though he had plenty. What got him the plaudits was his economy (famously praised by Wanda writer/star John Cleese), his ability to say in … Read more
Aaron and local cop Greg investigate

The Dry

A very familiar whodunit with an unfamiliar setting, The Dry sees Eric Bana on home Australian turf as a cop investigating the case of a man who killed his wife and kid before turning the gun on himself. How familiar? How about: cop returns to old stomping ground, drawn back by a case which also re-awakens some slumbering trauma from years before. Yes, that one. Ringing the changes is the parched, dust-dry Outback where years-long drought is squeezing the life out of Kiawarra, a one-horse town dominated by farming, as well as the sweat-stain masculinity that’s an Aussie specialty. Drinking, brawling, swearing and scowling, plenty of all those too. Specifically, Eric Bana plays … Read more

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