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The Way You Wanted Me aka Sellaisena kuin sinä minut halusit

Something of an outsider, an unknown quantity even by the standards of old cinema from far-flung corners of Europe, Teuvo Tulio is quite a maverick and The Way You Wanted Me (Sellaisena kuin sinä minut halusit, in the original Finnish) is a great example of what he does. A stark and direct melodrama, it’s a noir-meets-Douglas Sirk story of a sweet country lass corrupted by big-city morality and then tormented by fate, which repeatedly holds up a chance of redemption only to snatch it away again. Pushkin’s The Postmaster seems to provide the bare bones of the plot, and though Tulio has changed a lot of the particulars, certain key scenes map pretty … Read more

Perfect Days

We have Covid to thank for Perfect Days, the best film from Wim Wenders in some time. The original idea was to get Wenders to Tokyo to make a documentary about the toilets built for the 2020 Tokyo Olympics (a gig is a gig). But the Olympics first got postponed to 2021 and then eventually took place behind closed doors without any spectators. The toilets barely got used. Wenders, however, did get to make his film. But instead of a documentary, Wenders pushed to make a feature film, incorporating those 17 toilets designed by leading architects, with the action focused not on the toilets themselves – though they do feature prominently – but on … Read more

Plainclothes

“Pretty policemen” is what they used to call the cops who entrapped gay men in public toilets. Tom Blyth plays one in Plainclothes, an old-school gay movie in many respects, set in the 1990s and all about the trials of the closeted homosexual man. It’s intimate – human-emotions intimate rather than body-parts intimate – and if I say that Blyth’s undercover cop Lucas spends his days luring unsuspecting homosexuals into toilets, where they are apprehended once in a compromising situation, you will probably say “and then one day he falls for one of the men he’s meant to entrap”. That is exactly what happens. And it is more or less the entire story. … Read more

Willow

Three stories, two periods, one issue – children – in Willow, a spiky North Macedonian drama which first shows us “the old ways”, then reminds us that they exert a pull even on modern-day lives. The first story gives it to us neat. We’re in pre-modern, possibly medieval times, where childless Donka and her husband have been trying and failing to conceive for five years. They visit a crone and tell her of their predicament. They have tried all the old wives’ methods, they say, and now they have come to a proper old wife as a last ditch. She, cackling and stirring a pot like something from the Grimm brothers, tells them she … Read more

Impetigore

Impetigore? It’s the English title of a horror movie whose original Indonesian name is Perempuan Tanah Jahanam, so if you’re aiming for authenticity, pile right in. The Trivia section on its IMDb entry helpfully tells us that the word is a conflation of “Impetigo (bacterial infection of the skin that is more common in young children than other ages), and the word Gore (which means violence and bloodshed).” So there we have it – Impetigore – and I can report that, yes, there is a skin condition and children are involved and, yes, there’s gore, plenty of it as this initally moody, sweaty and fascinating film winds towards its increasingly scary close. Things start … Read more

22 June 2015-06-22

Out This Week Fifty Shades of Grey (Universal, cert 18) This decade’s Da Vinci Code – the book read by people who don’t often read books – is a basic Mills & Boon/Harlequin story (masterful man, virginal girl) with an added belt, if that’s the word, of S&M. In this film adaptation Jamie Dornan glowers but brings no real life to the role of buff CEO Christian Grey whom Dakota Johnson’s Anastasia Steele meets as he’s buying cable ties in the shop she works in. Dakota looks like her dad, Don Johnson, and has the pluck of her mother, Melanie Griffith, which is handy because she is required to take off more clothes … Read more

The Munsters

Rob Zombie’s The Munsters is a reboot of the 1960s TV show borrowing heavily from the original and dredging it all in a tooth-rotting production design. Rarely if ever has a black-and-white TV show been re-imagined so gaudily. The end product, like Herman Munster himself, is a bag of bits. That’s maybe intentional. Herman Munster was an ersatz Frankenstein’s monster, the original version having been assembled in the good Baron’s laboratory. In much the same way, in the 1960s The Munsters was assembled from offcuts of Universal’s 1930s and 1940s horror movies – Frankenstein, Bride of Frankenstein, Dracula, The Wolf Man etc. This made financial sense. No character rights to pay for since Universal … Read more

The Family Friend

A movie for every day of the year – a good one 9 May First recorded appearance of Mr Punch, 1662 On this day in 1662, Navy Board administrator Samuel Pepys went to Covent Garden, London, where he enjoyed “an Italian puppet play that is within the rayles there, which is very pretty, the best that ever I saw…”. The show was by a Pietro Gimonde from Bologna, and Pepys’s mention of it in his famous diary is the first record we have of Mr Punch. Today, Punch is a glove puppet, but back then he was a string marionette called Puncinello or Pulcinella or Pulliciniello, a character derived from the Italian commedia … Read more

Malignant

One word titles suggesting ugginess are a bit of a specialty for James Wan – Saw, Insidious and now Malignant, a never frightening but entirely entertaining tour of the all-you-can-eat horror buffet. The writer/producer/director piles on a whole load of stuff, then a bit more, and then more still. If nothing else, you have to admire the size of his plate. It all starts pre-credits with one of those sequences set inside some murky clinical facility where a medical team are trying to subdue someone or thing and finding themselves up against it. The thing, or whatever it is, seems to be “drinking electricity”. Hold on to that thought – and then later … Read more

The Dark End of the Street

This tantalising drama is the second film by writer/director Kevin Tran, and the second one to be called The Dark End of the Street – his first was a short and is the basis for this extended version, also, at 69 minutes, quite short. Robert Altman is at least partly the inspiration for a string of stories all set on the same suburban street and which increasingly start to coalesce. In rapid succession we meet Isaac (Michael Cyril Creighton) out walking his dog, Marney (Brooke Bloom) just home from work and shocked to discover that her cat has been killed, the Korean family over the road who are horrified at the news, Jim … Read more

The Million Dollar Hotel

A movie for every day of the year – a good one 7 June Groundbreaking of the Rock and Roll Hall of Fame, 1993 On this day in 1993, the groundbreaking ceremony of the Rock and Roll Hall of Fame took place, in Cleveland, Ohio. It was attended by Pete Townshend, Chuck Berry, Sam Moore (of Sam and Dave), Dave Gardner (the Coasters), Billy Joel, Sam Phillips, Ruth Brown and Dave Pirner (Soul Asylum). The hall had been proposed in 1983 by Ahmet Ertegun of Atlantic Records, with a view to capturing an ephemeral art form – or of confirming that rock and roll wasn’t ephemeral at all, take your pick – and … Read more

Mulberry St

A movie for every day of the year – a good one 27 March Typhoid Mary quarantined, 1915 On this day in 1915, Mary Mallon was quarantined for the second and final time. A carrier of typhoid who remained healthy herself, Mallon’s career as an itinerant cook meant she was perfectly placed to spread the disease. As she moved from position to position after arriving in the US from Ireland, she spread typhoid at every kitchen she worked in. 49 people came down with typhoid; three died. She resolutely refused to give any samples to health researchers, claiming that since she was healthy herself, she couldn’t be spreading illness. She had been quarantined … Read more

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