Popular Reviews
Infinity Pool
What happens when the constraints of civilisation are loosened? It’s the sort of question Michael Haneke asks in a series of films, Funny Games and Time of the Wolf most obviously. In Infinity Pool Brandon Cronenberg attacks the same subject, except from a typically Cronenbergian direction, but comes to more or less the same grim and bloody conclusion as Haneke. Prepare, in other words, for a lack of laughs. Prepare also for another spectacular Mia Goth performance, current queen of letting it all hang out when it comes to horror. But first let’s meet James (Alexander Skarsgård) and wife Em (Cleopatra Coleman), a couple staying in a dangerous developing country where the wealthy … Read more
Obex
Shut-ins of the world unite, you have nothing to lose but your screens. Obex is an ingenious bit of no-fi sci-fi and if you like this sort of thing – I do – then you will be hugely entertained by Albert Birney’s film folding blocky 1980s visuals and parping ancient synths into an Albert in Wonderland story of a recluse who enters a computer game. First, though, a bit of scene-setting. This starts with the opening credits, which show real production company idents rendered in clunky 8-bit. After which we meet Conor (Birney), a supernerd who lives alone with his dog (Birney’s own dog, Dorothy). Conor’s only communication with other humans is a weekly … Read more
United 93
A reconstruction of what happened on 11 September 2001 to the fourth hijacked plane, which went down in Pennsylvania before getting to its target in Washington DC, probably the White House. It’s shot in a documentary-like shaky-cam style, has not a single recognisable face to hook onto and there’s a complete absence of heroic Hollywood dialogue. Writer/director Paul Greengrass lets events unfold in real time which, coupled with the knowledge of how things pan out, has the effect of making every otherwise mundane detail – stewardesses sharing a joke, businessmen working on their laptops – unbearably poignant. As we have already seen in The Bourne Supremacy, Greengrass is a master of dramatic irony … Read more
19 September 2016-09-19
Out This Week Everybody Wants Some!! (E One, cert 15) About perfect, Richard Linklater’s ode to university life when he was a lad is a portrait of 1980s guys just hanging out and having fun, getting laid, listening to music, crashing parties and playing sports. Not much work gets done. It’s done in an Altman-esque overlapping style, pumps music of the era onto the soundtrack and is thick with cultural references to make us feel like we’re there – Space Invaders games as recreation, My Sharona on a car radio, the Burt Reynolds moustache still a non-ironic look. There are no big names and you’d be tempted to think Linklater is aiming for … Read more
Le Samouraï
Jean-Pierre Melville’s stylish 1967 hitman flick Le Samouraï has danced down the decades, leaving its mark on everything from William Friedkin’s The French Connection, to Walter Hill’s The Driver (and, by extension, Nicolas Winding Refn’s homage, Drive), Jarmusch’s Ghost Dog, Anton Corbijn’s The American and the Coens’ No Country for Old Men. Even John Wick can trace its ancestry back to Le Samouraï, Keanu Reeves being a 21st century update on the lone wolf operator going into battle against forces known and unknown. The opening shot alone makes Le Samouraï noteworthy. A darkened room, a man lying on a bed. The camera does one of those perspective-altering Vertigo zooms, gets about halfway into … Read more
The Undertaker
The Undertaker has a novel suggestion for gangsters needing to dispose of dead bodies in a hurry. Instead of going to all the fuss of running a waste disposal business, why not just bury the bodies in a the ground, beneath the coffins of legitimate new arrivals at their final resting place? Who’s going to look in a cemetery? And if you can’t be bothered with the rigmarole of being an undertaker yourself, just get a real one to play along, and pay him handsomely to keep his mouth shut. That is the simple and effective premise of Michael Wright’s debut feature, which he wrote and directed. Wright started out in the world … Read more
Infested
Infested is Attack the Block with added spiders… and that’s a good thing. A homage to John Carpenter, in other words. Confined space, conflicted characters, churning synths, an invisible foe… until it suddenly isn’t, it’s (mostly) all here. It’s the feature debut of French director Sébastien Vaniček and impressed Sam Raimi enough to get Vaniček a gig directing the next Evil Dead movie – a franchise back from the, er, dead. You can see why Raimi signed him up. Raimi-like, Vaniček wastes no time getting his story going, and then prioritises forward momentum. In disaster-movie style we meet a bunch of characters before following them into a situation full of jeopardy. Some will survive, … Read more
The Poseidon Adventure
A movie for every day of the year – a good one 23 April Ronald Neame born, 1911 On this day in 1911, a remarkable figure in cinema was born. Ronald Elwin Neame lived until 2010 and in his time was a cinematographer, a producer, writer and director. There are probably plenty of people who could line up a similar list of credits. But Neame was a cinematographer on Powell and Pressburger’s One of Our Aircraft Is Missing, a producer of Oliver Lean’s Oliver Twist, the writer of Lean’s Great Expectations and the director of The Poseidon Adventure, each one of them an important film, for different reasons. He also directed Judy Garland … Read more
Phantom Lady
A man with a spare ticket to a show invites a random woman to go with him. He’s been stood up, he explains and this is a geniune “shame to waste it” offer. She, wary of this stranger but distraught about something and needing distraction, half-heartedly agrees. No introductions, she insists, no names. To emphasise that this is no prelude to a pick-up, or beginning of a relationship, or anything of that sort. It’ll just be an evening of fun at a show. And so it is. They take a cab from the bar where they met to the Chica-Boom-Boom musical revue, where the revue’s drummer gives the mystery lady the glad eye. … Read more
Lapsis
Sci-fi costs money. All those sets, all that tech. But there’s an honourable tradition of good lo-fi sci-fi that Lapsis fits into neatly. Films like The Signal, Attack the Block, Timecrimes and Monsters are only low budget in movie terms. Others (Skeletons, Thale) somehow get made for the sort of money most people could lose and not notice. All marked are with the ingenuity that springs from necessity. The ingenious, inspired leap in Lapsis is to use tech that is genuinely rickety and old school – everything looks 1990s, from 8-bit computer screens to boxy hardware – and make its star a guy who is old school himself. Even his name is old … Read more
Gemini
Gemini director Shinya Tsukamoto was about 30 when he made his most infamous film, Tetsuo, which featured a man turning into a kind of scrapyard monster, complete with gigantic revolving hydraulic penis. Ten years later in 1999, nudging 40, here he is calmed down a touch, but not that much if the opening shots of Gemini – maggots crawling in meat, bedraggled rats feasting on what looks like an animal head – are anything to go by. Don’t expect restraint, in other words. Though there is a lot of taste and gorgeousness on display in Tsukamoto’s camerawork in early scenes as we meet a kindly noble doctor, his parents and beautiful amnesiac wife in … Read more
Night at the Crossroads aka La Nuit du Carrefour
There are three competing theses for what went wrong with Jean Renoir’s Night at the Crossroads (aka La Nuit du Carrefour), a 1932 whodunit of the old school but with some very strange jumps, bumps, gaps, leaps of logic and filmic equivalents of handbrake turns. Number one is that Renoir was depressed while making it and so was often drunk. He simply made a mess of it. Another is that he ran out of money and so never really finished it. The third is that somewhere in the process a reel of film got lost, the one that would have gone a long way towards tying everything together. Whatever the reason, the film … Read more
