Popular Reviews
The Messenger
A movie for every day of the year – a good one 13 March Henry Shrapnel dies, 1842 On this day in 1842, Major General Henry Shrapnel, British army officer, died aged 80, at his home, Peartree House, Southampton, UK. It was he who is supposed to have invented the “spherical case” bomb, which exploded in mid-air (there is every likelihood that it was in fact a French engineer called Bernard Forst de Bélidor). A hollow cannonball filled with lead shot, it was designed to inflict massive damage on people. Until then cannonballs had been solid and had achieved maximum impact when used against ships – it was the massive splintering of oak … Read more
Surge
Surge is one of those films that make a nonsense of star ratings. It’s undeniably brilliantly conceived, played and made but whether you actually want to watch it is another matter. Compelling and entertaining are not the same thing. The IMDb charmingly calls it a “thriller about a man who goes on a bold and reckless journey of self-liberation”. I’d call it an almost clinical overview of a man going into, and eventually being swamped by, psychosis. Joseph, played by Ben Whishaw, starts out OK enough, if a bit twitchy. He’s one of the security guys at London Stansted Airport who frisk you as you go through from landside to airside. It’s a … Read more
Werewolf of London
So here’s the world’s first feature-length werewolf movie, 1935’s Werewolf of London, which wasn’t particularly successful financially or critically but did get into the ether most of the nuts and bolts, the lore, of weremovies to come. It owes a tiny bit to Frankenstein – gentleman scientist interfering with the nature of things in a lab full or arcing electricity – and quite a lot to Dr Jekyll and Mr Hyde, which had been a huge hit four years earlier. Whole chunks of Werewolf‘s story appear to have been airlifted from the 1931 movie, in fact, something all the critics noticed and a few were not happy about. While searching for a rare … Read more
The Card Counter
In The Card Counter we meet another of Paul Schrader’s lost loners, with Oscar Isaac joining actors as varied as Robert De Niro (Taxi Driver) and Lindsay Lohan (The Canyons) as the latest in a series of souls seeking salvation, redemption, expiation in a do-or-die struggle with their own human frailty. In familiar Schrader first-person voiceover William Tell (Isaac) explains how he learned to count cards while in prison serving an eight-year jail term for the abuse of prisoners at Abu Ghraib. Tell goes into some detail explaining how card counting works – high value cards score minus one, low value cards plus one, the other cards nothing at all – and how … Read more
Clochemerle
Broadcast in 1972, the same year it was agreed that the UK would join the European Common Market, Clochemerle caused a stir when it was first shown. That’s because this charming show was all about a urinal. This pissoir (the word is never used) is erected in a small French village by the progressive mayor and town clerk, and causes ructions after the forces of conservatism decide it’s an affront to deceny and campaign to have it taken down. It was an unusual TV show in many respects. It was an international collaboration (with West German TV) in an era when such things were rare. It was an adaptation of a French comic … Read more
Late Spring
Late Spring is the title and late spring is the condition of its central character, a woman who, at the advanced age of 27, is almost too old for marriage – she’s in the late spring of her adult life. It’s 1949 and in Japan the American occupiers are running the show after the end of the Second World War. 27-year-old Noriko is the smiling, gracious, pretty and dutiful daughter of kindly widower Shukichi (Chishû Ryû). As far as he’s concerned she’s perfect in every way except one – she really doesn’t want to marry. When Noriko meets one of her father’s old colleagues, a man who has recently remarried, she tells him that … Read more
The Quiet Girl
Oh dear. There were tears before bedtime watching The Quiet Girl (An Cailín Ciúin), an Irish-language film set in the 1980s and all about a girl whose parents send her off to live with a distant cousin on a remote farm. Mother (Kate Nic Chonaonaigh) is overburdened with kids. Dad (Michael Patric) is a feckless womanising boozer, and young Cáit (Catherine Clinch), not fitting in too well at school, has become a handful. And so, without being consulted, Cáit is shipped off for the school summer holidays in what might be a dry run for something more permanent. It looks like the set-up for one of those misery memoirs à la Angela’s Ashes, … Read more
Time to Kill
In one hour 1942’s Time to Kill achieves what a lot of much longer films fail to do. It delivers a story while painting a picture of a time, a place and the people in it, and is highly entertaining, amusing and dramatic. The fact that it’s based on a Raymond Chandler story helps – this is the first adaptation of High Window, which would re-emerge on screen as The Brasher Doubloon five years later. But Lloyd Nolan as Michael Shayne – Chandler’s detective Philip Marlowe in all but name – really helps too. Shayne is introduced feet first, the camera lingering on the holes in his shoes as he takes a call that … Read more
The Clay Pigeon
The issues are fascinating but the plotting swings about like a thing demented in The Clay Pigeon, a paranoid thriller written by Carl Foreman, of High Noon and The Bridge on the River Kwai fame, and directed by Richard Fleischer, estimable names both. Bill Williams plays a soldier who wakes up from a coma only to be told he’s about to be court-martialled for murder and treason for turning a fellow soldier over to the Japanese when both were PoWs. Since Jim Fletcher (Williams) has amnesia, he has no idea what the charges are all about but he is clear-minded enough to know he’s in a fix. Climbing out of his hospital bed … Read more
The Small Back Room
So how do you follow a grand Technicolor extravaganza like The Red Shoes? With The Small Back Room, if you’re Michael Powell and Emeric Pressburger. A war movie set in 1943, even its title is telling us that this isn’t more of the same. And it really isn’t. A mid-grey hodgepodge in which nothing quite locks into place, deliberately, it’s almost experimental in its approach. Does this 1949 movie work? Depends what you mean. The film was called Hour of Glory in the US, which makes sense, kind of, by the time you’ve got to the end of the film but none whatsoever for the majority of it, since it’s a story of … Read more
Red Right Hand
We’re in Appalachia for Red Right Hand, latest film by the Nelms brothers, Eshom and Ian. And immediately having said Appalachia, the shades start to assemble. Poor lives on the margin. Cackling inbreeds. Illicit drugs. Attack dogs. Tattoos. Guns and hunting. God. The family. Male relationships that seem overly familiar. Check, check, check, check and check (plus a few more). No one seems overly intent on overturning the stereotypes in Orlando Bloom’s latest foray into action-hero territory. This he has been exploring, presumably since he and his agent sat around scratching their heads over what to do with his career – Lord of the Rings must have been lucrative but that was a … Read more
The Death of Robin Hood
Can Robin Hood even be killed? Writer/director Michael Sarnoski thinks he can, and approaches the immortal figure of legend from two different directions in The Death of Robin Hood. Errol Flynn, Kevin Costner, Russell Crowe and Daffy Duck (yes, really), stand back. First up, a dark, wind-blasted and grungy cavalcade of extreme bloodletting. In Sarnoski’s telling, the hero of ballad and folk tale is demythologised and presented as an old yet vicious killer. Stow all memory of Errol Flynn in wrinkled tights of Lincoln Green, Hugh Jackman’s grizzled, white-haired Robin is already despatching a young woman in the film’s first five minutes, but not before informing her that the old stories about brave … Read more
