Popular Reviews
Sputnik
Sputnik is a movie from 2020 set in the Soviet era. As well as having a fantastic story thick with allegorical possibilities, it also feels like a movie from the Soviet era – as if half inch steel plate had been riveted together. There are touches of pure Hollywood too, not least in the character of its chief protagonist, the smart and businesslike Tatyana Klimova (played by the eye-catching Oksana Akinshina), a feisty shrink we first meet refusing to be made a scapegoat for some misdemeanour or other. Maverick credentials established, she’s soon been drafted in to take a look at a cosmonaut who’s recently arrived back on planet Earth after his mission went … Read more
Co/Ma
In 2004 director Mike Figgis led a “master class”, a five day workshop in Ljubljana, Slovenia, for some of Europe’s hot, upcoming talent. Co/Ma is the result of the collaboration, a film made by the members of the course and shown to them, and a few paying members of the public, at the end of the week. Co/Ma stands for Cooperative Marxists/Collaborative Masterclass, a name that seems designed to aggravate as much as the finished product. Which is… a dog’s breakfast, if we’re being brutal. Or a deliberately tricksy film playing with postmodern tropes, if we’re not. In form it’s a documentary about a mockumentary about the making of a soap, and perhaps the … Read more
Surge
Surge is one of those films that make a nonsense of star ratings. It’s undeniably brilliantly conceived, played and made but whether you actually want to watch it is another matter. Compelling and entertaining are not the same thing. The IMDb charmingly calls it a “thriller about a man who goes on a bold and reckless journey of self-liberation”. I’d call it an almost clinical overview of a man going into, and eventually being swamped by, psychosis. Joseph, played by Ben Whishaw, starts out OK enough, if a bit twitchy. He’s one of the security guys at London Stansted Airport who frisk you as you go through from landside to airside. It’s a … Read more
Carnival of Souls
Shot in three weeks by a guy on a break from his real job, 1962’s Carnival of Souls is a spooky thriller about a woman who somehow survives a fatal car accident then drifts around for the rest of the movie like a restless spirit in a too-concrete world. It’s been described as something like an extended episode of the Twilight Zone – something like the Black Mirror of its day – which is largely down to the spectral, evocative organ score by Gene Moore, as well as the gotcha reveal at the finish, which won’t gotcha anyone who’s consuming as much media product as 21st-century audiences do. Director Herk Harvey said he … Read more
La Llorona
La Llorona is a figure in Mexican folklore, a tragic ghostly beauty dressed in white clothes who haunts the world she once lived in, having drowned first her own children and then herself. You can find a faint echo of La Llorona in the Wilkie Collins novel The Woman in White, but though The Woman in White has been turned into several movies, TV series and an Andrew Lloyd Webber musical, it’s never really taken hold in the anglosphere quite the same way as La Llorona has with Spanish speakers – in fact there were two other movies based on the myth in production when this La Llorona debuted. I mention all that because … Read more
The Avengers: Series 6, Episode 31 – Pandora
The benign king deceived by his courtiers – a wicked grand vizier, a scheming cardinal, a treacherous brother – is a comforting story told and retold down the ages. The Avengers episode Pandora is Brian Clemens’s version of it: a man grieving for a lost love being fooled by his family into believing she is alive, the better to loosen his grip on the family fortune… Pandora is that woman, dead 50 years but still mourned by maddened recluse Gregory (Peter Madden), around whom a massive deceit is daily confected that out in the wider world the First World War is still raging and Pandora is still alive. All that bad guys Rupert … Read more
The Day of the Jackal
The Day of the Jackal would probably appeal to the members of a Facebook group called the Dull Men’s Club – recent topics include fuel efficiency while driving, insulating old buildings and dealing with nail fungus. The Dull Men’s Club (a Dull Men’s and Women’s Club also exists) loves detail, procedure, process, how things work and why they sometimes don’t. The Day of the Jackal is the procedural film with knobs on. It came out in 1973 and was made by Fred Zinnemann, an Austrian-born American director based in London who managed to get studio sign-off on his adaptation of Frederick Forsyth’s novel about an assassination attempt on the life of General de Gaulle, … Read more
Host
Host is the perfect pandemic horror movie. Shot entirely on Zoom, it features a menacing presence that’s out there… somewhere… and a bunch of mates who are communicating with each other lockdown-style via laptop/phone/tablet. Expanding a short that went viral and gave director/co-writer Rob Savage an in with Shudder, who financed the film, it takes the glitches and irritations of the Zoom call and puts them to work dramatically. Realism is everything here and Savage and co-writers Gemma Hurley and Jed Shepherd have kept in the stuff that makes a Zoom call a Zoom call. So, the scratty getting-going moments, when one person is online but another isn’t, the terrible sound of a headset microphone … Read more
Fifty Dead Men Walking
A movie for every day of the year – a good one 7 August Mata Hari born, 1876 On this day in 1876, a woman was born who became so famous as a spy that her name is still synonymous with sexy female treachery. Margaretha Geertruida Zelle was born in the Netherlands and died in front of a firing squad in Paris 41 years later. As a child she had been well educated by her well-to-do parents, but the family fortunes crumbled along with her parents’ marriage and by the age of 13 Margaretha was shuttling between relatives. At 18 she married an officer in the Dutch colonial army and moved to the … Read more
Ludwig
As mad and excessive as the king it portrays, Luchino Visconti’s Ludwig – about the “mad” King Ludwig II (1845-1886) of Bavaria – is a vast, sprawling and sumptuous catalogue of the excesses of a monarch who’s clearly off his chump. It got absolutely hammered by the US critics when it opened there in 1973 – Roger Ebert gave it one star and described it as “lethargic and persistently uninteresting”. The New York Times said it was “bereft of ideas”. And neither of them had seen the full-length four-hour version. At least 30 minutes had been lopped for its US distribution. Which is a pity, because the sheer unwieldy size of the thing … Read more
Captain Kronos: Vampire Hunter
There’s a bat stuck “splat!” on to someone’s face at a certain point in Captain Kronos: Vampire Hunter, which just about sums up this film made in 1972 (released in 1974), an attempt by writer/director Brian Clemens and his crew to breathe new life into the vampire genre and the Hammer Studio’s output. Clemens was the moving spirit behind the British TV spy-fi series The Avengers, which had ceased production in 1969 after an eight-year run. Never one to let the grass grow under his feet, in the interim he’d created the comedy series My Wife Next Door, and written for TV shows The Champions and The Protectors, and also penned the screenplay … Read more
26 January 2015-01-26
Out in the UK This Week Jimi: All Is by My Side (Curzon, cert 15) Imagine a Jimi Hendrix record without any of his guitar pyrotechnics. That’s the feeling you get from this efficient, workaday biopic about the godlike genius who came and went so quickly, leaving behind enough music for us to know how good he was. The film follows Hendrix’s transformative year in London 1966-67, makes glancing references to his influences and to his ethnicity (as you might expect from a film directed by 12 Years a Slave writer John Ridley). The ethnicity, it claims, Hendrix chose to ignore, which almost brings into focus a man who might have been remarkably … Read more
