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Popular Reviews

19 January 2015-01-19

Out in the UK This Week Boyhood (Universal, cert 15) As I write Richard Linklater’s ambitious drama is picking up Golden Globes like it was made of Velcro and looks like it’s heading for Oscar glory too. So what’s the deal? At first glance it looks like a gimmick, following the same actors for 12 years, Ethan Hawke and Patricia Arquette from their lush prime into early middle age, Ellar Coltrane as the boy of the title, who is five when Linklater turns the camera on, 18 by the time he’s done. So is Boyhood drama or structured reality? It’s actually another go at the sort of freewheeling relationship drama of Linklater’s Before … Read more

The Charge of the Light Brigade

A movie for every day of the year – a good one 28 March Crimean War escalates, 1854 On this day in 1854, Britain and France declared war against Russia. Russia and the Ottoman Empire had been at war since October the previous year, when conflict had broken out ostensibly about the rights of Christians in the Holy Land – being restricted by Muslim Ottomans and being protected by Orthodox Russian if you accept the Russians’ diplomatic rhetoric. In fact the war was about territory, the Turks being on the decline after centuries of dominance in the region, the Russians keen to continue their expansion west into Europe and particularly south to the … Read more

Rebuilding

In plain language Rebuilding doesn’t sound like much of a proposition. A guy whose farm has been burnt out by a devastating fire tries to put his life back together while taking shelter in a Federal Emergency Management Agency trailer. That’s it. But give it a bit of space, as director/writer Max Walker-Silverman gives his characters space, and it rewards the interest. It’s a warm and lovely film at many levels, but a psychologically nuanced one too. The fire is a metaphor. When we first meet Rusty (Josh O’Connor) he’s selling off what’s left of his cattle and pitching up at the FEMA camp for people whose farms and homes have been destroyed. … Read more

All the Marvel Cinematic Universe Movies Ranked

The good, the bad and the ugly, from the very first one to the most recent, here’s the what and the why of Marvel’s web-spinning, hammer-throwing, shield-tossing, Groot-uttering heroes and superheroes in one handy chunk Who’d have thought, when Iron Man gave birth to the Marvel Cinematic Universe (MCU) in 2008, that more than two decades on it would still be flying and still pulling in enthusiastic audiences? Even Kevin Feige, who has produced every single one of them, cannot have expected a run of so many successful films – pushing $30 billion at the box office and counting. As I write, in September 2022, Marvel are planning releases as far as ten years … Read more

Presence

There are big Steven Soderbergh movies and small Steven Soderbergh movies. Presence is the latest of the small ones, stacking up alongside Let Them All Talk and Unsane as another fascinating experiment in Soderbergian minimalism. Between starry, big-budget affairs like Oceans 11 or Contagion, in his smaller movies this master of technique sets himself film-making challenges, much as Hitchcock did with the likes of Rope or Lifeboat, perhaps also inspired by Lars Von Trier’s concept of “obstructions” (self-installed hurdles designed to jump-start the creative process). Soderbergh shot Let Them All Talk guerrilla-style, on board a cruise ship while it went about its regular business with paying customers. Quite a feat considering the cast … Read more

The Burial

A movie called The Burial that buries its main story – it sounds like some kind of meta-joke. But it isn’t. Whether the strategy works is the real question though. The story was first told in the New Yorker and relayed what happened to a real-life Mississippi guy called O’Keefe whose struggling funeral-home business was offered a buyout in the mid-1990s by the Loewen company, a megacorp specialising in burials and, more importantly (it turns out), burial insurance. O’Keefe and Loewen agreed a deal in principle but then the trail went cold. Eventually, convinced that Loewen were sitting on their hands until he went bust, so it could buy him out for cents … Read more

Oh, Canada

Robert DeNiro turned it down and so Richard Gere wound up with another decent role, in Paul Schrader’s Oh, Canada, a cool look at “heroic” types who have done little more than hitch a ride on a wave. Gere plays a crusading documentarian who, stricken with terminal cancer at the end of his life, is being interviewed by old students – now famous themselves – for a last hurrah. Malcolm (Michael Imperioli) and Diana (Victoria Hill) are here to celebrate the man and his valiant work. That’s the dying Leo’s initial intention, too. But, unsure of himself and realising that this is his last chance to set the record straight, he switches track … Read more

Devil’s Doorway

The revisionist western par excellence, Devil’s Doorway is the story of the despicable white man stealing the land off the noble American Indian and then getting nasty when the Indian objects. It stars Robert Taylor as Broken Lance, a Shoshone Indian known as Lance Powell while serving in the US Army, where he won a Congressional Medal of Honor for bravery in the Civil War. Now the war is over Lane is back in the Medicine Bow area where he grew up, to raise cattle on land that’s been in his family for generations. In an early speech in the local saloon Lance expresses the hope that, now the hostilities are over, everyone … Read more

Elvis

It was Elvis’s misfortune to die in 1977, just as punk rock was coursing through mainstream culture. Old and worn out at 42, sick and fat, the King became an instant shorthand for everything that this new wave of music wanted to drive to extinction. He died on the toilet, the story went, with an impacted colon. What a metaphor – the man was literally full of shit. None of that features in Baz Luhrmann’s Elvis, a gaudy and joyous celebration of the man from cradle to grave, stopping off mostly at the best bits and leaving the dark stuff way off to the sides. This would be terribly problematic, if Elvis were the … Read more

Erotikon

What else did the director Mauritz Stiller do, apart from discover Greta Garbo and take her to America? Erotikon is one answer, a cult silent movie remarkably triumphing in a genre that usually needs dialogue to succeed. It’s a farce and Stiller gets it up and running in two opening scenes sketching his two main characters. In one corner Leo Charpentier, a professor of entomology who can wax lyrical about the sexual proclivities of the male beetle – how it likes to put it about a bit, in short – without ever realising that the same might apply to a) the female beetle, b) a human subject and c) most pertinently, his wife. We … Read more

Persuasion

Before popping up seemingly out of nowhere when he directed Notting Hill, Roger Michell had had a successful career as a theatre director, at the groundbreaking Royal Court Theatre in London with Samuel Beckett and John Osborne (where he also met Danny Boyle), before moving on to the Royal Shakespeare Company (RSC) and then switching to directing for TV. Persuasion was his second gig for the BBC, and considering that stories of difficult love (Notting Hill, The Mother, Venus) would be his future, and the theatre was his past, it is the Venn diagram overlap of the two spheres. His cast for Persuasion is theatrical through and through, Amanda Root (an RSC stalwart) … Read more

Herself

Phyllida Lloyd is most often described as the director of Mama Mia! but there’s a lot more to her than that. Take Herself, the latest in a line of strongly female-centred productions, including the Mrs Thatcher biopic The Iron Lady and the all-female Shakespeare productions of Julius Caesar, Henry IV and The Tempest at the Donmar Theatre in London, which drew raves from the critics, wild applause from audiences and loud harrumphs from the gammons. The Shakespeares all gave top billing to Harriet Walter, and meaty roles to Clare Dunne. Here, Dunne is thrust into the lead (well, she did co-write) and Walter is a gracious supporting star in a story about one … Read more

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